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The German Aesthetic Tradition 🔍
Kai Hammermeister Cambridge University Press (Virtual Publishing), 1, 20021017
英语 [en] · PDF · 1.6MB · 2002 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
描述
This book, first published in 2002, is a systematic critical overview of German aesthetics from 1750 to the present. It begins with the work of Baumgarten and covers all the major writers on German aesthetics that follow, including Kant, Schiller, Schelling, Hegel, Nietzsche, Heidegger, Gadamer and Adorno. The book offers a clear and non-technical exposition of ideas, placing these in a wider philosophical context where necessary. Such is the importance of German aesthetics that the market for this book will extend far beyond the domain of philosophy to such fields as literary studies, fine art and music.
备用文件名
nexusstc/The German Aesthetic Tradition/425d2961f0dbb6d707acaccdc5f679b0.pdf
备用文件名
lgli/425d2961f0dbb6d707acaccdc5f679b0~0521785545,9780521785549,0521780659,9780521780650,9780511066856.pdf
备用文件名
lgrsnf/425d2961f0dbb6d707acaccdc5f679b0~0521785545,9780521785549,0521780659,9780521780650,9780511066856.pdf
备用文件名
zlib/Society, Politics & Philosophy/Kai Hammermeister/The German Aesthetic Tradition_811804.pdf
备选作者
Hammermeister, Kai
备用出版商
Greenwich Medical Media Ltd
备用出版商
MyiLibrary
备用版本
Cambridge University Press, Cambridge, U.K., 2002
备用版本
United Kingdom and Ireland, United Kingdom
备用版本
United States, United States of America
备用版本
Online-ausg, Cambridge, U.K, 2002
备用版本
Cambridge, U.K. ; New York, 2002
备用版本
November 4, 2002
备用版本
80, 2002
备用版本
1, 2008
备用版本
2004
元数据中的注释
lg387132
元数据中的注释
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元数据中的注释
Referenced by: doi:10.30965/9783657765331 doi:10.1007/978-1-349-04687-4 doi:10.1525/9780520908376 doi:10.1515/9783110244397.238 doi:10.1515/9783110813593 doi:10.1017/cbo9780511627408 doi:10.1017/cbo9780511663680 doi:10.2307/487911 doi:10.1515/9783110845273-004 doi:10.1353/phl.1991.0056 doi:10.1515/9783110845273 doi:10.1017/cbo9780511804397 doi:10.2307/460875 doi:10.13109/9783666305085 doi:10.1017/cbo9780511627866.007 doi:10.1017/ccol0521365864.008 doi:10.1093/acprof:oso/9780198159131.001.0001 doi:10.4159/9780674020696 doi:10.1017/cbo9781139172516 doi:10.1353/phl.1997.0002 doi:10.1515/9783110907902 doi:10.1515/9783110843934 doi:10.1017/ccol0521365864 doi:10.1515/9781474472289 doi:10.1017/cbo9781316534786 doi:10.1353/phl.1981.0000
备用描述
Cover 1
Half-title 3
Title 5
Copyright 6
Dedication 7
Contents 9
Preface 11
PART I THE AGE OF PARADIGMS 21
1 Baumgarten, Mendelssohn 23
Alexander Baumgarten 23
Moses Mendelssohn 33
2 Kant 41
Beauty: The Judgment of Taste 45
Sublimity 52
Fine Art, Genius 54
Beauty and Morality 57
3 Schiller 62
The Aesthetic Education of Man – Social Critique of the Present 65
The Theory of Drives 71
Beauty, Formal and Historical 74
4 Schelling 82
Philosophy of Art 97
Irony 102
5 Hegel 107
Nature and Truth of the Work of Art 112
Art’s History and Forms 117
An End of Art? 121
Ugliness in Art 125
PART II CHALLENGING THE PARADIGMS 129
6 Schopenhauer 131
The World as Will and Representation 133
Art as Alleviation of Suffering 137
The Objective Vision of Genius 140
From Architecture to Music 143
7 Kierkegaard, Nietzsche 148
Kierkegaard 148
Nietzsche 156
The Birth of Tragedy 158
Positivist Interlude 164
Aestheticizing Philosophy 165
PART III RENEWING THE PARADIGMS 171
8 Cassirer, Lukács 173
Ernst Cassirer’s neo-Kantianism 173
Neo-Marxism as neo-Schillerianism? 178
The Quality of the Aesthetic 182
Herbert Marcuse 189
9 Heidegger, Gadamer 193
Martin Heidegger 193
The Truth of Art 198
Heidegger and Idealism 205
Hans-Georg Gadamer 209
10 Adorno 214
Art and Society 214
Benjamin and the Culture Industry 217
Society and the Form of Art 221
The Truth of Art 225
Conclusion 233
Notes 237
Chapter 1. Baumgarten, Mendelssohn 237
Chapter 2. Kant 239
Chapter 3. Schiller 242
Chapter 4. Schelling 244
Chapter 5. Hegel 247
Chapter 6. Schopenhauer 250
Chapter 7. Kierkegaard, Nietzsche 252
Chapter 8. Cassirer, Lukács 254
Chapter 9. Heidegger, Gadamer 258
Chapter 10. Adorno 261
Bibliography 265
Index 277
备用描述
This is the only available systematic critical overview of German aesthetics from 1750 to the present. The book begins with the work of Baumgarten and covers all the major writers on German aesthetics that follow, including Kant, Schiller, Schelling, Hegel, Nietzsche, Heidegger, Gadamer and Adorno. The book offers a clear and non-technical exposition of ideas, placing these in a wider philosophical context where necessary. Such is the importance of German aesthetics that the market for this book will extend far beyond the domain of philosophy to such fields as literary studies, fine art and music.
备用描述
This is the only available systematic critical overview of German aesthetics from 1750 to the present. The book begins with the work of Baumgarten and covers all the major writers on German aesthetics that follow: Kant, Schiller, Schelling, Hegel, Nietzsche, Heidegger, Gadamer and Adorno. It offers a clear and non-technical exposition of ideas, placing these in a wider philosophical context where necessary. Interest in this book extends far beyond the discipline of philosophy to those of literary studies, fine art and music.
备用描述
This Is The Only Available Systematic Overview Of German Aesthetics From 1750 To The Present. It Begins With The Work Of Baumgarten And Covers All The Major Writers On German Aesthetics That Follow. It Offers A Clear, Non-technical Exposition Of Ideas, Placing These In A Wider Philosophical Context Where Necessary.
备用描述
In this work, Kai Hammermeister gives a systematic overview of German aesthetics from 1750 to the present. It begins with the work of Baumgarten and covers all the major writers on German aesthetics that follow, including Kant, Schiller, Schelling, Hegel and Nietzsche up to Heidegger, Gadamer and Adorno
备用描述
Baumgarten, Mendelssohn -- Kant -- Schiller -- Schelling -- Hegel -- Schopenhauer -- Kierkegaard, Nietzsche -- Cassirer, Lukàcs -- Heidegger, Gadamer -- Adorno. Kai Hammermeister. Includes Bibliographical References (p. 245-255) And Index.
备用描述
Immanuel Kant's (1724-1804) towering presence at the end of the eighteenth century tends to throw a shadow backward in history, eclipsing many of the less forceful and original thinkers.
备用描述
<p><p>this Is The Only Available Systematic Overview Of German Aesthetics From 1750 To The Present.</p>
开源日期
2011-04-11
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