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nexusstc/Lawrence of Arabia: A Film's Anthropology/a7735dea78fc0a02e9ba39517875590c.pdf
Lawrence of Arabia : a film's antrhropology 🔍
Steven Charles Caton University of California Press, 2023
英语 [en] · PDF · 91.6MB · 2023 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc · Save
描述
Combining ethnography, film criticism, and his extensive knowledge of the Middle East, Steven C. Caton presents an innovative and fascinating examination of the classic film, __Lawrence of Arabia__. Caton is interested in why this epic film has been so compelling for so many people for more than three decades. In seeking an answer he draws from situations in his own life, biographies of the film's key participants, and analyses of issues relating to class, gender, colonialism, and cultural differences. The result is a many-prismed book that poses important questions of ethnographic representation and the discourse of power.
Caton's approach is dialectical, and his readings of the film are situated within different historical periods, from the early 1960s to the present. Among the subjects he highlights are travel and colonialism in fieldwork and filmmaking, orientalism in the representation of the Other, and the film's ambiguous handling of masculinity and homosexuality. Caton looks at his own reactions to the film at various stages in his life and offers a thought-provoking account of the film's reception by today's high school and college students.
备用文件名
lgli/Lawrence of Arabia_ a film's anthropology (9780520919891).pdf
备用文件名
lgrsnf/Lawrence of Arabia_ a film's anthropology (9780520919891).pdf
备选作者
Caton, Steven C.
备用版本
United States, United States of America
备用版本
Berkeley, California, 1999
备用版本
Berkeley, cop. 1999
备用版本
1, 1999
元数据中的注释
Fulcrum
元数据中的注释
{"isbns":["0520210824","0520919890","9780520210820","9780520919891"],"last_page":316,"publisher":"University of California Press"}
元数据中的注释
Includes bibliographical references (p. 279-291) and index.
备用描述
<p>Combining ethnography, film criticism, and his extensive knowledge of the Middle East, Steven C. Caton presents an innovative and fascinating examination of the classic film, <i>Lawrence of Arabia</i>. Caton is interested in why this epic film has been so compelling for so many people for more than three decades.<br>
In seeking an answer he draws from situations in his own life, biographies of the film's key participants, and analyses of issues relating to class, gender, colonialism, and cultural differences. The result is a many-prismed book that poses important questions of ethnographic representation and the discourse of power.<br>
Caton's approach is dialectical, and his readings of the film are situated within different historical periods, from the early 1960s to the present. Among the subjects he highlights are travel and colonialism in fieldwork and filmmaking, orientalism in the representation of the Other, and the film's ambiguous handling of masculinity and homosexuality. Caton looks at his own reactions to the film at various stages in his life and offers a thought-provoking account of the film's reception by today's high school and college students.</p>
备用描述
Frontmatter
List of Illustrations (page ix)
Preface (page xi)
Acknowledgments (page xiii)
Introduction. The Teatro del Lago and After (page 1)
1. "Travelling Circus": The Transnational in Film Production of the 1950s (page 24)
2. Lean's Lens: An Embodiment of Vision (page 63)
3. Riding the Whirlwind: Scripting the Political in the Spectacle (page 100)
4. An Allegory of Anthropology (page 142)
5. An Anti-Imperialist, Orientalist Epic (page 172)
6. Maskulinities (page 200)
Epilogue (page 239)
Notes (page 259)
Bibliography (page 279)
Index (page 293)
备用描述
Combining ethnography, film criticism and an extensive knowledge of the Middle East, this text presents an examination of the classic film, "Lawrence of Arabia". The result is a many-prismed book that poses questions of ethnographic representation and the discourse of power.
开源日期
2023-06-13
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