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The Landscape of Stalinism: The Art and Ideology of Soviet Space (Studies in Modernity and National Identity) 🔍
Ed. by Evgeny Dobrenko a. Eric Naiman Seattle: University of Washington Press, Lightning Source Inc. (Tier 3), Seattle, 2003
英语 [en] · PDF · 20.2MB · 2003 · 📗 未知类型的图书 · 🚀/ia · Save
描述
This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet “culture.” In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin.From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and “sold” as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls “a cartography of power” -- an organization of the entire country into “a hierarchy of spheres of relative sacredness,” with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central.Examining representations of space in objects as diverse as postage stamps, a hikers'magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the'boundless longing'inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.
备选作者
Dobrenko, E. A. (Evgeniĭ Aleksandrovich); Naiman, Eric, 1958-
备选作者
Добренко, Евгений Александрович
备选作者
E. A. Dobrenko, Eric Naiman
备用出版商
Buffalo Bill Historical Center
备用版本
Studies in modernity and national identity, Seattle, London, United States, 2003
备用版本
United States, United States of America
备用版本
October 2003
元数据中的注释
Указ.
Библиогр. в примеч.
元数据中的注释
РГБ
元数据中的注释
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备用描述
This Wide-ranging Cultural History Explores The Expression Of Bolshevik Ideology Through The Lens Of Landscape, Or, More Broadly, Space. The Contributors Show How Soviet Space Was Sanctified, Coded & Utilised As An Ideological Product. Socialist Realism And The Sacralizing Of Space / Katerina Clark -- Spatial Poetics Of The Personality Cult : Circles Around Stalin / Jan Plamper -- Spatial Figures In Soviet Cinema Of The 1930s / Oksana Bulgakowa -- Broad Is My Motherland : The Mother Archetype And Space In The Soviet Mass Song / Hans Günther -- Art Of Totality / Boris Groys -- All This Can Be Yours! : Soviet Commercial Advertising And The Social Construction Of Space, 1928-1956 / Randi Cox -- Art Of Social Navigation : The Cultural Topography Of The Stalin Era / Evgeny Dobrenko -- But Eastward, Look, The Land Is Brighter : Toward A Topography Of Utopia In The Stalinist Musical / Richard Taylor -- To Explore Or Conquer? : Mobile Perspectives On The Soviet Cultural Revolution / Emma Widdis -- Tabula Rasa In The North : The Soviet Arctic And Mythic Landscapes In Stalinist Popular Culture / John Mccannon -- Best In The World : The Discourse Of The Moscow Metro In The 1930s / Mikhail Ryklin -- Russo-soviet Topoi / Mikhail Epstein. Edited By Evgeny Dobrenko And Eric Naiman. Includes Bibliographical References And Index.
备用描述
"This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet "culture." In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future - all under the fatherly guidance of Joseph Stalin." "From backgrounds in history, art history, literary studies, and philosophy, the contributors to this volume show how Soviet space was sanctified, coded, and "sold" as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls "a cartography of power"--An organization of the entire country into "a hierarchy of spheres of relative sacredness," with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central."--Jacket
备用描述
xvii, 315 p. : 24 cm
Includes bibliographical references and index
开源日期
2023-06-28
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