Chromophobia (Focus on Contemporary Issues) 🔍
David Batchelor
Reaktion Books, Focus on contemporary issues, London, 2000
英语 [en] · PDF · 0.8MB · 2000 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
描述
The central argument of Chromophobia is that a chromophobic impulse - a fear of corruption or contamination through color - lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some ''foreign body'' - the oriental, the feminine, the infantile, the vulgar, or the pathological - or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic. Chromophobia has been a cultural phenomenon since ancient Greek times; this book is concerned with forms of resistance to it. Writers have tended to look no further than the end of the nineteenth century. David Batchelor seeks to go beyond the limits of earlier studies, analyzing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at color as a positive value. Exploring a wide range of imagery including Melville's ''great white whale'', Huxley's reflections on mescaline, and Le Corbusier's ''journey to the East'', Batchelor also discusses the use of color in Pop, Minimal, and more recent art. (20080304)
备用文件名
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备用文件名
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备用文件名
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备选作者
Batchelor, David
备用版本
Focus on contemporary issues, Repr, London, 2005
备用版本
United Kingdom and Ireland, United Kingdom
备用版本
Reaktion Books Ltd., London, 2000
备用版本
October 1, 2000
元数据中的注释
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备用描述
Chromophobia - a fear of corruption or contamination through colour - has lurked within Western culture since ancient times. This is apparent in the many attempts to purge colour from art, literature and architecture, either by making it the property of some "foreign" body - the oriental, the feminine, the infantile the vulgar or the pathological - or by relegating it to the realm of the superficial, the inessential or the cosmetic, which in many cases amounts to the same thing. In Chromophobia , David Batchelor analyzes the history of, and motivations behind, chromophobia, from its beginnings through examples of nineteenth-century literature, twentieth-century architecture and film, to Pop art, minimalism and the art and architecture of the present day. Batchelor suggests how colour fits, or fails to fit, into the cultural imagination of the West, exploring such diverse themes as Melville's "great white whale," Le Corbusier's "journey to the East," Huxley's experiments with mescaline. Dorothy's travels in the Land of Oz and the implication of modern artists' experiments with industrial paints and materials.
备用描述
Batchelor Coins The Term Chromophobia--a Fear Of Corruption Or Contamination Through Color--in A Meditation On Color In Western Culture. Batchelor Analyzes The History Of, And The Motivations Behind, Chromophobia, From Its Beginnings Through Examples Of Nineteenth-century Literature, Twentieth-century Architecture And Film To Pop Art, Minimalism And The Art And Architecture Of The Present Day. He Argues That There Is A Tradition Of Resistance To Colour In The West, Exemplified By Many Attempts To Purge Color From Art, Literature And Architecture. Batchelor Seeks To Analyze The Motivations Behind Chromophobia, Considering The Work Of Writers And Philosophers Who Have Used Color As A Significant Motif, And Offering New Interpretations Of Familiar Texts And Works Of Art. Whitescapes -- Chromophobia -- Apocalypstick -- Hanunoo -- Chromophilia. David Batchelor. Includes Bibliographical References. (p. 119-[122]). Filmography: P. [122].
备用描述
Imprint page......Page 6
Contents......Page 7
1 Whitescapes......Page 11
2 Chromophobia......Page 23
3 Apocalypstick......Page 53
4 Hanunoo......Page 75
5 Chromophilia......Page 99
References......Page 115
Select Bibliography and Filmography......Page 121
List of Illustrations......Page 125
Acknowledgements......Page 126
Contents......Page 7
1 Whitescapes......Page 11
2 Chromophobia......Page 23
3 Apocalypstick......Page 53
4 Hanunoo......Page 75
5 Chromophilia......Page 99
References......Page 115
Select Bibliography and Filmography......Page 121
List of Illustrations......Page 125
Acknowledgements......Page 126
开源日期
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Open Library:
OL8631307M
代码浏览器: 在代码浏览器中查看“ol:OL8631307M”
Open Library Source Record:
amazon:1861890745:ga:2990529463:257646
The code for a source record that Open Library imported from.
网站: /datasets/ol
Open Library Source Record:
bwb:9781861890740
The code for a source record that Open Library imported from.
网站: /datasets/ol
Open Library Source Record:
ia:chromophobia00batc_0
The code for a source record that Open Library imported from.
网站: /datasets/ol
Open Library Source Record:
marc_cca/b10621386.out:38703739:789
The code for a source record that Open Library imported from.
网站: /datasets/ol
Open Library Source Record:
marc_columbia/Columbia-extract-20221130-006.mrc:259387693:1062
The code for a source record that Open Library imported from.
URL: https://openlibrary.org/show-records/marc_columbia/Columbia-extract-20221130-006.mrc:259387693:1062
网站: /datasets/ol
Open Library Source Record:
marc_ithaca_college/ic_marc.mrc:178946161:775
The code for a source record that Open Library imported from.
网站: /datasets/ol
Open Library Source Record:
marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:169731518:1976
The code for a source record that Open Library imported from.
网站: /datasets/ol
Server Path:
g4/libgenrs_nonfiction/libgenrs_nonfiction/401000/5123067814f4cd534c4f110a54e9b5c3
Path on Anna’s Archive partner servers.
SHA-1:
uejbztsbobf7zp33ozubl4twr4oxzizz
SHA-256:
9d5535b9bc6917e9c4a7d2b94edfb09ab595c42867382bc6c403b83a56d6ecbc
Torrent:
external/libgen_rs_non_fic/r_401000.torrent
Bulk torrent for long-term preservation.
网站: /torrents
Z-Library:
826117
ID in Z-Library.
URL: https://z-lib.gd/
网站: /datasets/zlib
代码浏览器: 在代码浏览器中查看“zlib:826117”
Zlib Category ID:
41
Category ID on the Z-Library website.
Zlib Category Name:
Arts/Graphic Arts
Name for the zlib_category_id (category ID on the Z-Library website).
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