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BLACK MASCULINITY ON FILM : native sons and white lies 🔍
Daniel O'Brien (auth.) Palgrave Macmillan UK Imprint : Palgrave Macmillan, Springer Nature, London, 2017
英语 [en] · PDF · 3.0MB · 2017 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/scihub/upload/zlib · Save
描述
This book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O’Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues.
Erscheinungsdatum: 20.09.2017
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lgli/K:\!genesis\0day\spr\10.1057%2F978-1-137-59323-8.pdf
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lgrsnf/K:\!genesis\0day\spr\10.1057%2F978-1-137-59323-8.pdf
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nexusstc/Black Masculinity on Film/1133bb931dd4fd2948e425a75ca1e8f4.pdf
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scihub/10.1057/978-1-137-59323-8.pdf
备用文件名
zlib/Society, Politics & Philosophy/Social Sciences/O'BRIEN, DANIEL/BLACK MASCULINITY ON FILM : native sons and white lies_3377322.pdf
备选作者
Adobe InDesign CC 2015 (Windows)
备选作者
O'BRIEN, DANIEL
备用出版商
Macmillan Education UK
备用出版商
Red Globe Press
备用出版商
Brainy Software
备用版本
United Kingdom and Ireland, United Kingdom
备用版本
Place of publication not identified, 2017
备用版本
Canada - English Language, Canada
备用版本
1st edition 2017, London, 2017
备用版本
1st ed. 2017, US, 2017
备用版本
Sep 20, 2017
元数据中的注释
lg2135648
元数据中的注释
producers:
Adobe PDF Library 15.0
元数据中的注释
{"isbns":["1137593229","1137593237","1771972092","9781137593221","9781137593238","9781771972093"],"publisher":"Palgrave Macmillan"}
元数据中的注释
Source title: Black Masculinity on Film: Native Sons and White Lies
备用描述
This book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O'Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues. Daniel O'Brien is Lecturer at the University of Southampton. He is a writer and historian in film studies and a film tutor in Medical Humanities. His recent publications include Classical Masculinity and the Spectacular Body on Film: The Mighty Sons of Hercules (Palgrave Macmillan 2014)
备用描述
"Acknowledgements"--"Contents" -- "List of Figures" -- "Chapter 1 Introduction" -- "Demons and Angels in Blackface" -- "References" -- "Chapter 2 The Natives Are Still Restless: Black Representation in Whitened Africa from Tarzan to Mandela" -- "References" -- "Chapter 3 A King Among Bit Players: Noble Johnson and the Art of Racial Ambiguity" -- "References" -- "Chapter 4 Also Known as Rochester: Eddie Anderson, Black Stardom and World War II" -- "References" -- "Chapter 5 Tall and Black in the Saddle: How African-American Cowboys Rode Out of the Shadows and into the Sunset" -- "References" -- "Chapter 6 Due Afro-Americani a Roma: John Kitzmiller, Woody Strode and Remoulding Stereotypes in Italian Popular Cinema" -- "References" -- "Chapter 7 Bond and Blackness: Challenging Racial Schism in the 007 Universe" -- "References" -- "Chapter 8 Leaving the Overlook: Black heroism and white nightmare in The Shining" -- "References" -- "Chapter 9 Saving the World for White Folks? Will Smith Racialises Science Fiction as Black Man and Man in Black" -- "Coda" -- "References" -- "Bibliography" -- "Index of Names"
备用描述
Acknowledgements 5
Contents 6
List of Figures 8
Chapter 1 Introduction 9
Demons and Angels in Blackface 15
References 28
Chapter 2 The Natives Are Still Restless: Black Representation in Whitened Africa from Tarzan to Mandela 31
References 60
Chapter 3 A King Among Bit Players: Noble Johnson and the Art of Racial Ambiguity 62
References 76
Chapter 4 Also Known as Rochester: Eddie Anderson, Black Stardom and World War II 78
References 91
Chapter 5 Tall and Black in the Saddle: How African-American Cowboys Rode Out of the Shadows and into the Sunset 93
References 125
Chapter 6 Due Afro-Americani a Roma: John Kitzmiller, Woody Strode and Remoulding Stereotypes in Italian Popular Cinema 128
References 154
Chapter 7 Bond and Blackness: Challenging Racial Schism in the 007 Universe 156
References 168
Chapter 8 Leaving the Overlook: Black heroism and white nightmare in The Shining 169
References 180
Chapter 9 Saving the World for White Folks? Will Smith Racialises Science Fiction as Black Man and Man in Black 181
Coda 198
References 199
Bibliography 201
Index of Names 213
Index of Titles 218
备用描述
Front Matter ....Pages i-ix
Introduction (Daniel O’Brien)....Pages 1-22
The Natives Are Still Restless: Black Representation in Whitened Africa from Tarzan to Mandela (Daniel O’Brien)....Pages 23-53
A King Among Bit Players: Noble Johnson and the Art of Racial Ambiguity (Daniel O’Brien)....Pages 55-70
Also Known as Rochester: Eddie Anderson, Black Stardom and World War II (Daniel O’Brien)....Pages 71-85
Tall and Black in the Saddle: How African-American Cowboys Rode Out of the Shadows and into the Sunset (Daniel O’Brien)....Pages 87-121
Due Afro-Americani a Roma: John Kitzmiller, Woody Strode and Remoulding Stereotypes in Italian Popular Cinema (Daniel O’Brien)....Pages 123-150
Bond and Blackness: Challenging Racial Schism in the 007 Universe (Daniel O’Brien)....Pages 151-163
Leaving the Overlook: Black heroism and white nightmare in The Shining (Daniel O’Brien)....Pages 165-176
Saving the World for White Folks? Will Smith Racialises Science Fiction as Black Man and Man in Black (Daniel O’Brien)....Pages 177-196
Back Matter ....Pages 197-221
备用描述
"This book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O'Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues."--Provided by publisher
备用描述
Introduction -- The Natives Are Still Restless : Black Representation In Whitened Africa From Tarzan To Mandela -- A King Among Bit Players : Noble Johnson And The Art Of Racial Ambiguity -- Also Known As Rochester : Eddie Anderson, Black Stardom And World War Ii -- Tall And Black In The Saddle : How African-american Cowboys Rode Out Of The Shadows And Into The Sunset -- Due Afro-americani A Roma : John Kitzmiller, Woody Strode And Remoulding Stereotypes In Italian Popular Cinema -- Bond And Blackness : Challenging Racial Schism In The 007 Universe -- Leaving The Overlook : Black Heroism And White Nightmare In The Shining -- Saving The World For White Folks? : Will Smith Racialises Science Fiction As Black Man And Man In Black -- Bibliography -- Index Of Names -- Index Of Titles. Daniel O'brien. Includes Bibliographical References And Indexes.
开源日期
2017-10-15
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