Hamlet's father's Ghost asks his son to 'Remember me!', but how did people remember around 1600? And how do we remember now? Shakespeare and Memory brings together classical and early modern sources, theatre history, performance, material culture, and cognitive psychology and neuroscience in order to explore ideas about memory in Shakespeare's plays and poems. It argues that, when Shakespeare was writing, ideas about memory were undergoing a kind of crisis, as both the technologies of memory (print, the theatre itself) and the belief structures underpinning ideas about memory underwent rapid change. And it suggests that this crisis might be mirrored in our own time, when, despite all the increasing gadgetry at our disposal, memory can still be recovered, falsified, corrupted, or wiped: only we ourselves can remember, but the workings of memory remain mysterious. Shakespeare and Memory draws on works from all stages of Shakespeare's career, with a particular focus on Hamlet , the
Sonnets, Twelfth Night , and The Winter's Tale . It considers some little things: what's Hamlet writing on? And why does Orsino think he smells violets? And it asks some big questions: how should the dead be remembered? What's the relationship between memory and identity? And is it art, above all, that enables love and beauty, memory and identity, to endure in the face of loss, time, and death?

Lees-Jeffries, Hester, author

IRL Press at Oxford University Press

Oxford Institute for Energy Studies

German Historical Institute London

Oxford University Press, Usa

Oxford Shakespeare topics, First edition, Oxford, United Kingdom, 2013

United Kingdom and Ireland, United Kingdom

Illustrated, US, 2013

'Shakespeare and Memory' explores Shakespeare's plays and poems in the light of current interest in memory studies. It sets out key features of the historical, religious, and cultural context of Shakespeare's own time. Hamlet's father's Ghost asks his son to 'Remember me!', but how did people remember around 1600? And how do we remember now? Shakespeare and Memory brings together classical and early modern sources, theatre history, performance, material culture, and cognitive psychology and neuroscience in order to explore ideas about memory in Shakespeare's plays and poems. It argues that, when Shakespeare was writing, ideas about memory were undergoing a kind of crisis, as both thetechnologies of memory (print, the theatre itself) and the belief structures underpinning ideas about memory underwent rapid change. And it suggests that this crisis might be mirrored in our own time, when, despite all the increasing gadgetry at our disposal, memory can still be recovered, falsified, corrupted,or wiped: only we ourselves can remember, but the workings of memory remain mysterious. Shakespeare and Memory draws on works from all stages of Shakespeare's career, with a particular focus on Hamlet, the Sonnets, Twelfth Night, and The Winter's Tale. It considers some little things: what's Hamlet writing on? And why does Orsino think he smells violets? And it asks some big questions: how should the dead be remembered? What's the relationship between memoryand identity? And is it art, above all, that enables love and beauty, memory and identity, to endure in the face of loss, time, and death?

Hamlet's Father's Ghost Asks His Son To 'remember Me!', But How Did People Remember Around 1600? And How Do We Remember Now? Shakespeare And Memory Brings Together Classical And Early Modern Sources, Theatre History, Performance, Material Culture, And Cognitive Psychology And Neuroscience In Order To Explore Ideas About Memory In Shakespeare's Plays And Poems. It Argues That, When Shakespeare Was Writing, Ideas About Memory Were Undergoing A Kind Of Crisis, As Both The Technologies Of Memory (print, The Theatre Itself) And The Belief Structures Underpinning Ideas About Memory Underwent Rapid Change. And It Suggests That This Crisis Might Be Mirrored In Our Own Time, When, Despite All The Increasing Gadgetry At Our Disposal, Memory Can Still Be Recovered, Falsified, Corrupted, Or Wiped: Only We Ourselves Can Remember, But The Workings Of Memory Remain Mysterious. -- Publisher Website. Introduction : Why Memory? -- The Art Of Memory : Hamlet -- Remembering Rome : Titus Andronicus, The Rape Of Lucrece, Troilus And Cressida -- Remembering England : The Histories, Henry Viii -- Remembering The Dead : Hamlet -- Remembering Love : Twelfth Night, The Sonnets, Troilus And Cressida -- The Memory Of Things : The Winter's Tale, The Merchant Of Venice, Othello, Hamlet -- Remembrance Of Things Past : The Sonnets, The Winter's Tale -- Epilogue : Remembering Shakespeare. Hester Lees-jeffries. Includes Bibliographical References (pages 201-215) And Index.

ix, 228 pages : 21 cm
Includes bibliographical references (pages [216]-221) and index

2024-07-01