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Conversation pieces : community and communication in modern art 🔍
Kester, Grant H. Berkeley: University of California Press, Ahmanson-Murphy fine arts imprint, Berkeley, CA [ect, ©2004
英语 [en] · PDF · 10.3MB · 2004 · 📗 未知类型的图书 · 🚀/ia · Save
描述
Some of the most innovative art of the past decade has been created far outside conventional galleries and museums. In a parking garage in Oakland, California; on a pleasure boat on the Lake of Zurich in Switzerland; at a public market in Chiang Mai, Thailandartists operating at the intersection of art and cultural activism have been developing new forms of collaboration with diverse audiences and communities. Their projects have addressed such issues as political conflict in Northern Ireland, gang violence on Chicago's West Side, and the problems of sex workers in Switzerland. Provocative, accessible, and engaging, this book, one of the first full-length studies on the topic, situates these socially conscious projects historically, relates them to key issues in contemporary art and art theory, and offers a unique critical framework for understanding them.
Grant Kester discusses a disparate network of artists and collectivesincluding The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausurunited by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the conceptual art and feminist performance art of the 1960s and 1970s and draws from the writings of Mikhail Bakhtin, Jrgen Habermas, and others as he explores the ways in which these artists corroborate and challenge many of the key principles of avant-garde art and art theory.
备选作者
Grant H. Kester
备用版本
An Ahmanson-Murphy fine arts book, Berkeley, ©2004
备用版本
Ahmanson Murphy fine arts imprint, Berkeley, 2004
备用版本
United States, United States of America
备用版本
1 edition, August 12, 2004
备用版本
Berkeley, cop.2004
备用版本
1st Edition, 2004
备用版本
0, US, 2004
备用描述
Some of the most innovative art of the past decade has been created far outside conventional galleries and museums. In a parking garage in Oakland, California; on a pleasure boat on the Lake of Zurich in Switzerland; at a public market in Chiang Mai, Thailand: artists operating at the intersection of art and cultural activism have been developing new forms of collaboration with diverse audiences and communities. Their projects have addressed such issues as political conflict in Northern Ireland, gang violence on Chicago's West Side, and the problems of sex workers in Switzerland. The study situates these socially conscious projects historically, relates them to key issues in contemporary art and art theory, and offers a critical framework for understanding them. Grant Kester discusses a disparate network of artists and collectives, united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the conceptual art and feminist performance art of the 1960s and 1970s and draws from the writings of Mikhail Bakhtin, Jürgen Habermas, and others as he explores the ways in which these artists corroborate and challenge many of the key principles of avant-garde art and art theory
备用描述
xiv, 239 pages : 24 cm
Grant Kester discusses the disparate network of artists & collectives united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, & culture
"Ahmanson Murphy fine arts imprint."
Includes bibliographical references (pages 193-231) and index
Eyes of the vulgar -- Duration, performativity, and critique -- Dialogical aesthetics -- Critical framework for dialogical practice -- Community and communicability
备用描述
Eyes Of The Vulgar -- Duration, Performativity, And Critique -- Dialogical Aesthetics -- Critical Framework For Dialogical Practice -- Community And Communicability. Grant H. Kester. Ahmanson Murphy Fine Arts Imprint. Table Of Contents: Http://www.loc.gov/catdir/toc/ecip048/2003018998.html. Includes Bibliographical References (p. 193-231) And Index.
备用描述
Discusses a disparate network of artists and collectives - including the Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur - united by a desire to create understanding through creative dialogue that crosses boundaries of race, religion, and culture.
开源日期
2023-06-28
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