Since antiquity, the period from 480 to 323 BC in Greece has been considered to be the high point, the Classical era, of Hellenic culture. At that time, the values and customs of ancient Greece received an especially lucid expression in the visual arts. In this new overview, the political, social, and religious functions of Greek art are given fresh life, with chapters focusing on issues such as the relationship between visual narrative and history; the role of artistic style in the construction of meaning; and how personal and communal identity was carried by the imagery on intricately decorated pottery and jewelry, naturalistic wall-paintings, and public buildings across the Greek world. Using the Parthenon as a paradigm monument, Mark Fullerton examines the principles of classical sculpture, architecture, and painting to explore all phases of Greek art from its birth around 900 BC to its incorporation into the art of the Roman Empire. Combining the latest archaeological discoveries with new scholarly methods, Fullerton presents a history of Greek art and the idea of the classical through a range of media and materials, including Archaic statues from the Aegean islands, the gold and ivory of Macedonia, to the great Hellenistic monuments of the Greek east. Mark D. Fullerton is Professor and Chairperson in the Department of History of Art at the Ohio State University. His research centers on Roman, Greek, and Hellenistic sculpture and he has published work on Roman art.

Mark D. Fullerton

Cambridge University Press (Virtual Publishing)

United Kingdom and Ireland, United Kingdom

1st ed, Cambridge ; New York, 2000

PS, 1999

1, 1999

[curator]paul.n@archive.org[/curator][date]20110509220825[/date][state]approved[/state]

Includes bibliographical references (p. 170-173) and index.

topic: Sanat, Yunan; Art, Greek; Beeldende kunsten; Bouwkunst; Griekse oudheid; Antiquités grecques; Art grec; Sculpture grecque; Kunst; Kunst; Arte griego antiguo

Type: 英文图书

Bookmarks:
1. (p1) MAP OF ANCIENT GREECE
2. (p2) INTRODUCTION Concepts of the Classical
2.1. (p3) Ancient Views
2.2. (p4) Modern Constructs
2.3. (p5) Contemporary Developments
3. (p6) ONE Art and the Polis
3.1. (p7) The Parthenon Pediments and Periklean Athens
3.2. (p8) The Emergence of the Polis and Geometric Art
3.3. (p9) Political Aspects of Greek Art
4. (p10) TWO Greeks and Others
4.1. (p11) The Parthenon Metopes: Conflict and Otherness
4.2. (p12) Orientalizing and the Formation of Greek Art
4.3. (p13) Self-Definition
5. (p14) THREE Myth, History, and Narrative
5.1. (p15) The Parthenon Frieze and History
5.2. (p16) Archaic Art in Context
5.3. (p17) Greek Narrative
6. (p18) FOUR Style
6.1. (p19) Parthenon Styles
6.2. (p20) Three Critical Periods in Classical Style
6.3. (p21) Style Pluralism
7. (p22) FIVE (Re)constructing Classicism
7.1. (p23) The Athena Parthenos and its Legacy
7.2. (p24) Hellenistic Classicism
7.3. (p25) Classicism and the Roman Empire
8. (p26) TMELINE
9. (p27) BIBLIOGRAPHY
10. (p28) PICTURE CREDITS
11. (p29) INDEX

theme: Sanat, Yunan; Art, Greek; Beeldende kunsten; Bouwkunst; Griekse oudheid; Antiquités grecques; Art grec; Sculpture grecque; Kunst; Kunst; Arte griego antiguo

"Combining the latest archaeological discoveries with new scholarly methods, Fullerton presents a history of Greek art and the idea of the classical through a range of media and materials, including Archaic statues from the Aegean islands, the gold and ivory of Macedonia, to the great Hellenistic monuments of the Greek east."--Jacket

In the arts especially, the values and customs of ancient Greece received their most lucid expression during the period from 480 to 323 BC. In this new overview, Mark Fullerton presents a history of Greek art and the idea of the classical through a range of media and materials.

Includes bibliographical references (p. 170-173) and index
Introduction: concepts of the classical -- Art and the polis -- Greeks and others -- Myth, history, and narrative

2023-06-28