Lyric poetry : the pain and the pleasure of words 🔍
Mutlu Konuk Blasing Princeton University Press, 1st Edition, First Edition, US, 2006
英语 [en] · PDF · 0.9MB · 2006 · 📘 非小说类图书 · 🚀/lgli/lgrs/upload/zlib · Save
描述
Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry , Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself.
In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.
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zlib/Poetry/American Poetry/Mutlu Konuk Blasing/Lyric Poetry: The Pain and the Pleasure of Words_910641.pdf
备选标题
9780691126821.pdf
备选作者
Blasing, Mutlu Konuk.
备选作者
SYSTEM400 Rev 18.01
备用出版商
Princeton University, Department of Art & Archaeology
备用版本
United States, United States of America
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Princeton, N.J, New Jersey, 2007
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Princeton ; Oxford, c2007
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December 4, 2006
元数据中的注释
до 2011-01
元数据中的注释
lg485974
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producers:
Acrobat Distiller 7.0.5 (Windows)
元数据中的注释
Includes bibliographical references (p. [205]-211) and index
备用描述
Contents......Page 8
Acknowledgments......Page 10
Introduction: “Making Choice of a Human Self”......Page 12
PART ONE: Lyric Theory......Page 36
1. The Lyric Subject......Page 38
2. The Historical “I”......Page 56
3. The Scripted “I”......Page 89
4. The Body of Words......Page 107
PART TWO: Lyric Practice......Page 124
5. Four Quartets: Rhetoric Redeemed......Page 126
6. Wallace Stevens and “The Less Legible Meanings of Sounds”......Page 144
7. Pound’s Soundtrack: “Reading Cantos for What Is on the Page”......Page 160
8. Anne Sexton, “The Typo”......Page 189
Coda: The Haunted House of “Anna”......Page 209
Works Cited......Page 216
F......Page 224
O......Page 225
S......Page 226
Y......Page 227
备用描述
"In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T.S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language."--Jacket.
备用描述
Contents 8
Acknowledgments 10
Introduction: “Making Choice of a Human Self” 12
PART ONE: Lyric Theory 36
1. The Lyric Subject 38
2. The Historical “I” 56
3. The Scripted “I” 89
4. The Body of Words 107
PART TWO: Lyric Practice 124
5. Four Quartets: Rhetoric Redeemed 126
6. Wallace Stevens and “The Less Legible Meanings of Sounds” 144
7. Pound’s Soundtrack: “Reading Cantos for What Is on the Page” 160
8. Anne Sexton, “The Typo” 189
Coda: The Haunted House of “Anna” 209
Works Cited 216
Index 224
A 224
B 224
C 224
D 224
E 224
F 224
G 225
H 225
I 225
J 225
K 225
L 225
M 225
N 225
O 225
P 226
R 226
S 226
T 227
U 227
V 227
W 227
Y 227
开源日期
2011-06-04
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