反馈文件质量
upload/degruyter/DeGruyter Partners/University of California Press [RETAIL]/10.1525_9780520962521.pdf
Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · film 🔍
Leppert, Richard University of California Press, 2019 dec 31
英语 [en] · PDF · 22.6MB · 2019 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
描述
Virginia Woolf famously claimed that, around December 1910, human character changed. __Aesthetic Technologies__ addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the new century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas—cultural, social, and personal—associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back.
备用文件名
nexusstc/Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film/1bab93bd89cc9fbe3702c9f8b6cf667f.pdf
备用文件名
lgli/10.1525_9780520962521.pdf
备用文件名
lgrsnf/10.1525_9780520962521.pdf
备用文件名
zlib/no-category/Richard Leppert/Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film_25912711.pdf
备选作者
Richard D. Leppert
备用版本
University of California Press, Oakland, California, 2015
备用版本
United States, United States of America
备用版本
First Edition, PT, 2015
备用版本
Berkeley, 2015
备用版本
1, 2015
元数据中的注释
degruyter.com
元数据中的注释
producers:
iTextSharp 5.0.6 (c) 1T3XT BVBA
元数据中的注释
{"content":{"parsed_at":1713721953,"parser":{"name":"textparser","version":"0.1.125"},"source":{"name":"grobid","version":"0.8.0"}},"isbns":["0520287371","0520962524","9780520287372","9780520962521"],"last_page":348,"publisher":"University of California Press"}
元数据中的注释
Includes bibliographical references (pages 323-338) and index.
备用描述
Virginia Woolf famously claimed that, around December 1910, human character changed. <I>Aesthetic Technologies</I> addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the new century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas—cultural, social, and personal—associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back.
备用描述
"The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas--cultural, social, and personal--associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back"--Provided by publisher
备用描述
"The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas--cultural, social, and personal--associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back."--Site de l'éditeur
备用描述
CONTENTS
ILLUSTRATIONS
MUSICAL EXAMPLES
ACKNOWLEDGMENTS
INTRODUCTION
PART I. MODERNITY AND OPERA; NATURE AND REDEMPTION
1. The Civilizing Process: Music and the Aesthetics of Time-Space Relations in The Girl of the Golden West
2. Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo
PART II. VOICING SUBJECTIVITY
EXCURSUS: OPERA, MONUMENTALITY, AND LOOKING AT LOOKING
Introduction
3. Caruso, Phonography, and Operatic Fidelities: Regimes of Musical Listening, 1904–1929
4. Aesthetic Meanderings of the Sonic Psyche: Three Operas, Two Notes, and One Ending at the Boundary of the Great Divide
PART III. MODERNITY, NATURE, AND DYSTOPIA
EXCURSUS: NATURAL BEAUTY / ART BEAUTY
Introduction
5. Sound, Subjectivity, and Death: Days of Heaven (promesse du bonheur)
Conclusion: Acoustic Invocations of Crisis and Hope
Appendix: Chapter 5 Tables
NOTES
BIBLIOGRAPHY
INDEX
开源日期
2023-08-21
更多信息……

🚀 快速下载

成为会员以支持书籍、论文等的长期保存。为了感谢您对我们的支持，您将获得高速下载权益。❤️
如果您在本月捐款，您将获得双倍的快速下载次数。

🐢 低速下载

由可信的合作方提供。 更多信息请参见常见问题解答。 （可能需要验证浏览器——无限次下载！）

所有选项下载的文件都相同，应该可以安全使用。即使这样，从互联网下载文件时始终要小心。例如，确保您的设备更新及时。
显示外部下载
  • 对于大文件，我们建议使用下载管理器以防止中断。
    推荐的下载管理器：JDownloader
  • 您将需要一个电子书或 PDF 阅读器来打开文件，具体取决于文件格式。
    推荐的电子书阅读器：Anna的档案在线查看器、ReadEra和Calibre
  • 使用在线工具进行格式转换。
    推荐的转换工具：CloudConvert和PrintFriendly
  • 您可以将 PDF 和 EPUB 文件发送到您的 Kindle 或 Kobo 电子阅读器。
    推荐的工具：亚马逊的“发送到 Kindle”和djazz 的“发送到 Kobo/Kindle”
  • 支持作者和图书馆
    ✍️ 如果您喜欢这个并且能够负担得起，请考虑购买原版，或直接支持作者。
    📚 如果您当地的图书馆有这本书，请考虑在那里免费借阅。