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Right Romance: Heroic Subjectivity and Elect Community in Seventeenth-Century England (Cultural Inquiries in English Literature, 1400–1700) 🔍
Emily Griffiths Jones; Project Muse The Pennsylvania State University Press, Cultural Inquiries in English Literature, 1400–1700; 1, 2020
英语 [en] · PDF · 6.5MB · 2020 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
描述
In this book, Emily Griffiths Jones examines the intersections of romance, religion, and politics in England between 1588 and 1688 to show how writers during this politically turbulent time used the genre of romance to construct diverse ideological communities for themselves.
__Right Romance__ argues for a recontextualized understanding of romance as a multigeneric narrative structure or strategy rather than a prose genre and rejects the common assumption that romance was a short-lived mode most commonly associated with royalist politics. Puritan republicans likewise found in romance strength, solace, and grounds for political resistance. Two key works that profoundly influenced seventeenth-century approaches to romance are Philip Sidney’s __New Arcadia__ and Edmund Spenser’s __The Faerie Queene__, which grappled with romance’s civic potential and its limits for a newly Protestant state. Jones examines how these works influenced writings by royalists and republicans during and after the English Civil War. Remaining chapters pair writers from both sides of the war in order to illuminate the ongoing ideological struggles over romance. John Milton is analyzed alongside Margaret Cavendish and Percy Herbert, and Lucy Hutchinson alongside John Dryden. In the final chapter, Jones studies texts by John Bunyan and Aphra Behn that are known for their resistance to generic categorization in an attempt to rethink romance’s relationship to election, community, gender, and generic form.
Original and persuasive, __Right Romance__ advances theoretical discussion about romance, pushing beyond the limits of the genre to discover its impact on constructions of national, communal, and personal identity.
备用文件名
nexusstc/Right Romance: Heroic Subjectivity and Elect Community in Seventeenth-Century England/084c80169469c48f39e8a38f6fc68f1f.pdf
备用文件名
lgli/10.1515_9780271085449.pdf
备用文件名
lgrsnf/10.1515_9780271085449.pdf
备用文件名
zlib/no-category/Emily Griffiths Jones/Right Romance: Heroic Subjectivity and Elect Community in Seventeenth-Century England_25915927.pdf
备选作者
Jones, Emily Griffiths
备用出版商
Metalmark
备用版本
Cultural inquiries in English literature, 1400-1700, University Park, Pennsylvania, 2019
备用版本
Cultural Inquiries in English Literature, 1400-1700, 1, University Park, PA, 2021
备用版本
Pennsylvania State University Press, University Park, Pennsylvania, 2019
备用版本
United States, United States of America
备用版本
UNIVERSITY PARK, PENNSYLVANIA, 2020
备用版本
1, 2019-11-13
元数据中的注释
degruyter.com
元数据中的注释
producers:
PDFium
元数据中的注释
{"isbns":["0271084928","0271085444","9780271084923","9780271085449"],"last_page":288,"publisher":"Penn State University Press","series":"Cultural Inquiries in English Literature, 1400–1700; 1"}
备用描述
<p>In this book, Emily Griffiths Jones examines the intersections of romance, religion, and politics in England between 1588 and 1688 to show how writers during this politically turbulent time used the genre of romance to construct diverse ideological communities for themselves.<br></p><p>Right Romance argues for a recontextualized understanding of romance as a multigeneric narrative structure or strategy rather than a prose genre and rejects the common assumption that romance was a short-lived mode most commonly associated with royalist politics. Puritan republicans likewise found in romance strength, solace, and grounds for political resistance. Two key works that profoundly influenced seventeenth-century approaches to romance are Philip Sidney&rsquo;s New Arcadia and Edmund Spenser&rsquo;s The Faerie Queene, which grappled with romance&rsquo;s civic potential and its limits for a newly Protestant state. Jones examines how these works influenced writings by royalists and republicans during and after the English Civil War. Remaining chapters pair writers from both sides of the war in order to illuminate the ongoing ideological struggles over romance. John Milton is analyzed alongside Margaret Cavendish and Percy Herbert, and Lucy Hutchinson alongside John Dryden. In the final chapter, Jones studies texts by John Bunyan and Aphra Behn that are known for their resistance to generic categorization in an attempt to rethink romance&rsquo;s relationship to election, community, gender, and generic form.<br></p><p>Original and persuasive, Right Romance advances theoretical discussion about romance, pushing beyond the limits of the genre to discover its impact on constructions of national, communal, and personal identity.<br></p>
备用描述
<p>In this book, Emily Griffiths Jones examines the intersectionsof romance, religion, and politics in England between 1588 and 1688to show how writers during this politically turbulent time used thegenre of romance to construct diverse ideological communities forthemselves.</p><p><em>Right Romance</em> argues for a recontextualizedunderstanding of romance as a multigeneric narrative structure orstrategy rather than a prose genre and rejects the commonassumption that romance was a short-lived mode most commonlyassociated with royalist politics. Puritan republicans likewisefound in romance strength, solace, and grounds for politicalresistance. Two key works that profoundly influencedseventeenth-century approaches to romance are Philip Sidney's<em>New Arcadia</em> and Edmund Spenser's <em>The FaerieQueene</em>, which grappled with romance's civic potential and itslimits for a newly Protestant state. Jones examines how these worksinfluenced writings by royalists and republicans during and afterthe English Civil War. Remaining chapters pair writers from bothsides of the war in order to illuminate the ongoing ideologicalstruggles over romance. John Milton is analyzed alongside MargaretCavendish and Percy Herbert, and Lucy Hutchinson alongside JohnDryden. In the final chapter, Jones studies texts by John Bunyanand Aphra Behn that are known for their resistance to genericcategorization in an attempt to rethink romance's relationship toelection, community, gender, and generic form.</p><p>Original and persuasive, <em>Right Romance</em> advancestheoretical discussion about romance, pushing beyond the limits ofthe genre to discover its impact on constructions of national,communal, and personal identity.</p>
备用描述
In this book, Emily Griffiths Jones examines the intersections of romance, religion, and politics in England between 1588 and 1688 to show how writers during this politically turbulent time used the genre of romance to construct diverse ideological communities for themselves. Right Romance argues for a recontextualized understanding of romance as a multigeneric narrative structure or strategy rather than a prose genre and rejects the common assumption that romance was a short-lived mode most commonly associated with royalist politics. Puritan republicans likewise found in romance strength, solace, and grounds for political resistance. Two key works that profoundly influenced seventeenth-century approaches to romance are Philip Sidney's New Arcadia and Edmund Spenser's The Faerie Queene, which grappled with romance's civic potential and its limits for a newly Protestant state. Jones examines how these works influenced writings by royalists and republicans during and after the English Civil War. Remaining chapters pair writers from both sides of the war in order to illuminate the ongoing ideological struggles over romance. John Milton is analyzed alongside Margaret Cavendish and Percy Herbert, and Lucy Hutchinson alongside John Dryden. In the final chapter, Jones studies texts by John Bunyan and Aphra Behn that are known for their resistance to generic categorization in an attempt to rethink romance's relationship to election, community, gender, and generic form. Original and persuasive, Right Romance advances theoretical discussion about romance, pushing beyond the limits of the genre to discover its impact on constructions of national, communal, and personal identity--Provided by publisher
备用描述
"A study of romance, religion, and politics in seventeenth-century England, presenting a recontextualized understanding of romance as a multi-generic narrative structure or strategy rather than a prose genre"-- Provided by publisher
开源日期
2023-08-21
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