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Novels into Film 🔍
Bluestone, George Johns Hopkins University Press, Johns Hopkins pbk. ed, Baltimore, Md, 2003
英语 [en] · PDF · 12.4MB · 2003 · 📗 未知类型的图书 · 🚀/ia · Save
描述
First published in 1957, this seminal work of film theory analyzes the process-the mysterious alchemy-by which novels are transformed into films. Beginning with a discussion of the aesthetic limits of both the novel and the film, George Bluestone goes on to offer close readings of six films based on novels of serious literary merit- The Informer , Wuthering Heights , The Grapes of Wrath , Pride and Prejudice , The Ox-Bow Incident , and Madame Bovary -focusing on the additions, deletions, and other changes made by the filmmakers in adapting the source material for the screen. Based on both in-depth research into film archives and libraries and on interviews with the screenwriters, directors, and producers who worked on these films, Novels into Film concludes that because the novel lends itself to states of consciousness and the film to observed reality, the adaptation of one from the other produces a new and wholly autonomous art form.
备选作者
George Bluestone
备用出版商
Baltimore, Johns Hopkins Press
备用版本
United States, United States of America
备用版本
Baltimore, MD, Maryland, 2003
备用版本
1st Edition, 2003
备用版本
Baltimore, 1957
元数据中的注释
Includes bibliographies.
Originally published: Baltimore : Johns Hopkins University Press, 1957.
备用描述
"First published in 1957, this work of film theory analyzes the process - "the mysterious alchemy"--By which novels are transformed into films. Beginning with a discussion of the aesthetic limits of both the novel and the film, George Bluestone goes on to offer close readings of six films based on novels of serious literary merit - The Informer, Wuthering Heights, The Grapes of Wrath, Pride and Prejudice, The Ox-Bow Incident, and Madame Bovary - focusing on the additions, deletions, and other changes made by the filmmakers in adapting the source material for the screen. Based on both in-depth research into film archives and libraries and on interviews with the screenwriters, directors, and producers who worked on these films, Novels into Film concludes that because the novel lends itself to states of consciousness and the film to observed reality, the adaptation of one from the other produces a new and wholly autonomous art form."--Jacket
备用描述
First published in 1957, this seminal work of film theory analyzes the process"the mysterious alchemy"by which novels are transformed into films. Beginning with a discussion of the aesthetic limits of both the novel and the film, George Bluestone goes on to offer close readings of six films based on novels of serious literary merit The Informer , Wuthering Heights , The Grapes of Wrath , Pride and Prejudice , The Ox-Bow Incident , and Madame Bovary focusing on the additions, deletions, and other changes made by the filmmakers in adapting the source material for the screen. Based on both in-depth research into film archives and libraries and on interviews with the screenwriters, directors, and producers who worked on these films, Novels into Film concludes that because the novel lends itself to states of consciousness and the film to observed reality, the adaptation of one from the other produces a new and wholly autonomous art form.
备用描述
237 pages 23 cm
Includes bibliographical references
Chapter 1. The Limits of the Novel and the Limits of the Film -- I. The Two Ways of Seeing -- II. A Note on Origins -- III. Contrasts in the Media -- IV. The Audiences and the Myths -- V. Of Time and Space -- VI. Conclusion -- Chapter 2. The Informer -- Chapter 3. Wuthering Heights -- Chapter 4. Pride and Prejudice -- Chapter 5. The Grapes of Wrath -- Chapter 6. The Ox-Bow Incident -- Chapter 7. Madame Bovary -- Epilogue
开源日期
2023-06-28
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