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lgli/Kalynn Bayron - Cinderella Is Dead (2020, Bloomsbury YA).epub
Cinderella Is Dead 🔍
Kalynn Bayron, Paz Pruneda Gozálvez Bloomsbury YA, Bloomsbury Publishing Inc, Place of publication not identified, 2020
英语 [en] · EPUB · 1.8MB · 2020 · 📕 小说类图书 · 🚀/lgli/lgrs/zlib · Save
描述
"Wholly original and captivating." - Brigid Kemmerer, New York Times bestselling author of A Curse So Dark and Lonely
Girls team up to overthrow the kingdom in this unique and powerful retelling of Cinderella from a stunning new voice that's perfect for fans of *A Curse So Dark and Lonely. *
It's 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl's display of finery. If a suitable match is not found, the girls not chosen are never heard from again.
Sixteen-year-old Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. At the ball, Sophia makes the desperate decision to flee, and finds herself hiding in Cinderella's mausoleum. There, she meets Constance, the last known descendant of Cinderella and her step sisters. Together they vow to bring down the king once and for all--and in the process, they learn that there's more to Cinderella's story than they ever knew . . .
This fresh take on a classic story will make readers question the tales they've been told, and root for girls to break down the constructs of the world around them.
**
备用文件名
lgrsfic/Cinderella Is Dead by Kalynn Bayron (z-lib.org).epub
备用文件名
zlib/Science Fiction/Kalynn Bayron/Cinderella Is Dead_5612382.epub
备选标题
The Catcher in the Rye and Philosophy: A Book for Bastards, Morons, and Madmen (Popular Culture and Philosophy)
备选作者
edited by Keith Dromm and Heather Salter
备选作者
Kalynn Bayron; OverDrive, Inc
备选作者
Bayron, Kalynn
备用出版商
Open Court Publishing Company
备用出版商
Bloomsbury Publishing USA
备用出版商
Publisher not identified
备用出版商
Cricket Books
备用版本
Popular culture and philosophy -- 71, Chicago, Illinois, 2012
备用版本
Popular culture and philosophy, vol. 71, Chicago [etc, 2012
备用版本
Lightning Source Inc. (Tier 3), Chicago, 2012
备用版本
United States, United States of America
备用版本
New York, NY, 2020
备用版本
Jul 07, 2020
备用版本
PS, 2020
备用版本
1, 2020
元数据中的注释
lg_fict_id_2500463
元数据中的注释
Includes bibliographical references and index.
备用描述
Few novels have had more influence on individuals and literary culture than J.D. Salinger's The Catcher in the Rye. Published in 1951 and intended by Salinger for adults (early drafts were published in the New Yorker and Colliers), the novel quickly became championed by youth who identified with the awkwardness and alienation of the novel's protagonist, Holden Caulfield. Since then the book and its reclusive author have been fixtures of both popular and literary culture. Catcher is perhaps the only modern novel that is revered equally by the countless Americans whom Holden Caulfield helped through high school and puberty and literary critics (such as the New Yorker's Adam Gopnik who insisted as recently as 2010 that Catcher is a'perfect'twentieth-century novel).One premise of The Catcher in the Rye and Philosophy is that the ease and sincerity with which readers identify with Holden Caulfield rests on Salinger's attention to the nuances and qualities of experience in the modern world. Coupled with Salinger's deft subjective, first-person style, Holden comes to seem more real than any fictional character should. This and other paradoxes raised by the novel are treated by authors who find answers in philosophy, particularly in twentieth-century phenomenology and existentialism--areas of philosophy that share Salinger's attention to lived, as opposed to theorized, experience. Holden's preoccupation with “phonies,” along with his constant striving to interpret and judge the motives and beliefs of those around him, also taps into contemporary interest in philosophical theories of justice and Harry Frankfurt's recently celebrated analysis of'bullshit.'Per Salinger's request, Catcher has never been made into a movie. One measure of the devotion and fanatical interest Catcher continues to inspire, however, is speculation in blogs and magazines about whether movie rights may become available in the wake of Salinger's death in 2010. These articles remain purely hypothetical, but the questions they inspire--Who would direct? And, especially, Who would star as Holden Caulfield?--are as vivid and real as Holden himself.
备用描述
Few novels have had more influence on individuals and literary culture than J.D. Salingers The Catcher in the Rye . Published in 1951 and intended by Salinger for adults (early drafts were published in the New Yorker and Colliers ), the novel quickly became championed by youth who identified with the awkwardness and alienation of the novels protagonist, Holden Caulfield. Since then the book and its reclusive author have been fixtures of both popular and literary culture. Catcher is perhaps the only modern novel that is revered equally by the countless Americans whom Holden Caulfield helped through high school and puberty and literary critics (such as the New Yorker s Adam Gopnik who insisted as recently as 2010 that Catcher is a "perfect" twentieth-century novel).
One premise of The Catcher in the Rye and Philosophy is that the ease and sincerity with which readers identify with Holden Caulfield rests on Salingers attention to the nuances and qualities of experience in the modern world. Coupled with Salingers deft subjective, first-person style, Holden comes to seem more real than any fictional character should. This and other paradoxes raised by the novel are treated by authors who find answers in philosophy, particularly in twentieth-century phenomenology and existentialism--areas of philosophy that share Salingers attention to lived, as opposed to theorized, experience. Holdens preoccupation with phonies, along with his constant striving to interpret and judge the motives and beliefs of those around him, also taps into contemporary interest in philosophical theories of justice and Harry Frankfurts recently celebrated analysis of "bullshit."
Per Salingers request, Catcher has never been made into a movie. One measure of the devotion and fanatical interest Catcher continues to inspire, however, is speculation in blogs and magazines about whether movie rights may become available in the wake of Salingers death in 2010. These articles remain purely hypothetical, but the questions they inspire--Who would direct? And, especially, Who would star as Holden Caulfield?--are as vivid and real as Holden himself.
备用描述
"Wholly original and captivating." - Brigid Kemmerer, New York Times bestselling author of A Curse So Dark and Lonely Girls team up to overthrow the kingdom in this unique and powerful retelling of Cinderella from a stunning new voice that's perfect for fans of Dhonielle Clayton and Melissa Albert . It's 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl's display of finery. If a suitable match is not found, the girls not chosen are never heard from again. Sixteen-year-old Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. At the ball, Sophia makes the desperate decision to flee, and finds herself hiding in Cinderella's mausoleum. There, she meets Constance, the last known descendant of Cinderella and her step sisters. Together they vow to bring down the king once and for all#8212;and in the process, they learn that there's more to Cinderella's story than they ever knew . . . This fresh take on a classic story will make readers question the tales they've been told, and root for girls to break down the constructs of the world around them
备用描述
Two hundred years after Cinderella found her prince, the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl's display of finery. If a suitable match is not found, the girls not chosen are never heard from again. Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. Sophia tries to flee the ball, and finds herself hiding in Cinderella's mausoleum. Together with Constance, the last known descendant of Cinderella and her step sisters, Sophia vows to bring down the king once and for all. -- adapted from jacket
备用描述
"The puzzling, frustrating world of Holden Caulfield never loosens its grip on our imagination. Somehow, the growing pains of a privileged, alienated teenager lock onto deeper issues that continue to haunt us all. The Catcher in the Rye and Philosophy exposes these deeper issues by looking at Salinger's masterpiece through a philosophic lens."--Publisher's website.
备用描述
Few novels have had more influence on individuals and literary culture than J D Salinger's "The Catcher in the Rye", that quickly became championed by youth who identified with the awkwardness and alienation of the novel's protagonist, Holden Caulfield. In this title, philosophers take on the phonies in Holden Caulfield's world.
备用描述
"Queer black girls team up to overthrow the patriarchy in the former kingdom of Cinderella"-- Provided by publisher
开源日期
2020-07-08
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