Listening to an Earlier Java : Aesthetics, Gender, and the Music of Wayang in Central Java 🔍
Sarah Weiss KITLV Press, Pap/Com edition, February 15, 2007
英语 [en] · PDF · 2.2MB · 2007 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
描述
In "old-style" Central Javanese wayang, still known to many shadow-puppet performers and musicians in Java today, the male dhalang and his female accompanist are gendered embodiments of an aesthetic that has its origins in early Java. Analysis of the musical style known as "female style" grimingan makes it possible to "listen back" to and reconstruct aesthetics for Javanese performance that can be felt in literary sources as early as the twelfth century. This study is the first large-scale treatment of gender issues in Indonesian music. Integrating the analysis of gender and music with that of aesthetics, this study of the musical synergy between the puppeteer and his female accompanist describes the ways in which shifting gender constructions have helped to shape and change Central Javanese music and theatre performance practice while throwing new light on the history of Javanese gender relations and culture, as well as on the aesthetics of Central Java shadow-puppet theatre.
备用文件名
lgli/Listening to an Earlier Java. Aesthetics, Gender, and the Music of Wayang in Central Java.pdf
备用文件名
lgrsnf/Listening to an Earlier Java. Aesthetics, Gender, and the Music of Wayang in Central Java.pdf
备用文件名
zlib/Arts/Music/Sarah Weiss/Listening to an Earlier Java: Aesthetics, Gender, and the Music of Wayang in Central Java_2475218.pdf
备选作者
Weiss, Sarah
备用出版商
Brill Academic Pub
备用出版商
KITLV Uitgeverij
备用版本
Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, 237, Leiden, 2006
备用版本
Brill Academic Publishers, Leiden, 2010
备用版本
Netherlands, Netherlands
备用版本
Leiden, NE, 2004
备用版本
PS, 2007
元数据中的注释
0
元数据中的注释
lg1301462
元数据中的注释
{"isbns":["9067182737","9789067182737"],"last_page":187,"publisher":"KITLV Press"}
备用描述
In'old-style'Central Javanese wayang, still known to many shadow-puppet performers and musicians in Java today, the male dhalang and his primary accompanist, usually a female gender player, are gendered embodiments of a Javanese aesthetic that has its origins in early Java. Analysis of the musical tradition known as'female style'grimingan—melodies played on the gender as the puppeteer sings, narrates or describes a scene—makes it possible to'listen back'to and reconstruct aesthetics for Javanese performance that can be felt in literary sources as early as the 12th century and that has endured into the present through cultural and political upheaval and globalised change during the colonial and postcolonial periods. Ethnomusicologist Sarah Weiss, herself a gamelan musician who has directed ensembles in Australia and the United States over many years, examines for the first time the musical practices, concepts, stories, changing historical circumstances, and myths that have shaped'female-style'gender playing into a uniquely significant mode of artistic practice.This study is the first large-scale treatment of gender issues in Indonesian music. Integrating the analysis of gender and music with that of aesthetics, this study of the musical synergy between the puppeteer and his female accompanist describes the ways in which shifting gender constructions have helped to shape and change Central Javanese music and theatre performance practice while throwing new light on the history of Javanese gender relations and culture, as well as on the aesthetics of Central Javanese shadow-puppet theatre.PLEASE NOTE that the accompanying CD-ROM is no longer available due to the incompatibility with current file formats.
备用描述
PLEASE NOTE that the accompanying CD-ROM is no longer available due to the incompatibility with current file formats.This study is the first large-scale treatment of gender issues in Indonesian music. Integrating the analysis of gender and music with that of aesthetics, this study of the musical synergy between the puppeteer and his female accompanist describes the ways in which shifting gender constructions have helped to shape and change Central Javanese music and theatre performance practice while throwing new light on the history of Javanese gender relations and culture, as well as on the aesthetics of Central Javanese shadow-puppet theatre.
备用描述
This study is the first large-scale treatment of gender issues in Indonesian music. Integrating the analysis of gender and music with that of aesthetics, this study of the musical synergy between the puppeteer and his female accompanist describes the ways in which shifting gender constructions have helped to shape and change Central Javanese music and theatre performance practice while throwing new light on the history of Javanese gender relations and culture, as well as on the aesthetics of Central Javanese shadow-puppet theatre. PLEASE NOTE: The material on the CD-ROM included with the origi
备用描述
Musical Analysis And Cultural Analysis; Pathet, Grimingan, And Gender -- Competing Hegemonies; The Discourse On Javanese Gender -- Flaming Wombs And Female Gender Players; Order, Chaos, And Gender In Central Javanese Myth -- Javanese Rasa; Gendering Emotion And Restraint -- Listening Back. Sarah Weiss. Accompanying Cd-rom Contains Musical Examples And Transcriptions Of Grimingan In Each Pathet. Includes Bibliographical References (p. [167]-178) And Index. System Requirements: Windows Or Macintosh Operating System; Cd-rom Drive.
备用描述
"A CD-ROM (compatible for Mac or PC) with musical examples and transcriptions of grimingan in each pathet is included with this book. The introduction and contents of the CD-ROM can be found on the CD-ROM itself"--T.p. verso
开源日期
2014-12-16
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