Enchanted by Lohans : Osvald Sireþn's journey into Chinese art 🔍
Sirén, Osvald; Törmä, Minna Hong Kong University Press, HKU, UPCC book collections on Project MUSE, 2013
英语 [en] · PDF · 1.8MB · 2013 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
描述
Finnish-Swedish art historian Osvald Sirén (1879-1966) was one of the pioneers of Chinese art scholarship in the West. This biography focuses on his four major voyages to East Asia: 1918, 1921-1923, 1929-1930, and 1935. This was a pivotal period in Chinese archaeology, art studies, and the formation of Western collections of Chinese art. Sirén gained international renown as a scholar of Italian art, particularly with his books on Leonardo da Vinci and Giotto. Yet when he was almost forty years old, he became captivated by Chinese art (paintings of Lohans in the Museum of Fine Arts in Boston) to such an extent that he decided to start his career anew--in a way. He has left his mark in several fields in Chinese art study: architecture, sculpture, painting, and garden art.
This study charts Sirén's itineraries during his travels in Japan, Korea, and China. It introduces the various people in those countries as well as in Europe and North America who defined the field in its early stages and were influential as collectors and dealers. Since Sirén was a theosophist, the book also explores the impact of theosophical ideas in his work.
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备用文件名
upload/motw_shc_2025_10/shc/Enchanted by Lohans_ Osvald Sir - Minna Torma.pdf
备用文件名
motw/Enchanted by Lohans_ Osvald Sir - Minna Torma.pdf
备用文件名
lgli/K:\_add\!woodhead\!\!!\slow\(Hong Kong University Press) Enchanted by Lohans_ Osvald Siren's Journey Into Chinese Art - Minna Torma.pdf
备用文件名
lgrsnf/K:\_add\!woodhead\!\!!\slow\(Hong Kong University Press) Enchanted by Lohans_ Osvald Siren's Journey Into Chinese Art - Minna Torma.pdf
备用文件名
nexusstc/Enchanted by Lohans : Osvald Sireþn's journey into Chinese art/5d3f36e2aa0fca2e5e533e1804f8ed1f.pdf
备用文件名
zlib/Arts/History & Criticism/Sirén, Osvald; Törmä, Minna/Enchanted by Lohans : Osvald Sireþn's journey into Chinese art_2633320.pdf
备选标题
Enchanted by Lohans : Osvald Sirén's journey into Chinese art
备选作者
Adobe InDesign CS6 (Macintosh)
备选作者
Minna Törmä (A)
备选作者
Minna To
备用出版商
Project Muse
备用版本
Hong Kong University Press, Hong Kong, 2013
备用版本
Hong Kong, China, Hong Kong
备用版本
Baltimore, Maryland, 2013
备用版本
Hong Kong, c2013
元数据中的注释
lg1423371
元数据中的注释
producers:
Adobe PDF Library 10.0.1
元数据中的注释
{"isbns":["9789888139842","9789888180981","9888139843","9888180983"],"last_page":240,"publisher":"Hong Kong University Press","series":"UPCC book collections on Project MUSE"}
元数据中的注释
Memory of the World Librarian: Slowrotation
备用描述
Finnish-swedish Art Historian Osvald Siren (1879--1966) Was One Of The Pioneers Of Chinese Art Scholarship In The West. This Biography Focuses On His Four Major Voyages To East Asia: 1918, 1921--1923, 1929--1930, And 1935. This Was A Pivotal Period In Chinese Archaeology, Art Studies, And The Formation Of Western Collections Of Chinese Art. Siren Gained International Renown As A Scholar Of Italian Art, Particularly With His Books On Leonardo Da Vinci And Giotto. Yet When He Was Almost Forty Years Old, He Became Captivated By Chinese Art (paintings Of Lohans In The Museum Of Fine Arts In Boston) To Such An Extent That He Decided To Start His Career Anew -- In A Way. He Has Left His Mark In Several Fields In Chinese Art Study: Architecture, Sculpture, Painting, And Garden Art. This Study Charts Siren's Itineraries During His Travels In Japan, Korea, And China. It Introduces The Various People In Those Countries As Well As In Europe And North America Who Defined The Field In Its Early Stages And Were Influential As Collectors And Dealers. Since Siren Was A Theosophist, The Book Also Explores The Impact Of Theosophical Ideas In His Work. Preface -- Acknowledgements -- In The Forbidden City -- The Beginnings Of The Journey -- Enchanted By Lohans In Boston -- The Golden Pavilion -- The Expedition That Lasted Too Long -- The Fruits Of The 1921-23 Expedition -- To Go Or Not To Go Back To Stockholm -- Language Lessons And Curio Dealers -- Enhancing The Asian Collection In The Nationalmuseum -- The Garden As A Refuge -- Afterword -- Appendix I. Biographies -- Appendix Ii. Itineraries -- Notes -- Bibliography -- Index. Minna Törmä. Includes Bibliographical References (pages 207-216) And Index.
备用描述
" Finnish-Swedish art historian Osvald Siren ( 1879 --1966 ) was one of the pioneers of Chinese art scholarship in the West. This biography focuses on his four major voyages to East Asia : 1918, 1921 -- 1923, 1929 -- 1930, and 1935. This was a pivotal period in Chinese archaeology, art studies, and the formation of Western collections of Chinese art. Siren gained international renown as a scholar of Italian art, particularly with his books on Leonardo da Vinci and Giotto. Yet when he was almost forty years old, he became captivated by Chinese art (paintings of Lohans in the Museum of Fine Arts in Boston) to such an extent that he decided to start his career anew -- in a way. He has left his mark in several fields in Chinese art study: architecture, sculpture, painting, and garden art. This study charts Siren's itineraries during his travels in Japan, Korea, and China. It introduces the various people in those countries as well as in Europe and North America who defined the field in its early stages and were influential as collectors and dealers. Since Siren was a theosophist, the book also explores the impact of theosophical ideas in his work. " -- Book jacket
备用描述
Finnish-Swedish art historian Osvald Sirén (1879-1966) was one of the pioneers of Chinese art scholarship in the West. This biography focuses on his four major voyages to East Asia: 1918, 1921-1923, 1929-1930, and 1935. This was a pivotal period in Chinese archaeology, art studies, and the formation of Western collections of Chinese art. Sirén gained international renown as a scholar of Italian art, particularly with his books on Leonardo da Vinci and Giotto. Yet when he was almost forty years old, he became captivated by Chinese art (paintings of Lohans in the Museum of Fine Arts in Boston) to such an extent that he decided to start his career anew - in a way. He has left his mark in several fields in Chinese art study: architecture, sculpture, painting, and garden art. This study charts Sirén's itineraries during his travels in Japan, Korea, and China. It introduces the various people in those countries as well as in Europe and North America who defined the field in its early stages and were influential as collectors and dealers. Since Sirén was a theosophist, the book also explores the impact of theosophical ideas in his work
备用描述
Finnish-Swedish art historian Osvald Sirén (1879–1966) was one of the pioneers of Chinese art scholarship in the West. This biography focuses on his four major voyages to East Asia: 1918, 1921–23, 1929–30 and 1935. This was a pivotal period in Chinese archaeology, art studies and formation of Western collections of Chinese art. Sirén gained international renown as a scholar of Italian art, particularly with his books on Leonardo da Vinci and Giotto. But when he was almost 40 years old, he was captivated by Chinese art (paintings of Lohans in the Museum of Fine Arts in Boston) to such an extent that he decided to start his career anew, in a way. He has left his mark in several fields in Chinese art studies: architecture, sculpture, painting and garden art. The study charts Sirén's itineraries during his travels in Japan, Korea and China; it introduces the various people in those countries as well as in Europe and North America who defined the field in its early stages and were influential as collectors and dealers. It also explores the impact of theosophical ideas in his work.
备用描述
Contents 8
List of Figures 10
Preface 12
Acknowledgements 16
1. In the Forbidden City 20
2. The Beginnings of the Journey 28
3. Enchanted by Lohans in Boston 34
4. The Golden Pavilion 56
5. The Expedition That Lasted Too Long 74
6. The Fruits of the 1921–23 Expedition 100
7. To Go or Not to Go Back to Stockholm 116
8. Language Lessons and Curio Dealers 128
9. Enhancing the Asian Collection in the Nationalmuseum 148
10. The Garden as a Refuge 164
11. Afterword 170
Appendix I: Biographies 178
Appendix II: Itineraries 188
Notes 192
Bibliography 226
Index 236
开源日期
2015-12-23
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