The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

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Thomas_hardy_a87

edited by R.G. Cox

R.G.COX (edt)

R. G. Cox

Routledge Taylor & Francis Group [distributor

Taylor and Francis, Routledge

North American Publications

Ashgate Publishing Limited

London : Routledge, 2003.

Routledge & Kegan Paul

Taylor & Francis Ltd

Gower Publishing Ltd

Critical heritage series, 1st ed, Florence, London, 2002

Critical heritage series, London ; New York, 1979

Critical heritage series, London, England, 1995

Critical heritage series, London, 1978, ©1970

Taylor & Francis (Unlimited), London, 2003

United Kingdom and Ireland, United Kingdom

United States, United States of America

New York, Florence, March 1996

The Critical Heritage, 2002

March 5, 1996

1, US, 1970

1, 1996

lg1434011

producers:
Acrobat Distiller 6.0 (Windows)

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Memory of the World Librarian: Slowrotation

Bibliography: p464. - Includes index.

Arts, Language and Literature
BOOK COVER 1
HALF-TITLE 2
SERIES-TITLE 3
TITLE 4
COPYRIGHT 5
GENERAL EDITOR'S PREFACE 6
CONTENTS 7
ACKNOWLEDGMENTS 11
NOTE ON THE TEXT 12
Introduction 13
DESPERATE REMEDIES 40
1. From an unsigned review, Athenaeum 42
2. Unsigned review, Spectator 44
3. Unsigned review, Saturday Review 48
UNDER THE GREENWOOD TREE 52
4. From an unsigned review, Athenaeum 54
5. Horace Moule, Saturday Review 56
A PAIR OF BLUE EYES 60
6. Unsigned review, Saturday Review 62
FAR FROM THE MADDING CROWD 66
7. From an unsigned review, Athenaeum 68
8. R.H.Hutton, Spectator 70
9. Henry James, Nation 76
10. Unsigned Review, Westminster Review 80
11. Andrew Lang, Academy 84
12. Unsigned review, Saturday Review 88
THE RETURN OF THE NATIVE 94
13. Unsigned review, Athenaeum 96
14. W.E.Henley, Academy 98
15. Unsigned review, Saturday Review 100
16. Unsigned review, Spectator 106
17. Survey, New Quarterly Magazine 110
THE TRUMPET MAJOR 120
18. Unsigned review, Athenaeum 122
19. Julian Hawthorne, Spectator 124
20. Survey, British Quarterly Review 128
A LAODICEAN 142
21. From an unsigned review, Athenaeum 144
TWO ON A TOWER 146
22. Unsigned review, Saturday Review 148
23. Harry Quilter, Spectator 152
24. Havelock Ellis, ‘Thomas Hardy’s Novels’, Westminster Review 154
THE MAYOR OF CASTERBRIDGE 178
25. From an unsigned review, Athenaeum 180
26. From an unsigned review, Saturday Review 182
27. R.H.Hutton, Spectator 184
THE WOODLANDERS 188
28. Unsigned review, Athenaeum 190
29. R.H.Hutton, Spectator 192
30. Coventry Patmore, St. James’s Gazette 196
31. From an unsigned review, Saturday Review 200
32. William Wallace, Academy 204
33. J.M.Barrie, ‘Thomas Hardy: the Historian of Wessex’, Contemporary Review 206
34. Edmund Gosse, ‘Thomas Hardy’, The Speaker 216
35. William Minto, ‘The Work of Thomas Hardy’, Bookman 220
TESS OF THE D’URBERVILLES 226
36. Richard le Gallienne, the Star 228
37. Unsigned review, Pall Mall Gazette 232
38. Unsigned review, Athenaeum 236
39. Clementina Black, Illustrated London News 240
40. From an unsigned review, Saturday Review 242
41. R.H.Hutton, Spectator 246
42. Andrew Lang, New Review 250
43. William Watson, Academy 252
44. Mrs. Oliphant, Blackwood’s Magazine 258
45. Mowbray Morris, ‘Culture and Anarchy,’ Quarterly Review 268
46. W.P.Trent, ‘The Novels of Thomas Hardy’, Sewanee Review 274
47. Andrew Lang, a rejoinder, Longman’s Magazine 288
48. D.F.Hannigan, Westminster Review 294
JUDE THE OBSCURE 298
49. Unsigned Review, Athenaeum 300
50. W.D.Howells, Harper’s Weekly 304
51. Mrs. Oliphant, ‘The Anti-Marriage League’, Blackwood’s Magazine 308
52. Edmund Gosse, Cosmopolis 314
53. D.F.Hannigan, Westminster Review 322
54. Unsigned review, Illustrated London News 326
55. Richard le Gallienne, Idler 328
56. Unsigned review, Saturday Review 330
57. A.J.Butler, ‘Mr. Hardy as a Decadent’, National Review 334
58. R.Y.Tyrrell, Fortnightly Review 340
59. Havelock Ellis, ‘Concerning Jude the Obscure’, Savoy Magazine 348
THE WELL-BELOVED 360
60. Unsigned review, Athenaeum 362
WESSEX POEMS 366
61. Unsigned review, Saturday Review 368
62. Unsigned review, Academy 372
63. E.K.Chambers, Athenaeum 376
POEMS OF THE PAST AND PRESENT 380
64. Unsigned review, Saturday Review 382
65. T.H.Warren, Spectator 386
THE DYNASTS, PART FIRST 390
66. Max Beerbohm, ‘Thomas Hardy as Panoramatist’, Saturday Review 392
67. John Buchan, Spectator 396
68. Edward Wright, ‘The Novels of Thomas Hardy’, Quarterly Review 400
THE DYNASTS, PART THIRD 416
69. Harold Child, The Times Literary Supplement 418
70. From an unsigned review Edinburgh Review 424
71. Henry Newbolt, ‘A New Departure in English Poetry’, Quarterly Review 436
72. W.L.Phelps, from Essays on Modern Novelistś 444
73. F.Manning, ‘Novels of Character and Environment’, Spectator 454
74. Charles Whibley, ‘Thomas Hardy’, Blackwood’s Magazine 458
75. Harold Williams, ‘The Wessex Novels of Thomas Hardy’, North American Review 468
SATIRES OF CIRCUMSTANCE 480
76. Lytton Strachey, New Statesman 482
77. Laurence Binyon, Bookman 486
78. Edmund Gosse, ‘Mr. Hardy’s Lyrical Poems’, Edinburgh Review 490
Select Bibliography 508
Index 510

<p><p><i>the Critical Heritage</i> Gathers Together A Large Body Of Critical Sources On Major Figures In Literature. Each Volume Presents Contemporary Responses To A Writer's Work, Enabling Student And Researcher To Read The Material Themselves.</p>

2015-12-23