An obsessively private writer, Emily Dickinson almost never submitted poems for publication, which she deemed "the Auction / of the Mind." Yet over a century of criticism has established what readers of various sensibilities describe as a shockingly intimate relation between text and audience, making the question of whom the poems address a crucial element in interpreting them. This volume of essays is the first book exclusively focused on Dickinson's relation to audience--from the relatively few persons who received many of the poems to that vast, unseen, yet somehow specific other that any literary work addresses. Dickinson's writings were influenced by her ambivalent attitude toward the conventions of the nineteenth-century literary marketplace and her desire to shape more intimate relations with chosen contemporaries. Still, her poems and letters engage modern readers and speak to the social and gendered politics of our own day. Thus this collection treats both the importance of Dickinson's personal friendships and the ways in which contemporary poetics continue to sustain the vitality of her writings. With contributions from Willis Buckingham, Karen Dandurand, Betsy Erkkila, Virginia Jackson, Charlotte Nekola, Martin Orzeck, David Porter, Robert Regan, Richard B. Sewall, Rob Smith, Stephanie A. Tingley, and Robert Weisbuch, the collection boasts a wide variety of critical approaches to the poet and her works--from traditional biographical and historical analyses to deconstructionist, feminist, and reader-response interpretations. It will interest not only scholars in these fields but also anyone who wants to gain insight into Dickinson's creative genius. " . . . an enlivening intersection of Dickinson scholarship and contemporary theory."-- Joanne Feit Diehl, University of California, Davis Martin Orzeck is Lecturer in English, University of Pennsylvania. Robert Weisbuch is Arthur F. Thurnau Professor of English, Associate Vice-President for Research, and Associate Dean of the Rackham School of Graduate Studies, University of Michigan.
An obsessively private writer, Emily Dickinson almost never submitted poems for publication, which she deemed "the Auction / of the Mind." Yet over a century of criticism has established what readers of various sensibilities describe as a shockingly intimate relation between text and audience, making the question of whom the poems address a crucial element in interpreting them. This volume of essays is the first book exclusively focused on Dickinson's relation to audience--from the relatively few persons who received many of the poems to that vast, unseen, yet somehow specific other that any literary work addresses. Dickinson's writings were influenced by her ambivalent attitude toward the conventions of the nineteenth-century literary marketplace and her desire to shape more intimate relations with chosen contemporaries. Still, her poems and letters engage modern readers and speak to the social and gendered politics of our own day. Thus this collection treats both the importance of Dickinson's personal friendships and the ways in which contemporary poetics continue to sustain the vitality of her writings. With contributions from Willis Buckingham, Karen Dandurand, Betsy Erkkila, Virginia Jackson, Charlotte Nekola, Martin Orzeck, David Porter, Robert Regan, Richard B. Sewall, Rob Smith, Stephanie A. Tingley, and Robert Weisbuch, the collection boasts a wide variety of critical approaches to the poet and her works--from traditional biographical and historical analyses to deconstructionist, feminist, and reader-response interpretations. It will interest not only scholars in these fields but also anyone who wants to gain insight into Dickinson's creative genius. " . . . an enlivening intersection of Dickinson scholarship and contemporary theory."-- Joanne Feit Diehl, University of California, Davis Martin Orzeck is Lecturer in English, University of Pennsylvania. Robert Weisbuch is Arthur F. Thurnau Professor of English, Associate Vice-President for Research, and Associate Dean of the Rackham School of Graduate Studies, University of Michigan.

Orzeck, Martin, 1951-; Weisbuch, Robert, 1946-

edited by Martin Orzeck and Robert Weisbuch

Martin A. Orzeck; Robert Weisbuch

United States, United States of America

First Edition, PT, 1996

October 15, 1996

Includes bibliographical references.

viii, 280 pages ; 24 cm
An obsessively private writer, Emily Dickinson almost never submitted poems for publication, which she deemed "the Auction / Of the Mind." Yet over a century of criticism has established what readers of various sensibilities describe as a shockingly intimate relation between text and audience, making the question of whom the poems address a crucial element in interpreting them. This volume of essays is the first book exclusively focused on Dickinson's relation to audience - from the relatively few persons who received many of the poems to that vast, unseen, yet somehow specific "other" that any literary work addresses
Dickinson's writings were influenced by her ambivalent attitude toward the conventions of the nineteenth-century literary marketplace and her desire to shape more intimate relations with chosen contemporaries. Still, her poems and letters engage modern readers and speak to the social and gendered politics of our own day. The essays in Dickinson and Audience treat both the importance of Dickinson's personal friendships and the ways in which contemporary poetics continue to sustain the vitality of her writings. With contributions from Willis J. Buckingham, Karen Dandurand, Betsy Erkkila, Virginia Jackson, Charlotte Nekola, Martin Orzeck, David Porter, Robert Regan, Richard B. Sewall, R. McClure Smith, Stephanie A. Tingley, and Robert Weisbuch, the collection boasts a wide variety of critical approaches to the poet and her works - from traditional biographical and historical analyses to deconstructionist, feminist, and reader-response interpretations
It will interest not only scholars in these areas but also anyone who wants to gain insight into Dickinson's creative genius
Includes bibliographical references
Introduction : Dickinson the scrivener / Robert Weisbuch and Martin Orzeck -- Dickinson's unrevised poems / David Porter -- "Red in my mind" : Dickinson, gender, and audience / Charlotte Nekola -- Nobody's business : Dickinson's dissolving audience / Robert Weisbuch -- Dickinson's figure of address / Virginia Jackson -- Reading seductions : Dickinson, rhetoric, and the male reader / R. McClure Smith -- Dickinson's letters to Abiah Root : formulating the reader as "absentee" / Martin Orzeck -- Homoeroticism and audience : Emily Dickinson's female "master" / Betsy Erkkila -- "My business is to sing" : Emily Dickinson's letters to Elizabeth Holland / Stephanie A. Tingley -- Emily Dickinson's perfect audience : Helen Hunt Jackson / Richard B. Sewall -- Dickinson's elected audience / Robert Regan -- Emily Dickinson and the reading life / Willis J. Buckingham -- Dickinson and the public / Karen Dandurand

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An obsessively private writer, Emily Dickinson almost never submitted poems for publication, which she deemed "the Auction / of the Mind." Yet over a century of criticism has established what readers of various sensibilities describe as a shockingly intimate relation between text and audience, making the question of whom the poems address a crucial element in interpreting them. This volume of essays is the first book exclusively focused on Dickinson's relation to audience--from the relatively few persons who received many of the poems to that vast, unseen, yet somehow specific other that any literary work addresses. <br>
<br>
Dickinson's writings were influenced by her ambivalent attitude toward the conventions of the nineteenth-century literary marketplace and her desire to shape more intimate relations with chosen contemporaries. Still, her poems and letters engage modern readers and speak to the social and gendered politics of our own day. Thus this collection treats both the importance of Dickinson's personal friendships and the ways in which contemporary poetics continue to sustain the vitality of her writings. With contributions from Willis Buckingham, Karen Dandurand, Betsy Erkkila, Virginia Jackson, Charlotte Nekola, Martin Orzeck, David Porter, Robert Regan, Richard B. Sewall, Rob Smith, Stephanie A. Tingley, and Robert Weisbuch, the collection boasts a wide variety of critical approaches to the poet and her works--from traditional biographical and historical analyses to deconstructionist, feminist, and reader-response interpretations. It will interest not only scholars in these fields but also anyone who wants to gain insight into Dickinson's creative genius. <br>
<br>
". . . an enlivening intersection of Dickinson scholarship and contemporary theory."-- Joanne Feit Diehl, University of California, Davis <br>
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Martin Orzeck is Lecturer in English, University of Pennsylvania. Robert Weisbuch is Arthur F. Thurnau Professor of English, Associate Vice-President for Research, and Associate Dean of the Rackham School of Graduate Studies, University of Michigan. <br>
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2023-06-28