New Hong Kong Cinema : Transitions to Becoming Chinese in 21st-Century East Asia 🔍
by Ruby Cheung Berghahn Books, Inc., Berghahn Books, New York, 2016
英语 [en] · PDF · 16.3MB · 2016 · 📗 未知类型的图书 · 🚀/ia · Save
描述
The trajectory of Hong Kong films had been drastically affected long before the city's official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia's cinematic landscape. The author introduces the “Cinema of Transitions” to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which “transitions” are negotiated.
备选作者
Cheung, Ruby
备用出版商
New York: Berghahn Books
备用出版商
Berghahn Books Ltd
备用版本
United Kingdom and Ireland, United Kingdom
备用版本
New York, New York State, 2015
备用版本
Berghahnonfilm, New York, 2016
备用版本
New York, [New York, 2016
备用版本
1st, New York, 2015
备用版本
Oxford, 2015
备用版本
1, 20151101
备用版本
US, 2015
元数据中的注释
Includes filmography.
Includes bibliographical references and index.
备用描述
pages cm
Includes filmography
Includes bibliographical references and index
Introduction: the new Hong Kong cinema, cinema of transitions and East Asia -- Cinematic journeys and journeying in new Hong Kong films -- Outsider characters: Chineseness, and Hong Kong screen imagination and imageries -- Hong Kong filmmakers: authorial vision, self-inscription and social underdogs -- Ethnic Chinese film audiences: the red cliff experience in East and Southeast Asia -- Film policies and transitional politics: the newest East Asian film business network -- Conclusion
备用描述
The trajectory of Hong Kong films had been drastically affected long before the city's official sovereignty transfer from the British to the Chinese in 1997. The author introduces the "Cinema of Transitions," using examples from the 1980s to the present, to study New Hong Kong Cinema and on- and off-screen life against this background.
开源日期
2024-08-23
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