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nexusstc/Subjectivity and Subjugation in Seventeenth-Century Drama and Prose: The Family Romance of French Classicism/44e90fb15320dbe1cfe20350e1720fa3.pdf
Subjectivity and Subjugation in Seventeenth-Century Drama and Prose: The Family Romance of French Classicism (Cambridge Studies in French, Series Number 36) 🔍
Mitchell Greenberg Cambridge University Press (Virtual Publishing), Cambridge Studies in French, 1, 1992
英语 [en] · PDF · 5.7MB · 1992 · 📘 非小说类图书 · 🚀/duxiu/lgli/lgrs/nexusstc/zlib · Save
描述
This 1992 book analyses the relation between an emergent modern subjectivity in seventeenth-century French literature, particularly in dramatic works, and the contemporaneous evolution of the absolutist state. It shows how major writers of the Classical period (Corneille, Racine, Moliere, Lafayette) elaborate a new subject in and through their representations of the family, and argues that the family serves as the mediating locus of a patriarchal ideology of sexual and political containment. Most importantly, it asks why the theatre became the privileged form of representation in this state, and why this theatre concentrates almost exclusively on family conflict. Professor Greenberg argues that the narrative of oedipal sexuality and subjugation central to this new literary canon reflected the conflicting social, political and economic forces that were shifting European society away from the universe of the Renaissance and guiding it towards the 'transparency' of Classical representation.
备用文件名
lgli/44e90fb15320dbe1cfe20350e1720fa3~0521412935,9780521412933,052103230X,9780521032308,9780511553936.pdf
备用文件名
lgrsnf/44e90fb15320dbe1cfe20350e1720fa3~0521412935,9780521412933,052103230X,9780521032308,9780511553936.pdf
备用文件名
zlib/Poetry/American Poetry/Mitchell Greenberg/Subjectivity and Subjugation in Seventeenth-Century Drama and Prose: The Family Romance of French Classicism_810927.pdf
备选作者
Greenberg, Mitchell (author)
备用出版商
Greenwich Medical Media Ltd
备用版本
Cambridge studies in French ;, 36, Cambridge [England], New York, England, 1992
备用版本
Cambridge studies in French, Cambridge, 2006
备用版本
United Kingdom and Ireland, United Kingdom
备用版本
Cambridge [England] ; New York, c1992
备用版本
New Ed edition, December 18, 2006
备用版本
36, 1. publ, Cambridge u.a, 1992
备用版本
First edition., 1992
备用版本
1992 sep 25
备用版本
2009
元数据中的注释
lg386248
元数据中的注释
{"edition":"1","isbns":["0511553935","052103230X","0521412935","9780511553936","9780521032308","9780521412933"],"last_page":254,"publisher":"Cambridge University Press","series":"Cambridge Studies in French"}
元数据中的注释
Includes bibliographical references and index.
备用描述
This book analyzes the relation between the modern subject who emerges in seventeenth-century French literature, particularly in dramatic works, and the emergence of the first modern Absolutist state. It shows how in the work of the major writers of the Classical period (Corneille, Racine, Moliere, Lafayette and others) a new subjectivity is formed in and through the representation of the family, which serves to mediate a patriarchal ideology of sexual and political repression. It examines why the theater became the privileged form of representation in this state, and why this theater concentrates almost exclusively on family conflict. Professor Greenberg argues that the narrative of Oedipal sexuality and subjugation central to this new literary canon reflected the conflicting social, political and economic forces that were shifting European society away from the universe of the Renaissance and guiding it towards the "transparency" of Classical representation
备用描述
This book analyzes the relationship between an emergent modern subjectivity in seventeenth-century French literature, particularly in dramatic works, and the contemporaneous evolution of the absolutist state. It shows how major writers of the Classical period (Corneille, Racine, Moliere, Lafayette) elaborate a new subject in and through their representations of the family, and argues that the family serves as the mediating locus of a patriarchal ideology of sexual and political containment. Professor Greenberg argues that this reflects the conflicting social, political and economic forces that were shifting European society away from the universe of the Renaissance and guiding it toward the ''transparency'' of Classical representation.
备用描述
Let us begin at the end, with a scene that to my mind represents, in its precarious equipoise, the apogee of a certain Classical ideal.
开源日期
2011-04-11
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