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nexusstc/Stefan Lochner: Image Making in Fifteenth-Century Cologne (Me Fecit)/5e43dc4a4ad3e8353309fd1f06f7dc0c.pdf
Stefan Lochner: Image Making in Fifteenth-Century Cologne (Me Fecit) 🔍
Julien Chapuis Brepols (distributed), Me fecit, Turnhout, Belgium, ©2004
英语 [en] · PDF · 129.4MB · 2004 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
描述
The paucity of documents related to Stefan Lochner has resulted in a lack of agreement on such fundamental issues as the artist's identity, the nature of his oeuvre, the importance of his workshop, and his position in fifteenth-century painting. This volume re-evaluates the oeuvre ascribed to this artist in the light of an extensive examination of his works with infrared reflectography. Although the results of technical studies form the underpinnings of the book, its concerns are broader. Relatively few drawings can be attributed to northern artists of the fifteenth century, and fewer still can be linked with any degree of certainty to Cologne. Our understanding of graphic languages in Germany is based primarily on the print production, a distorted view because the techniques of woodcut and engraving imposed restrictions on printmakers that draftsmen could disregard. It is not until Martin Schongauer, active in Colmar in the last quarter of the century, that we can confidently associate a particular graphic language with a specific locale. In addition to increasing the overall corpus of fifteenth-century drawings, the underdrawings brought to light by the reflectography of Lochner's paintings offer tangible evidence of a graphic style that was practised in Cologne in the 1430s and 1440s. They reveal Lochner to be a draftsman of the first order who practised a style quite new at the time: derived from metalwork, it foreshadows Schongauer's achievements by some forty years. The prominent position of painting in modern museums obscures the fact that in earlier times other media were often more highly esteemed; the goldsmith's work is one of the forms of art to have been severely devalued over the centuries. Lochner selected his pictorial means to establish a conscious parallel with the work of goldsmiths, raising the status of painting by endowing it with the quality of the most revered form of art.
备用文件名
lgli/03. Chapuis,_J_Stefan_Lochner_image_making_in_fifteenth-century_Cologne_Turnhout,_Belgium_Brepols_mdp.39015058275879.pdf
备用文件名
lgrsnf/03. Chapuis,_J_Stefan_Lochner_image_making_in_fifteenth-century_Cologne_Turnhout,_Belgium_Brepols_mdp.39015058275879.pdf
备用文件名
zlib/Arts/History & Criticism/Julien Chapuis/Stefan Lochner: Image Making in Fifteenth-Century Cologne (Me Fecit)_25165764.pdf
备选作者
Chapuis, Julien
备用出版商
Brepols ; European Schoolbooks
备用出版商
Brepols Publishers
备用版本
Belgium - French speaking, Belgium
备用版本
Turnhout, Belgium, Belgium, 2004
备用版本
Turnhout, Cheltenham, 2003
备用版本
Turnhout, Belgium, 2003
备用版本
Illustrated, 2004
元数据中的注释
Internet Archive
元数据中的注释
{"isbns":["2503505678","9782503505671"],"last_page":340,"publisher":"Brepols (distributed)"}
元数据中的注释
Includes bibliographical references (p. 311-321) and index.
备用描述
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开源日期
2023-05-30
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