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nexusstc/Douglas Sirk: Filmmaker and Philosopher/32778de11b782e20d3b061c1f8c234d9.pdf
Douglas Sirk: Filmmaker and Philosopher (Philosophical Filmmakers) 🔍
Robert B. Pippin, Costica Bradatan Bloomsbury Publishing Plc Bloomsbury Academic, Philosophical filmmakers, London ; New York, 2021
英语 [en] · PDF · 7.6MB · 2021 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
描述
It would be easy to dismiss the films of Douglas Sirk (1897-1987) as brilliant examples of mid-century melodrama with little to say to the contemporary world. Yet Robert Pippin argues that, far from being marginal pieces of sentimentality, Sirk's films are rich with irony, insight and depth. Indeed Sirk's films, often celebrated as classics of the genre, are attempts to subvert rather than conform to rules of conventional melodrama.
The visual style, story and characters of films like __All That Heaven Allows, Written on the Wind__ and __Imitation of Life__ are explored to argue for Sirk as an incredibly nuanced moral thinker. Instead of imposing moralising judgements on his characters, Sirk presents them as people who do 'wrong' things often without understanding why or how, creating a complex and unsettling ethics. Pippin argues that it this moral ambiguity and ironic richness enables Sirk to produce films that grapple with important themes such as race, class and gender with real force and political urgency.
__Douglas Sirk__: __Filmmaker and Philosopher__ argues for a filmmaker who was a 'disruptive not restorative' auteur and one who broke the rules in the most interesting and subtle of ways.
备用文件名
lgli/Douglas_Sirk_Filmmaker_and_Philosopher_by_Robert_B._Pippin.pdf
备用文件名
lgrsnf/Douglas_Sirk_Filmmaker_and_Philosopher_by_Robert_B._Pippin.pdf
备用文件名
zlib/no-category/Robert B. Pippin/Douglas Sirk: Filmmaker and Philosopher_26353440.pdf
备选作者
Pippin, Robert B.
备用出版商
Bloomsbury Academic; Bloomsbury
备用出版商
Taylor & Francis Ltd
备用出版商
Bloomsbury UK
备用出版商
I.B. Tauris
备用版本
Philosophical filmmakers, First edition, New York, 2020
备用版本
Philosophical filmmakers, London, UK, 2021
备用版本
United Kingdom and Ireland, United Kingdom
备用版本
Bloomsbury UK, London, UK, 2021
备用版本
1, London, 2021
备用版本
1, 20210408
元数据中的注释
Mobilism
元数据中的注释
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备用描述
"It would be easy to dismiss the films of Douglas Sirk (1897-1987) as brilliant examples of mid-century melodrama with little to say to the contemporary world. Yet Robert Pippin argues that, far from being marginal pieces of sentimentality, Sirk's films are rich with irony, insight and depth. Indeed Sirk's films, often celebrated as classics of the genre, are attempts to subvert rather than conform to rules of conventional melodrama. The visual style, story and characters of films like All That Heaven Allows, Written on the Wind and Imitation of Life are explored to argue for Sirk as an incredibly nuanced moral thinker. Instead of imposing moralising judgements on his characters, Sirk presents them as people who do 'wrong' things often without understanding why or how, creating a complex and unsettling ethics. Pippin argues that it this moral ambiguity and ironic richness enables Sirk to produce films that grapple with important themes such as race, class and gender with real force and political urgency. Douglas Sirk: Filmmaker and Philosopher argues for a filmmaker who was a 'disruptive not restorative' auteur and one who broke the rules in the most interesting and subtle of ways"-- Provided by publisher
备用描述
"It would be easy to dismiss the films of Douglas Sirk (1897-1987) as brilliant examples of mid-century melodrama with little to say to the contemporary world. Yet Robert Pippin argues that, far from being marginal pieces of sentimentality, Sirk's films are rich with irony, insight and depth. Indeed Sirk's films, often celebrated as classics of the genre, are attempts to subvert rather than conform to rules of conventional melodrama. The visual style, story and characters of films like All that heaven allows, Written on the wind and Imitation of life are explored to argue for Sirk as an incredibly nuanced moral thinker. Instead of imposing moralising judgements on his characters, Sirk presents them as people who do 'wrong' things often without understanding why or how, creating a complex and unsettling ethics. Pippin argues that it this moral ambiguity and ironic richness enables Sirk to produce films that grapple with important themes such as race, class and gender with real force and political urgency. Douglas Sirk: Filmmaker and Philosopher argues for a filmmaker who was a 'disruptive not restorative' auteur and one who broke the rules in the most interesting and subtle of ways."-- Résumé de l'éditeur
备用描述
Cover page
Halftitle page
Series page
Title page
Copyright page
CONTENTS
ACKNOWLEDGEMENTS
1 Introduction: Irony as Subversion
2 Love and Class in All That Heaven Allows
3 Misplaced Moralism in Written on the Wind
4 Living Theatre in Imitation of Life
Concluding Remarks
BIBLIOGRAPHY
INDEX
备用描述
Introduction: Irony as subversion -- Love and class in All that heaven allows -- Misplaced moralism in Written on the wind -- Living theater in Imitation of life -- Concluding remarks
开源日期
2022-02-18
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