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Standing Soldiers, Kneeling Slaves : Race, War, and Monument in Nineteenth-Century America, New Edition 🔍
Kirk Savage Princeton University Press, Princeton University Press, Princeton, New Jersey, 2018
英语 [en] · PDF · 14.8MB · 2018 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
描述
The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves.__Standing Soldiers, Kneeling Slaves__explores how the history of slavery and its violent end was told in public spaces--specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid struggles over race, gender, and collective memory.__Standing Soldiers, Kneeling Slaves__probes a host of fascinating questions and remains the only sustained investigation of post-Civil War monument building as a process of national and racial definition. Featuring a new preface by the author that reflects on recent events surrounding the meaning of these monuments, and new photography and illustrations throughout, this new and expanded edition reveals how monuments exposed the myth of a "united" people, and have only become more controversial with the passage of time.
备用文件名
nexusstc/Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America, New Edition/1d0acd952fef9070c45007b55aa5f90d.pdf
备用文件名
lgli/Standing Soldiers, Kneeling Slaves.pdf
备用文件名
lgrsnf/Standing Soldiers, Kneeling Slaves.pdf
备用文件名
zlib/no-category/Kirk Savage/Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America, New Edition_20333566.pdf
备选作者
Acrobat Pro DC 20.13.20074
备选作者
Savage, Kirk
备用出版商
Princeton University, Department of Art & Archaeology
备用版本
Princeton University Press, Princeton, New Jersey, 1997
备用版本
1st edition, Princeton, New Jersey, 1997
备用版本
New edition, Princeton, New Jersey, 2018
备用版本
United States, United States of America
备用版本
Princeton, N.J, New Jersey, 1997
备用版本
2, 2018-07-31
元数据中的注释
producers:
iTextSharp 5.1.3 (c) 1T3XT BVBA
元数据中的注释
{"isbns":["069101616X","0691183155","9780691016160","9780691183152"],"last_page":296,"publisher":"Princeton University Press"}
元数据中的注释
Includes bibliographical references (p. [215]-257) and index.
备用描述
The United States of America originated as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how that history of slavery and its violent end was told in public space--specifically in the sculptural monuments that increasingly came to dominate streets, parks, and town squares in nineteenth-century America. Here Kirk Savage shows how the greatest era of monument building in American history arose amidst struggles over race, gender, and collective memory. As men and women North and South fought to define the war's legacy in monumental art, they reshaped the cultural landscape of American nationalism. At the same time that the Civil War challenged the nation to reexamine the meaning of freedom, Americans began to erect public monuments as never before. Savage studies this extraordinary moment in American history when a new interracial order seemed to be on the horizon, and when public sculptors tried to bring that new order into concrete form. Looking at monuments built and unbuilt, Savage shows how an old image of black slavery was perpetuated while a new image of the common white soldier was launched in public space. Faced with the challenge of Reconstruction, the nation ultimately recast itself in the mold of the ordinary white man. Standing Soldiers, Kneeling Slaves, the first sustained investigation of monument building as a process of national and racial definition, probes a host of fascinating questions: How was slavery to be explained without exploding the myth of a'united'people? How did notions of heroism become racialized? And more generally, who is represented in and by monumental space? How are particular visions of history constructed by public monuments? Written in an engaging fashion, this book will appeal to a wide range of readers interested in American culture, race relations, and public art.
备用描述
A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy
The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces—specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid struggles over race, gender, and collective memory. Standing Soldiers, Kneeling Slaves probes a host of fascinating questions and remains the only sustained investigation of post-Civil War monument building as a process of national and racial definition. Featuring a new preface by the author that reflects on recent events surrounding the meaning of these monuments, and new photography and illustrations throughout, this new and expanded edition reveals how monuments exposed the myth of a "united" people, and have only become more controversial with the passage of time.
备用描述
"The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces--specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid struggles over race, gender, and collective memory. Standing Soldiers, Kneeling Slaves probes a host of fascinating questions and remains the only sustained investigation of post-Civil War monument building as a process of national and racial definition. Featuring a new preface by the author that reflects on recent events surrounding the meaning of these monuments, and new photography and illustrations throughout, this new and expanded edition reveals how monuments exposed the myth of a "united" people, and have only become more controversial with the passage of time."-- Provided by publisher
备用描述
The United States of America originated as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how that history of slavery and its violent end was told in public space - specifically in the sculptural monuments that increasingly came to dominate streets, parks, and town squares in nineteenth-century America.
Here Kirk Savage shows how the greatest era of monument building in American history arose amidst struggles over race, gender, and collective memory. As men and women North and South fought to define the war's legacy in monumental art, they reshaped the cultural landscape of American nationalism.
备用描述
The United States originated as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Historian Kirk Savage explores how that history of slavery and its violent end was recognized in public--specifically in the sculptural monuments that dominated streets, parks, and town squares in 19th-century America. 67 photos.
备用描述
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10.1515_9780691184524-002 15
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10.1515_9780691184524-011 275
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开源日期
2022-03-12
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