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Cinema, Pain and Pleasure : Consent and the Controlled Body 🔍
Steven Allen Palgrave Macmillan UK, Springer Nature, Houndmills, Basingstoke, 2013
英语 [en] · PDF · 14.1MB · 2013 · 📗 未知类型的图书 · 🚀/ia · Save
描述
From Tattoo to Saw, this book considers mainstream cinema's representation of the viscerally dominated and marked body. Examining a shift in the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change.
Erscheinungsdatum: 28.03.2013
备选作者
Allen, Steven, 1967-
备用出版商
Houndmills, Basingstoke ; New York, NY: Palgrave Macmillan
备用出版商
Macmillan Publishers Limited
备用出版商
Macmillan Education UK
备用出版商
Campbell Books Ltd
备用版本
Houndmills, Basingstoke, Hampshire [England, 2013
备用版本
United Kingdom and Ireland, United Kingdom
备用版本
2013, 2013-03-28
备用描述
"The idea that pain can be a pleasure is a troubling one, and yet it informs cultural practices ranging from extreme sports to BDSM (bondage and discipline, dominance and submission, and sadomasochism). This book considers how mainstream cinema borrows heavily from these cultural activities for its imagery, but typically rejects their social motivations founded on masochistic pleasure and an assertion of autonomy. Noting a shift in the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change. Films addressed include Crash, Fight Club, Saw, Se7en and Sick. Individual chapters focus on the influence of BDSM, body modification, provocative artwork, dangerous games and torture, and collectively they offer an address of how cinema's viscerally dominated, marked and suffering body - the controlled body - destabilizes the pain/pleasure dichotomy, as well as other binaries founded on gender, sexuality and disfigurement/beauty."--Publisher's website.
备用描述
The idea that pain can be a pleasure is a troubling one, and yet it informs cultural practices ranging from extreme sports to BDSM (bondage and discipline, dominance and submission, and sadomasochism). This book considers how mainstream cinema borrows heavily from these cultural activities for its imagery, but typically rejects their social motivations founded on masochistic pleasure and an assertion of autonomy. Noting a shift in the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change. Films addressed include "Crash", "Fight Club", "Saw", "Se7en" and "Sick". Individual chapters focus on the influence of BDSM, body modification, provocative artwork, dangerous games and torture, and collectively they offer an address of how cinema's viscerally dominated, marked and suffering body : the controlled body 6 destabilizes the pain/pleasure dichotomy, as well as other binaries founded on gender, sexuality and disfigurement/beauty
备用描述
x, 233 pages : 23 cm
Includes bibliographical references and index
Includes filmography
Introduction -- Situating the controlled body -- Bondage and discipline, dominance and submission, and sadomasochism (BDSM) at the movies -- Body modification: beauty and the pleasures of the modifiable flesh -- Aestheticized pain and the artistic serial killer -- Playing with control -- Choosing torture instead of submission -- Conclusion
开源日期
2024-07-01
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