The look of lyric: Greek song and the visual' addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to encompass their broader cultural settings, the later reception of the poems, and finally also their understanding in modern scholarship. By focusing on the relationship between the visual and the verbal as well as the sensory and the mental, this volume raises a wide range of questions concerning human perception and cultural practices. As this collection of essays shows, Greek lyric poetry played a decisive role in the shaping of both.0.

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edited by Vanessa Cazzato, Andre Lardinois; with an introduction by Anastasia-Erasmia Peponi

Vanessa Cazzato, A. P. M. H. Lardinois, Anastasia-Erasmia Peponi

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Koninklijke Brill N.V.

Mnemosyne. Supplements -- volume 391, Studies in archaic and classical Greek song -- vol. 1, Mnemosyne, bibliotheca classica Batava -- 391., Studies in archaic and classical Greek song -- v. 1., Leiden, Boston, Netherlands, 2016

Studies in archaic and classical Greek song, volume 391, Leiden, 2016

Mnemosyne, bibliotheca classica Batava, v. 391, Leiden, 2016

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Includes bibliographical references and index.

The Look of Lyric: Greek Song and the Visual. Studies in Archaic and Classical Greek Song, Vol. 1 4
‎Contents 6
‎Preface 8
‎List of Figures 9
‎List of Contributors 11
1 Anastasia-Erasmia Peponi: Lyric Vision: An Introduction 14
2 Lucia Athanassaki: Political and Dramatic Perspectives on Archaic Sculptures: Bacchylides’ Fourth Dithyramb (Ode 18) and the Treasury of the Athenians in Delphi 29
1 Interaction of Song and Image 31
1.1 The Poet and His Audience(s) as Viewers of Architectural Sculpture 31
1.2 Theseus’ Deeds: Viewing and Listening in Delphi and Athens 36
2 The Fourth Dithyramb in Context: The Athenian Political and Cultural Scene 50
3 The Look of the Dithyrambic Song-Dance 57
Works Cited 59
3 Laura Lulli: The Fight of Telephus: Poetic Visions behind the Pergamon Frieze 63
Works Cited 79
4 Jesús Carruesco: Choral Performance and Geometric Patterns in Epic Poetry and Iconographic Representations 82
Works Cited 119
5 Deborah Steiner: Making Monkeys: Archilochus frr. 185–187 W. in Performance 121
Archilochus vs. Kerykides; Performative Rivals 123
The ainos and Its Sympotic Frame 131
The Visual Evidence 138
Monkeys and Fat Dancers 148
Works Cited 155
6 Gregory S. Jones: Observing Genre in Archaic Greek Skolia and Vase-Painting 159
Untitled 159
Previous Scholarship 161
A New Approach 165
The skolion Reconsidered 168
Occasion 168
Content 176
Style: Meter 178
Style: Mode 181
Vase-Painting and Performance 183
Visions of Terpander 187
Works Cited 193
7 Vanessa Cazzato: ‘Glancing Seductively through Windows’: The Look of Praxilla fr. 8 (PMG 754) 198
Works Cited 215
8 Jenny Strauss Clay: How to Construct a Sympotic Space with Words 217
Works Cited 228
9 Caroline Trieschnigg: Turning Sound into Sight in the Chorus’ Entrance Song of Aeschylus’ Seven against Thebes 230
Introduction 230
Actual Vision and Visual Imagination in Tragedy 231
The Chorus’ Sound-Based Representation of the Argives 233
The Chorus versus the Scout 237
The Chorus Mimicking the Argive Army 239
Hearing versus Seeing 240
Rest of the Play 243
Other Plays of Aeschylus 244
Conclusion 246
Works Cited 247
10 Michel Briand: Light and Vision in Pindar’s Olympian Odes: Interplays of Imagination and Performance 251
Constructing Visual Images in the Mythological Discourse: The Manifold Plays of enargeia 255
Melic Praise as Spectacular Action: Interplays of Ethics and Aesthetics 260
Conclusion 263
Works Cited 263
11 Laura Swift: Visual Imagery in Parthenaic Song 268
1 Exploring the Visual in Parthenaic Fragments 270
2 Self-Referentiality in Male Choral Song 276
3 Visual Self-Reference in Evocations of Parthenaic Song 282
4 Parthenoi on Display 288
Conclusion 295
Works Cited 296
12 Claude Calame: The Amorous Gaze: A Poetic and Pragmatic Koinê for Erotic Melos? 301
1 The Divine Physiology of the Amorous Gaze and Erotic Poetry 302
2 Hagesichora’s Partheneion: The Erotic Gaze and Songs of Action 304
3 The Partheneion of Astymelousa: Diction in Erotic Poetry 309
4 Erotic Gazes from Sappho to Pindar 312
5 An Erotic Poetics between the Semantics and Pragmatics 314
Works Cited 317
13 Anton Bierl: Visualizing the Cologne Sappho: Mental Imagery through Chorality, the Sun, and Orpheus 320
Introduction 320
Primary and Secondary Reception: The Choral Context 323
The Look of Lyrics and Iconic Poetics 325
The New First Part (A1) 328
The Poem on Old Age (T) 329
The End of the ‘Old Age Poem’ (B) 339
Orpheus and the New Section (O) of an Anonymous Lyric Poem 343
Conclusion 348
Works Cited 349
14 Katerina Ladianou: Female Choruses and Gardens of Nymphs: Visualizing Chorality in Sappho 356
The Look of Song: Sappho and the Visual 357
Looking at Sappho’s Songs: Philostratus 2.1 365
Looking at the Dance: Sappho and the Chorus 375
Works Cited 380
15 Ippokratis Kantzios: Imagining Images: Anacreontea 16 and 17 383
Anacreontea 16 383
Anacreontea 17 384
Work Cited 397
‎Index 400

Front Matter /Vanessa Cazzato and André Lardinois -- Lyric Vision: An Introduction /Anastasia-Erasmia Peponi -- Political and Dramatic Perspectives on Archaic Sculptures: Bacchylides' Fourth Dithyramb (Ode 18) and the Treasury of the Athenians in Delphi /Lucia Athanassaki -- The Fight of Telephus: Poetic Visions behind the Pergamon Frieze /Laura Lulli -- Choral Performance and Geometric Patterns in Epic Poetry and Iconographic Representations /Jesús Carruesco -- Making Monkeys: Archilochus frr. 185-187 W. in Performance /Deborah Steiner -- Observing Genre in Archaic Greek Skolia and Vase-Painting /Gregory S. Jones -- 'Glancing Seductively through Windows': The Look of Praxilla fr. 8 (PMG 754) /Vanessa Cazzato -- How to Construct a Sympotic Space with Words /Jenny Strauss Clay -- Turning Sound into Sight in the Chorus' Entrance Song of Aeschylus' Seven against Thebes /Caroline Trieschnigg -- Light and Vision in Pindar's Olympian Odes: Interplays of Imagination and Performance /Michel Briand -- Visual Imagery in Parthenaic Song /Laura Swift -- The Amorous Gaze: A Poetic and Pragmatic Koinê for Erotic Melos? /Claude Calame -- Visualizing the Cologne Sappho: Mental Imagery through Chorality, the Sun, and Orpheus /Anton Bierl -- Female Choruses and Gardens of Nymphs: Visualizing Chorality in Sappho /Katerina Ladianou -- Imagining Images: Anacreontea 16 and 17 /Ippokratis Kantzios -- Index /Vanessa Cazzato and André Lardinois

2016-05-21