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Flaunting : style and the subversive male body in Renaissance England 🔍
Amanda Bailey University of Toronto Press, Scholarly Publishing Division, University of Toronto Press, Toronto, 2007
英语 [en] · PDF · 11.0MB · 2007 · 📗 未知类型的图书 · 🚀/ia · Save
描述
In the early modern period, the theatrical stage offered one of the most popular forms of entertainment and aesthetic pleasure. It also fulfilled an important cultural function by displaying modes of behaviour and dramatizing social interaction within a community. Flaunting argues that the theatre in late sixteenth-century England created the conditions for a subculture of style whose members came to distinguish themselves by their sartorial extravagance and social impudence.
Drawing on evidence from legal documents, economic treatises, domestic manuals, accounts of playhouse practices, and stage plays, Amanda Bailey critiques standard accounts maintaining that those who flaunted their apparel were simply aspirants, or gaudy versions of the superiors they sought to emulate. Instead, she suggests that what mattered most was not what these young men wore but how they wore their clothes. These young men shared a distinctive sartorial sensibility and used that sensibility to undermine authority at all levels of society. Flaunting therefore, examines male style as a visual form of subversion against the norms of Renaissance England with the stage as the primary source of inspiration for collective identification.
A glimpse into both the celebration of and opposition to social irreverence in the early modern period, Flaunting is a fascinating historical account of drama, fashion, and rebellion with surprisingly close parallels to the contemporary world.
备选作者
Bailey, Amanda, 1966-
备用出版商
Toronto: University of Toronto Press
备用版本
Canada - English Language, Canada
备用版本
Toronto [etc.], Canada, 2007
备用版本
Toronto, Ontario, 2007
备用版本
September 15, 2007
备用版本
1, PS, 2007
元数据中的注释
Includes bibliographical references (p. [175]-184) and index.
元数据中的注释
РГБ
元数据中的注释
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=504 \\ $a Includes bibliographical references (p. [175]-184) and index.
=650 \7 $a История. Исторические науки -- История зарубежных стран -- Великобритания -- Период феодализма (5 в. - 1640 г.) -- Период разложения феодализма и зарождения капиталистических отношений (кон. 15 - сер. 17 в.) -- Культура. Идеология. Быт -- Быт $2 rubbk
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备用描述
In the early modern period, the theatrical stage offered one of the most popular forms of entertainment and aesthetic pleasure. It also fulfilled an important cultural function by displaying modes of behaviour and dramatizing social interaction within a community. Flaunting argues that the theatre in late sixteenth-century England created the conditions for a subculture of style whose members came to distinguish themselves by their sartorial extravagance and social impudence.
Drawing on evidence from legal documents, economic treatises, domestic manuals, accounts of playhouse practices, and stage plays, Amanda Bailey critiques standard accounts maintaining that those who flaunted their apparel were simply aspirants, or gaudy versions of the superiors they sought to emulate. Instead, she suggests that what mattered most was not what these young men wore but how they wore their clothes. These young men shared a distinctive sartorial sensibility and used that sensibility to undermine authority at all levels of society. Flaunting therefore, examines male style as a visual form of subversion against the norms of Renaissance England with the stage as the primary source of inspiration for collective identification.
A glimpse into both the celebration of and opposition to social irreverence in the early modern period, Flaunting is a fascinating historical account of drama, fashion, and rebellion with surprisingly close parallels to the contemporary world.
备用描述
"In the early modern period, the theatre offered one of the most popular forms of entertainment and aesthetic pleasure. It also fulfilled an important cultural function by displaying modes of behaviour and dramatizing social interaction within a community. Flaunting argues that the theatre in late sixteenth-century England created the conditions for a subculture of style, whose members identified themselves by their sartorial extravagance and social impudence." "Drawing on evidence from legal documents, economic treatises, domestic manuals, accounts of playhouse practices, and stage plays, Amanda Bailey critiques the standard accounts, which maintain that those who flaunted their apparel were simply aspirants, or gaudy versions of the superiors they sought to emulate. Instead, she suggests that what mattered most was not what these young men wore but how they wore their clothes. These young men shared a distinctive sartorial sensibility and used that sensibility to undermine authority at all levels of society. Flaunting therefore examines male style as a visual means of subverting the norms of Renaissance England with the stage as the primary source of inspiration for collective identification."--BOOK JACKET.
备用描述
x, 190 p. ; 24 cm
Includes bibliographical references (p. [175]-184) and index
'Style is the man': defiant aesthetics and the culture of male youth -- Monstrous manner: clothing law and the early modern theatre -- Livery and its discontents in 'The Taming of the Shrew' -- The Italian vice and bad taste in Edward II -- Plotting style in Ben Jonson's London
开源日期
2023-06-28
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