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lgli/K:\_add\!woodhead\!\!!\slow\(University of Minnesota Press) Discourse, Figure - Jean-Francois Lyotard & Antony Hudek & Mary Lydon & John Mowitt.pdf
Discourse, Figure (Cultural Critique Books) 🔍
Jean-Francois Lyotard & Antony Hudek & Mary Lydon & John Mowitt University of Minnesota Press, Cultural critique books, Minneapolis [Minn.], Minnesota, 2011
英语 [en] · 法语 [fr] · PDF · 7.5MB · 2011 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
描述
Jean-François Lyotard is recognized as one of the most significant French philosophers of the twentieth century. Although nearly all of his major writing has been translated into English, one important work has until now been unavailable. __Discourse, Figure__ is Lyotard’s thesis. Provoked in part by Lacan’s influential seminars in Paris, __Discourse, Figure__ distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently opaque signs, certain aspects of artistic meaning such as symbols and the pictorial richness of painting will always be beyond reason’s grasp.A wide-ranging and highly unusual work, __Discourse, Figure__ proceeds from an attentive consideration of the phenomenology of experience to an ambitious meditation on the psychoanalytic account of the subject of experience, structured by the confrontation between phenomenology and psychoanalysis as contending frames within which to think the materialism of consciousness. In addition to prefiguring many of Lyotard’s later concerns, __Discourse, Figure__ captures Lyotard’s passionate engagement with topics beyond phenomenology and psychoanalysis to structuralism, semiotics, poetry, art, and the philosophy of language.
备用文件名
lgrsnf/K:\_add\!woodhead\!\!!\slow\(University of Minnesota Press) Discourse, Figure - Jean-Francois Lyotard & Antony Hudek & Mary Lydon & John Mowitt.pdf
备用文件名
nexusstc/Discourse, figure/0a0f5d48f87318c5978de6e067973bd8.pdf
备用文件名
zlib/Arts/History & Criticism/Jean-Francois Lyotard & Antony Hudek & Mary Lydon & John Mowitt/Discourse, figure_2633003.pdf
备选标题
Discours, figure ed.2002
备选作者
Jean-François Lyotard, John Mowitt, Antony Hudek, Mary Lydon, Jean-François Lyotard, Josep Elías, Jean François Lyotard
备选作者
Jean-François Lyotard; translated by Antony Hudek and Mary Lydon; introduction by John Mowitt
备选作者
Lyotard, Jean-Francois
备用出版商
e-flux
备用版本
University of Minnesota Press, Minneapolis, 2010
备用版本
Cultural critique books, Minneapolis, 2010
备用版本
United States, United States of America
备用版本
Minneapolis, c2011
备用版本
1, US, 2011
备用版本
2019
元数据中的注释
lg1423029
元数据中的注释
{"isbns":["0816645655","0816645663","9780816645657","9780816645664"],"last_page":516,"publisher":"Univ Of Minnesota Press","series":"Cultural Critique Books"}
元数据中的注释
Originally published: Discours, figure. Paris : Klincksieck, 1971.
Includes bibliographical references and index.
备用描述
Lyotard's earliest major work, available in English for the first time​Choice Outstanding Academic Title Jean-François Lyotard is recognized as one of the most significant French philosophers of the twentieth century. Although nearly all of his major writing has been translated into English, one important work has until now been unavailable. Discourse, Figure is Lyotard's thesis. Provoked in part by Lacan's influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently opaque signs, certain aspects of artistic meaning such as symbols and the pictorial richness of painting will always be beyond reason's grasp. A wide-ranging and highly unusual work, Discourse, Figure proceeds from an attentive consideration of the phenomenology of experience to an ambitious meditation on the psychoanalytic account of the subject of experience, structured by the confrontation between phenomenology and psychoanalysis as contending frames within which to think the materialism of consciousness. In addition to prefiguring many of Lyotard's later concerns, Discourse, Figure captures Lyotard's passionate engagement with topics beyond phenomenology and psychoanalysis to structuralism, semiotics, poetry, art, and the philosophy of language.
备用描述
Provoked In Part By Lacan's Influential Seminars In Paris, Discourse, Figure Distinguishes Between The Meaningfulness Of Linguistic Signs And The Meaningfulness Of Plastic Arts Such As Painting And Sculpture. Lyotard Argues That Because Rational Thought Is Discursive And Works Of Art Are Inherently Opaque Signs, Certain Aspects Of Artistic Meaning Such As Symbols And The Pictorial Richness Of Painting Will Always Be Beyond Reason's Grasp.--page [2] Of Jacket. Introduction : The Gold-bug / John Mowitt -- Discourse, Figure : The Bias Of The Figural -- Signification And Designation : Dialectics, Index, Form ; Recessus And Hyper-reflection ; Linguistic Sign? ; Effect Of Thickness In The System ; Thickness On The Margins Of Discourse ; The No And The Position Of The Objects ; Opposition And Difference -- Veduta On A Fragment Of The History Of Design -- The Other Space : The Line And The Letter ; The Dream-work Does Not Think ; Desire's Complicity With The Figural ; Desire In Discourse ; Fiscourse Digure : The Utopia Behind The Scenes Of The Phantasy ; Return, Auto-illustration, Double Reversal -- Appendix : Jean-françois Lyotard's French Translation Of De Verneinung By Sigmund Freud. Jean-françois Lyotard ; Translated By Antony Hudek And Mary Lydon ; Introduction By John Mowitt. Translated From The French. Originally Published: Discours, Figure. Paris : Klincksieck, 1971. Includes Bibliographical References And Indexes.
备用描述
Lyotards earliest major work, available in English for the first time?
Choice Outstanding Academic Title
Jean-Franois Lyotard is recognized as one of the most significant French philosophers of the twentieth century. Although nearly all of his major writing has been translated into English, one important work has until now been unavailable. Discourse, Figure is Lyotards thesis. Provoked in part by Lacans influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently opaque signs, certain aspects of artistic meaning such as symbols and the pictorial richness of painting will always be beyond reasons grasp.
A wide-ranging and highly unusual work, Discourse, Figure proceeds from an attentive consideration of the phenomenology of experience to an ambitious meditation on the psychoanalytic account of the subject of experience, structured by the confrontation between phenomenology and psychoanalysis as contending frames within which to think the materialism of consciousness. In addition to prefiguring many of Lyotards later concerns, Discourse, Figure captures Lyotards passionate engagement with topics beyond phenomenology and psychoanalysis to structuralism, semiotics, poetry, art, and the philosophy of language.
开源日期
2015-12-23
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