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A Cultural History of Madrid : Modernism and the Urban Spectacle 🔍
Deborah L. Parsons Berg Publishers, Bloomsbury UK, Oxford, 2003
英语 [en] · PDF · 2.7MB · 2003 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
描述
Despite Its International Significance, Madrid Has Been Almost Entirely Ignored By Urban, Literary And Cultural Studies Published In English. A Cultural History Of Madrid: Modernism And The Urban Spectacle Corrects That Oversight By Presenting An Urban And Cultural History Of The City From The Turn Of The Century To The Early 1930s. between 1900 And 1930, Madrid’s Population Doubled To Almost One Million, With Less Than Half The Population Being Indigenous To The City Itself. Far From The ‘castilian’ Capital It Was Made Out To Be, Madrid Was Fast Becoming A Socially Magnetic, Increasingly Secular And Cosmopolitan Metropolis. Parsons Explores The Interface Between Elite, Mass And Popular Culture In Madrid While Considering The Construction Of A Modern Madrileño Identity That Developed Alongside Urban And Social Modernization. She Emphasizes The Interconnection Of Art And Popular Culture In The Creation Of A Metropolitan Personality And Temperament. the Book Draws On Literary, Theatrical, Cinematic And Photographic Texts, Including The Work Of Such Figures As Ramón Mesonero Romanos, Benito Pérez Galdós, Pío Baroja, Ramón Gomez De La Serna, Ramón Valle-inclán And Maruja Mallo. In Addition, The Author Examines The Development Of New Urban-based Art Forms And Entertainments Such As The Zarzuela, Music Halls And Cinema, And Considers Their Interaction With More Traditional Cultural Identities And Activities. In Arguing That Traditional Aspects Of Culture Were Incorporated Into The Everyday Life Of Urban Modernity, Parsons Shows How The Boundaries Between ‘high’ And ‘low’ Culture Became Increasingly Blurred As A New Identity Influenced By Modern Consumerism Emerged. She Investigates The Interaction Of The Geographical Landscape Of The City With Its Expression In Both The Popular Imagination And In Aesthetic Representations, Detailing And Interrogating The New Freedoms, Desires And Perspectives Of The Madrid Modernista.
备用文件名
lgrsnf/D:\!genesis\library.nu\df\_191239.dfc0a29b03cd5890c203a8ee4af31a8d.pdf
备用文件名
nexusstc/A Cultural History of Madrid: Modernism and the Urban Spectacle/dfc0a29b03cd5890c203a8ee4af31a8d.pdf
备用文件名
zlib/Society, Politics & Philosophy/Anthropology/Deborah L. Parsons/A Cultural History of Madrid: Modernism and the Urban Spectacle_891426.pdf
备用出版商
Bloomsbury Academic; Bloomsbury
备用出版商
Taylor & Francis Ltd
备用版本
The cultural histories series, London [England, 2019
备用版本
United Kingdom and Ireland, United Kingdom
备用版本
Oxford ; New York, 2003
备用版本
May 1, 2003
备用版本
PS, 2003
元数据中的注释
до 2011-01
元数据中的注释
lg466681
元数据中的注释
{"isbns":["1859736467","9781859736463"],"last_page":192}
备用描述
Despite its international significance, Madrid has been almost entirely ignored by urban, literary and cultural studies published in English. A Cultural History of Madrid: Modernism and the Urban Spectacle corrects that oversight by presenting an urban and cultural history of the city from the turn of the century to the early 1930s. Between 1900 and 1930, Madrids population doubled to almost one million, with less than half the population being indigenous to the city itself. Far from the Castilian capital it was made out to be, Madrid was fast becoming a socially magnetic, increasingly secular and cosmopolitan metropolis. Parsons explores the interface between elite, mass and popular culture in Madrid while considering the construction of a modern madrileo identity that developed alongside urban and social modernization. She emphasizes the interconnection of art and popular culture in the creation of a metropolitan personality and temperament. The book draws on literary, theatrical, cinematic and photographic texts, including the work of such figures as Ramn Mesonero Romanos, Benito Prez Galds, Po Baroja, Ramn Gomez de la Serna, Ramn Valle-Incln and Maruja Mallo. In addition, the author examines the development of new urban-based art forms and entertainments such as the zarzuela, music halls and cinema, and considers their interaction with more traditional cultural identities and activities. In arguing that traditional aspects of culture were incorporated into the everyday life of urban modernity, Parsons shows how the boundaries between high and low culture became increasingly blurred as a new identity influenced by modern consumerism emerged. She investigates the interaction of the geographical landscape of the city with its expression in both the popular imagination and in aesthetic representations, detailing and interrogating the new freedoms, desires and perspectives of the Madrid modernista.
备用描述
"The book draws on literary, theatrical, cinematic and photographic texts, including the work of such figures as Ramon Mesonero Romanos, Benito Perez Galdos, Pio Baroja, Ramon Gomez de la Serna, Ramon Valle-Inclan and Maruja Mallo. In addition, the author examines the development of new urban-based art forms and entertainments such as the zarzuela, music halls and cinema, and considers their interaction with more traditional cultural identities and activities. In arguing that traditional aspects of culture were incorporated into the everyday life of urban modernity, Parsons shows how the boundaries between 'high' and 'low' culture became increasingly blurred as a new identity influenced by modern consumerism emerged. She investigates the interaction of the geographical landscape of the city with its expression in both the popular imagination and in aesthetic representations, detailing and interrogating the new freedoms, desires and perspectives of the Madrid modernista."--Jacket
备用描述
Despite its international significance, Madrid has been almost entirely ignored by urban, literary and cultural studies published in English. A Cultural History of Madrid: Modernism and the Urban Spectacle corrects that oversight by presenting an urb an and cultural history of the city from the turn of the century to the early 1930s. Between 1900 and 1930, Madrids population doubled to almost one million, with less than half the population being indigenous to the city itself
备用描述
Preliminaries......Page 1
Contents......Page 7
List of Illustrations......Page 9
Acknowledgements......Page 11
Abbreviations......Page 13
1 Introduction The Castizo Metropolis......Page 15
2 Madrid Villa y Corte......Page 27
3 The Nineteenth Century Capital......Page 47
4 City of Contrasts......Page 71
5 Cosmopolitan Lights......Page 91
6 Urban Cosmorama......Page 107
Notes......Page 119
Select Bibliography......Page 135
Index......Page 141
开源日期
2011-06-04
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