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Screening Torture: Media Representations of the State of Terror and Political Dominiation 🔍
Michael Flynn; Fabiola Fernandez Salek Columbia University Press, Lightning Source Inc. (Tier 3), New York, 2012
英语 [en] · PDF · 2.5MB · 2012 · 📘 非小说类图书 · 🚀/duxiu/lgli/lgrs/zlib · Save
描述
Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture in mainstream comedies, dramatic narratives, and action films appear for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions.
This volume follows the shift in the representation of torture over the past decade, specifically in documentary, action, and political films. It traces and compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, the collection approaches the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.
Columbia University Press
备用文件名
lgrsfic/R:\0day\eng\_eng_book_uns\Screening Torture (ed. Flynn & Salek).pdf
备用文件名
lgrsnf/Screening Torture. Media Representations of State Terror and Political Domination.pdf
备用文件名
zlib/Society, Politics & Philosophy/Anthropology/Michael Flynn, Fabiola F. Salek/Screening Torture: Media Representations of State Terror and Political Domination_2384602.pdf
备选作者
Flynn, Michael, Fernandez Salek Ph.D., Fabiola
备选作者
edited by Michael Flynn and Fabiola F. Salek
备选作者
Flynn (editor); Salek
备用出版商
Columbia Business School Publishing
备用出版商
King's Crown Paperbacks
备用版本
United States, United States of America
备用版本
New York, New York State, 2012
备用版本
Illustrated, 2012
备用版本
PS, 2012
备用版本
2, 2012
备用版本
2010
元数据中的注释
0
元数据中的注释
lg_fict_id_1452290
元数据中的注释
lg1210662
元数据中的注释
Includes bibliographical references and index.
备用描述
Screening Torture: an Introduction / Michael Flynn and Fabiola F. Salek
Torture and the Implications of Masculinity. Countering the Jack Bauer Effect: An Examination of How to Limit the Influence of TV's Most Popular, and Most Brutal, Hero / David Danzig
Mel Gibson's Tortured Heroes: From the Symbolic Function of Blood to Spectacles of Pain / Lee Quinby
It's a Perfect World: Torture, Confession, and Sacrifice / Michael Flynn and Fabiola F. Salek
Torture and the Sadomasochistic Impulse. Lust, Caution: Torture, Sex, and Passion in Chinese Cinema / Chris Berry
The Art of Photogenic Torture / Phil Carney
Beyond Susan Sontag: The Seduction of Psychological Torture / Alfred W. McCoy
Stanley Kubrick's A Clockwork Orange as Art Against Torture / Carolyn Strange
Confronting the Legacies of Torture and State Terror. "Accorded a Place in the Design": Torture in Post-Apartheid Cinema / Elizabeth Swanson Goldberg
Confessing Without Regret: An Israeli Film Genre / Livia Alexander
Torture and the Shortcomings of Film. Movies of Modern Torture as Convenient Truths / Darius Rejali
Torture at the Limit of Politics / Faisal Devji
Doing Torture in Film: Confronting Ambiguity and Ambivalence / Marnia Lazreg
Documenting the Documentaries on Abu Ghraib: Facts Versus Distortion / Stjepan G. Mestrovic.
备用描述
Before 9/11, films outside of the horror/slasher genre that addressed torture depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and often depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture have appeared in mainstream comedies, dramatic narratives, and action films, for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions
开源日期
2014-09-28
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