xiv, 276 pages : 25 cm, Includes bibliographical references (p. [245]-257) and index

ia/kidsrulenickelod0000bane.pdf

Sarah Banet-Weiser

Duke University Press Books

Console-ing passions, Durham, North Carolina, 2007

Console-ing passions, Durham, N.C, 2008

United States, United States of America

Illustrated, 2007

50032nd, FR, 2007

October 2007

Includes bibliographical references and index.

<p>In <i>Kids Rule!</i> Sarah Banet-Weiser examines the cable network Nickelodeon in order to rethink the relationship between children, media, citizenship, and consumerism. Nickelodeon is arguably the most commercially successful cable network ever. Broadcasting original programs such as <i>Dora the Explorer</i>, <i>SpongeBob SquarePants</i>, and <i>Rugrats</i> (and producing related movies, Web sites, and merchandise), Nickelodeon has worked aggressively to claim and maintain its position as the preeminent creator and distributor of television programs for America’s young children, tweens, and teens. Banet-Weiser argues that a key to its success is its construction of children as citizens within a commercial context. The network’s self-conscious engagement with kids—its creation of a “Nickelodeon Nation” offering choices and empowerment within a world structured by rigid adult rules—combines an appeal to kids’ formidable purchasing power with assertions of their political and cultural power.</p>
<p>Banet-Weiser draws on interviews with nearly fifty children as well as with network professionals; coverage of Nickelodeon in both trade and mass media publications; and analysis of the network’s programs. She provides an overview of the media industry within which Nickelodeon emerged in the early 1980s as well as a detailed investigation of its brand-development strategies. She also explores Nickelodeon’s commitment to “girl power,” its ambivalent stance on multiculturalism and diversity, and its oft-remarked appeal to adult viewers. Banet-Weiser does not condemn commercial culture nor dismiss the opportunities for community and belonging it can facilitate. Rather she contends that in the contemporary media environment, the discourses of political citizenship and commercial citizenship so thoroughly inform one another that they must be analyzed in tandem. Together they play a fundamental role in structuring children’s interactions with television.</p>

"In Kids Rule! Sarah Banet-Weiser examines the cable network Nickelodeon in order to rethink the relationship between children, media, citizenship, and consumerism. Nickelodeon is arguably the most commercially successful cable network ever. Broadcasting original programs such as Dora the Explorer, SpongeBob SquarePants, and Rugrats (and producing related movies, Web sites, and merchandise), Nickelodeon has worked aggressively to claim and maintain its position as the preeminent creator and distributor of television programs for America's young children, tweens, and teens. Banet-Weiser argues that a key to its success is its construction of children as citizens within a commercial context. The network's self-conscious engagement with kids--its creation of a 'Nickelodeon Nation' offering choices and empowerment within a world structured by rigid adult rules--combines an appeal to kids' formidable purchasing power with assertions of their political and cultural power. Banet-Weiser draws on interviews with nearly fifty children as well as with network professionals; coverage of Nickelodeon in both trade and mass media publications; and analysis of the network's programs. She provides an overview of the media industry within which Nickelodeon emerged in the early 1980s as well as a detailed investigation of its brand-development strategies. She also explores Nickelodeon's commitment to 'girl power, ' its ambivalent stance on multiculturalism and diversity, and its oft-remarked appeal to adult viewers. Banet-Weiser does not condemn commercial culture nor dismiss the opportunities for community and belonging it can facilitate. Rather she contends that in the contemporary media environment, the discourses of political citizenship and commercial citizenship so thoroughly inform one another that they must be analyzed in tandem. Together they play a fundamental role in structuring children's interactions with television."--Provided by publisher

Examines The Cable Network Nickelodeon In Order To Rethink The Relationship Between Children, Media, Citizenship, And Consumerism. Nickelodeon Has Worked Aggressively To Claim And Maintain Its Position As The Preeminent Distributor Of Television Programs For America’s Young Children, Tweens, And Teens. Banet-weiser Argues That A Key To Its Success Is Its Construction Of Children As Citizens Within A Commercial Context. From Publisher Description. We, The People Of Nickelodeon : Theorizing Empowerment And Consumer Citizenship -- The Success Story : Nickelodeon And The Cable Industry -- The Nickelodeon Brand : Buying And Selling The Audience -- Girls Rule! : Gender, Feminism, And Nickelodeon -- Consuming Race On Nickelodeon -- Is Nick For Kids? : Irony, Camp, And Animation In The Nickelodeon Brand -- Conclusion : Kids Rule : The Nickelodeon Universe. Sarah Banet-weiser. Includes Bibliographical References (p. [245]-257) And Index.

2023-06-28