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Television after TV: Essays on a Medium in Transition (Console-ing Passions) 🔍
edited by Lynn Spigel and Jan Olsson Duke University Press Books, Console-ing Passions: Television and Cultural Power, 2004
英语 [en] · PDF · 2.3MB · 2004 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
描述
In the last ten years, television has reinvented itself in numerous ways. The demise of the U.S. three-network system, the rise of multi-channel cable and global satellite delivery, changes in regulation policies and ownership rules, technological innovations in screen design, and the development of digital systems like TiVo have combined to transform the practice we call watching tv. If tv refers to the technologies, program forms, government policies, and practices of looking associated with the medium in its classic public service and three-network age, it appears that we are now entering a new phase of television. Exploring these changes, the essays in this collection consider the future of television in the United States and Europe and the scholarship and activism focused on it.
With historical, critical, and speculative essays by some of the leading television and media scholars, Television after TV examines both commercial and public service traditions and evaluates their dual (and some say merging) fates in our global, digital culture of convergence. The essays explore a broad range of topics, including contemporary programming and advertising strategies, the use of television and the Internet among diasporic and minority populations, the innovations of new technologies like TiVo, the rise of program forms from reality tv to lifestyle programs, television’s changing role in public places and at home, the Internet’s use as a means of social activism, and television’s role in education and the arts. In dialogue with previous media theorists and historians, the contributors collectively rethink the goals of media scholarship, pointing toward new ways of accounting for television’s past, present, and future.
Contributors William Boddy Charlotte Brunsdon John T. Caldwell Michael Curtin Julie D’Acci Anna Everett Jostein Gripsrud John Hartley Anna McCarthy David Morley Jan Olsson Priscilla Peña Ovalle Lisa Parks Jeffrey Sconce Lynn Spigel William Uricchio
备用文件名
nexusstc/Television after TV: Essays on a Medium in Transition/aa56a93e6a3526f98bf79c2fa502be7e.pdf
备用文件名
lgli/072111503507.pdf
备用文件名
lgrsnf/072111503507.pdf
备用文件名
zlib/Fiction/Humour/Lynn Spigel and Jan Olsson/Television after TV: Essays on a Medium in Transition_16812827.pdf
备选作者
Lynn Spigel, Jan Olsson, Jan Olsson, Jostein Gripsrud, Priscilla Ovalle
备选作者
Jostein Gripsrud, Priscilla Ovalle, Lynn Spigel, Jan Olsson
备选作者
Jan Olsson; Lynn Spigel
备选作者
Aspose Ltd.
备用版本
Console-ing passions : television and cultural power, 2nd printing, Durham N.C, 2006
备用版本
Console-ing passions, 2nd print, Durham, 2006, ©2004
备用版本
Console-ing passions, Durham, North Carolina, 2004
备用版本
United States, United States of America
备用版本
Duke University Press, Durham, 2004
备用版本
Durham, NC, United States, 2005
备用版本
Illustrated, PT, 2004
备用版本
September 2004
备用版本
1, 2004
元数据中的注释
lg3076875
元数据中的注释
sources:
SEQ
元数据中的注释
producers:
iText® 5.5.10 ©2000-2015 iText Group NV (Ithaka Harbors Inc.; licensed version); modified using iText® 5.5.10 ©2000-2015 iText Group NV (Ithaka Harbors Inc.; licensed version)
元数据中的注释
{"isbns":["082233383X","0822333937","0822386275","9780822333838","9780822333937","9780822386278"],"last_page":480,"publisher":"Duke University Press","series":"Console-ing passions: television and cultural power"}
元数据中的注释
Includes bibliographical references and index.
备用描述
"In the last ten years, television has reinvented itself in numerous ways. The demise of the U.S. three-network system, the rise of multi-channel cable and global satellite delivery, changes in regulation policies and ownership rules, technological innovations in screen design, and the development of digital systems like TiVo have combined to transform the practice we call watching tv. If tv refers to the technologies, program forms, government policies, and practices of looking associated with the medium in its classic public service and three-network age, it appears that we are now entering a new phase of television. Exploring these changes, the essays in this collection consider the future of television in the United States and Europe and the scholarship and activism focused on it. With historical, critical, and speculative essays by some of the leading television and media scholars, Television after TV examines both commercial and public service traditions and evaluates their dual (and some say merging) fates in our global, digital culture of convergence. The essays explore a broad range of topics, including contemporary programming and advertising strategies, the use of television and the Internet among diasporic and minority populations, the innovations of new technologies like TiVo, the rise of program forms from reality tv to lifestyle programs, television's changing role in public places and at home, the Internet's use as a means of social activism, and television's role in education and the arts. In dialogue with previous media theorists and historians, the contributors collectively rethink the goals of media scholarship, pointing toward new ways of accounting for television's past, present, and future."-- Provided by publisher
备用描述
In the last ten years, television has reinvented itself in numerous ways. The demise of the U.S. three network system, the rise of multi-channel cable and global satellite delivery, changes in regulation policies and ownership rules, technological innovations in screen design, and the development of digital systems like TIVO have combined to transform the practice we call watching TV. Indeed, if TV refers to the technologies, formations, government policies, and practices of looking associated with the medium in its classical public service and three-network age, it appears that we are now entering a new phase of television - a phase that comes after "TV." Contextualizing these changes, the essays in this collection consider the future of television in the United States and Europe and scholarship and activism focused on it. Combining historical, critical, and speculative essays by senior television and media scholars, Television after TV examines both commercial and public service traditions and evaluates their dual (and some say merging) fates in our global, digital culture of "convergence."
备用描述
The essays explore a broad range of topics including a website launched by Mexican Americans to critique racial stereotypes on commercial television, changing notions of what constitutes "quality" television in Great Britain, television's effect on conceptions of space and place, and infomercials and commercial product placement. In dialogue with previous media theorists and historians, the contributors collectively rethink the goals of media scholarship, pointing toward new ways of accounting for television's past, present, and future
开源日期
2021-07-21
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