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American Cinema of the 1960s: Themes and Variations (Screen Decades: American Culture/American Cinema) 🔍
Barry Keith Grant; Murray Pomerance; James Morrison; Anna Everett; Professor Joe McElhaney; Professor Leslie Abramson; Professor David Desser; Professor Harry Benshoff; Professor Christopher Sharrett; Professor Eric Schaefer; Professor Christie Milliken New Brunswick, N.J.: Rutgers University Press, Rutgers University Press, New Brunswick, N.J., 2008
英语 [en] · PDF · 19.5MB · 2008 · 📗 未知类型的图书 · 🚀/ia · Save
描述
The profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women's liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest.
At the same time, American cinema underwent radical change as well. The studio system crumbled, and the Production Code was replaced by a new ratings system. Among the challenges faced by the film industry was the dawning shift in theatrical exhibition from urban centers to surburban multiplexes, an increase in runaway productions, the rise of independent producers, and competition from both television and foreign art films. Hollywood movies became more cynical, violent, and sexually explicit, reflecting the changing values of the time.
In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. Among the films discussed are Elmer Gantry , The Apartment , West Side Story , The Manchurian Candidate , To Kill a Mockingbird , Cape Fear , Bonnie and Clyde , 2001: A Space Odyssey , M idnight Cowboy , and Easy Rider .
备选作者
Leslie Abramson; Harry Benshoff; David Desser; Anna Everett; Barry Keith Grant; Joe McElhaney; Christie Milliken; James Morrison; Murray Pomerance; Eric Schaefer; Christopher Sharrett
备选作者
Barry Keith Grant, Barry Keith Grant, Murray Pomerance, James Morrison, Anna Everett
备选作者
Barry Keith Grant, Murray Pomerance, James Morrison, Anna Everett, Barry Keith Grant
备选作者
edited by Barry Keith Grant
备选作者
Grant, Barry Keith, 1947-
备用出版商
Rivergate Books
备用出版商
Credo Reference
备用出版商
MyiLibrary
备用版本
Screen decades : American culture - American cinema, 7, New Brunswick, N.J, 2008
备用版本
Screen decades, New Brunswick, N.J, New Jersey, 2008
备用版本
United Kingdom and Ireland, United Kingdom
备用版本
United States, United States of America
备用版本
February 28, 2008
备用版本
None, 2008-02-11
备用版本
None, US, 2008
备用版本
1, 2008
元数据中的注释
Includes bibliographical references and index.
备用描述
The profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women's liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest. At the same time, American cinema underwent radical change as well. The studio system crumbled, and the Production Code was replaced by a new ratings system. Among the challenges faced by the film industry was the dawning shift in theatrical exhibition from urban centers to surburban multiplexes, an increase in runaway productions, the rise of independent producers, and competition from both television and foreign art films. Hollywood movies became more cynical, violent, and sexually explicit, reflecting the changing values of the time. In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. Among the films discussed are Elmer Gantry, The Apartment, West Side Story, The Manchurian Candidate, To Kill a Mockingbird, Cape Fear, Bonnie and Clyde, 2001: A Space Odyssey, Midnight Cowbody, and Easy Rider
备用描述
1 online resource (xiv, 275 pages) :
The profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women?s liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest. At the same time, American cinema underwent radical change as well
Includes bibliographical references (pages 247-252) and index
Introduction: movies and the 1960s / Barry Keith Grant -- 1960: movies and intimations of disaster and hope / Christopher Sharrett -- 1961: movies and civil rights / Anna Everett -- 1962: movies and deterioration / Eric Schaefer -- 1963: movies and the little soldiers of the new frontier / Joe McElhaney -- 1964: movies, the Great Society, and the new sensibility / James Morrison -- 1965: movies and the color line / David Desser -- 1966: movies and camp / Harry M. Benshoff -- 1967: movies and the specter of rebellion / Murray Pomerance -- 1968: movies and the failure of nostalgia / Leslie H. Abramson -- 1969: movies and the counterculture / Christie Milliken
Print version record
开源日期
2023-06-28
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