SIT Graduate Institute/SIT Study Abroad 1 SIT Digital Collections 1 Spring 2018 1 “Estamos aquí con nuestra propia fuerza” Las mujeres de AMUPAKIN y su lucha para preservar el parto ancestral en Napo, Ecuador. / "We are here with our own strength" The women of AMUPAKIN and their struggle to preserve the ancestral birth in Napo, Ecuador. 1 Lilian Domenick 1 Recommended Citation 1 tmp.1536082126.pdf.Mpj4m 2

'What is time?' Well-known philosopher and intellectual historian, Eva Brann mounts an inquiry into a subject universally agreed to be among the most familiar and the most strange of human experiences. Brann approaches questions of time through the study of ten famous texts by such thinkers as Plato, Augustine, Kant, Husserl, and Heidegger, showing how they bring to light the perennial issues regarding time. She also offers her independent reflections. Examining the three phases of time, past, present, and future, she argues that neither external time nor the time of the human past is real: the one is a comparison of motions and the other a projection of memory. She concludes that true time is internal and has its origin in the imaginative structure of memory and expectation. Throughout her rich and original study, Brann never fudges the central fact that time is a mystery. ** Review Brann has a true aptitude for felicitous expression, and one can feel through her prose the presence of a great and patient teacher. (Dennis Sepper, University of Dallas) Past and future are a construction; time is now, and it comes from within. A philosopher and a long-haul St. John's College faculty member, Brann can make abstruse speculations readable. ( Baltimore Sun ) This is an interesting and challenging book―interesting because of its passion and eloquence, and challenging because of the questions it raises explicitly and implicitly. ( Time's News ) A forceful, thorough, and illuminating study of time that deserves a place among the standard works on the subject. Eva Brann writes with a rare combination of mastery and humanity. Hers is a heroic mind, at home in the clash and justice of ideas. (Robert Grudin, author of Time and the Art of Living) About the Author Eva Brann is a member of the senior faculty at St. John's College in Annapolis. This book is part of her trilogy dealing with three central human capacities. The World of Imagination explores our ability to make the absent present. The Ways of Naysaying deals with our ability to deny existence, reality, or being. This component of her trilogy, What, Then, Is Time?, discovers our ability to live with what is no longer, or not yet. General History & Surveys Philosophy

'What is time?' Well-known philosopher and intellectual historian, Eva Brann mounts an inquiry into a subject universally agreed to be among the most familiar and the most strange of human experiences. Brann approaches questions of time through the study of ten famous texts by such thinkers as Plato, Augustine, Kant, Husserl, and Heidegger, showing how they bring to light the perennial issues regarding time. She also offers her independent reflections. Examining the three phases of time, past, present, and future, she argues that neither external time nor the time of the human past is real: the one is a comparison of motions and the other a projection of memory. She concludes that true time is internal and has its origin in the imaginative structure of memory and expectation. Throughout her rich and original study, Brann never fudges the central fact that time is a mystery. ** Review Brann has a true aptitude for felicitous expression, and one can feel through her prose the presence of a great and patient teacher. (Dennis Sepper, University of Dallas) Past and future are a construction; time is now, and it comes from within. A philosopher and a long-haul St. John's College faculty member, Brann can make abstruse speculations readable. ( Baltimore Sun ) This is an interesting and challenging book―interesting because of its passion and eloquence, and challenging because of the questions it raises explicitly and implicitly. ( Time's News ) A forceful, thorough, and illuminating study of time that deserves a place among the standard works on the subject. Eva Brann writes with a rare combination of mastery and humanity. Hers is a heroic mind, at home in the clash and justice of ideas. (Robert Grudin, author of Time and the Art of Living) About the Author Eva Brann is a member of the senior faculty at St. John's College in Annapolis. This book is part of her trilogy dealing with three central human capacities. The World of Imagination explores our ability to make the absent present. The Ways of Naysaying deals with our ability to deny existence, reality, or being. This component of her trilogy, What, Then, Is Time?, discovers our ability to live with what is no longer, or not yet. General History & Surveys Philosophy Cover page 1 Title page 4 Dedication 6 Copyright page 5 Contents 8 PREFACE 12 PART ONE. PRESENTATIONS 18 Chapter One. External Time: Time as Motion 20 A. Plato and Einstein: Time as a Clock 21 I. Plato: The Cosmic Clock 21 II. Einstein: The Local Clock 24 III. Time among the Physicists 29 IV. Fallacies 32 1. The Fallacy of Misplaced Concreteness 33 2. The Pathetic Fallacy 34 V. Division of the Field 35 1. Leibniz: Relation of Succession 36 2. Table of Theories of Time 37 B. Hegel and Bergson: Time Out of Space 38 I. Hegel: Time as the Truth of Space 39 II. Bergson: Space as the Falsehood of Time 46 Chapter Two. Aristotle and Kant: The Counting Soul 52 A. Aristotle 53 I. The Being of Time 53 II. The Elements of Time 56 1. Magnitude 56 2. Motion 57 3. Before-and-After 58 4. Number 59 5. Now 60 6. Soul 62 7. Clocks 64 III. Time 67 IV. Phases 68 B. Kant 70 I. Receptivity and Human Finitude 75 ll. Sensibility: Space and Time 78 1. Space 80 2. Time 81 III. Time and Thinking 83 1. Concepts 83 2. Judgment and Imagination 84 3. The Schema 85 4. The Priority of Time 86 5. The Schemata 86 6. Counting 89 IV. Time and Space 91 1. Analogies of Experience 92 2. The Refutation of Idealism 95 V. Inner Sense 96 1. The "I Think" 97 2. Representing Time 98 3. Representing the Soul 98 VI. The Phases of Time 101 1. The Synthesis of Apprehension in Intuition 102 2. The Synthesis of Reproduction in the Imagination 104 3. The Synthesis of Recognition in a Concept 106 4. The Future 107 Chapter Three. Plotinus and Heidegger: The Grounding of Time 112 A. Plotinus 113 B. Heidegger 117 Chapter Four. Augustine and Husserl: The Stretching of the Mind 128 A. Augustine 129 I. Memory 131 II. Time 133 1. "In the Beginning" 133 2. The Questionable Question 134 3. Creation-Time 135 4 Measuring Time 136 5. The Pivotal Present 137 6. The Stretching of the Mind 137 7. A Putative Diagram 139 8. Before the Beginning 140 9. The Image of Eternity 141 B. Husserl 143 I. The Perennial Question 143 II. The Phenomenology of Internal Time-Consciousness 144 III. Predecessors 148 IV. The Diagram of Time 151 V. Retention and Other Time-Terms 156 1. Perception 156 2. Primal Impression 157 3. Retention 158 4. Protention 161 5. Memory 162 6. Expectation 164 VI. Double Intentionality 165 VII. Absolute Time 166 1. The Absolute Time-Flow 166 2. Newton: Absolute Time 170 VIII. The Commonality of Time 171 Part TWO. REFLECTIONS 176 Chapter One. The Phases of Time: The Human Dimension 180 I. Time and Imagination: Flux and Fusion 180 1. Past and Memory 183 2. Future and Expectation 189 3. Present and Perception 192 II. Time-Pathologies: Phase-Fixations 197 1. The Strutting Point: The Preoccupying Now 199 2. The Slouching Beast: The Oncomming Future 200 3. The Night of Time: The Dead Past 202 4. A Cure: The Atemporal Past 203 Chapter Two. Time: The Potent Nonentity 206 I. What Time Is Not 206 II. What, Then, Is Time? 216 Reference Bibliography 234 Index 242 About the Author 254

This book is the first collection of essays on the British prose poem. With essays by leading academics, critics and practitioners, the book traces the British prose poem’s unsettled history and reception in the UK as well as its recent popularity. The essays cover the nineteenth, twentieth and twenty-first centuries exploring why this form is particularly suited to the modern age and yet can still be problematic for publishers, booksellers and scholars. Refreshing perspectives are given on the Romantics, Modernists and Post-Modernists, among them Woolf, Beckett and Eliot as well as more recent poets like Seamus Heaney, Geoffrey Hill, Claudia Rankine, Jeremy Over and Vahni Capildeo. British Prose Poetry moves from a contextual overview of the genre’s early volatile and fluctuating status, through to crucial examples of prose poetry written by established Modernist, surrealist and contemporary writers. Key questions around boundaries are discussed more generally in terms of race, class and gender. The British prose poem’s international heritage, influences and influence are explored throughout as an intrinsic part of its current renaissance. ** Modern English; Irish; Scottish; Welsh Literary Criticism Language Arts & Disciplines Poetry European General

A classic work of theatre history and criticism when first published, Arnold Aronson's formative study surveyed the phenomenon known as environmental theatre. Now updated in this richly illustrated second edition to reflect developments and practice since the 1980s, it offers readers a comprehensive study of the theatre practice which has evolved to become the dominant mode of much contemporary innovative performance. For most audiences, particularly in the Western tradition, theatre means going to a building in which seats face a stage on which actors perform a play. But there has always been a vital alternative that came to be known as environmental theatre. Whether in folk performances, street theatre, avant-garde performance, utopian architecture, Happenings, mass spectacles, or contemporary immersive theatre, the relationship of the spectator to the performance has been one in which the audience is surrounded or immersed in a shared space, in which the multiple events may be happening simultaneously, and in which the experience of theatrical space is visceral and often kinetic. This book examines the history of this phenomenon and looks at a range of contemporary practice. New chapters examine how the 'transformed spaces' of earlier work have become the interactive and immersive productions that characterize the work of companies such as Punchdrunk, dreamthinkspeak, Teatro da Vertigem, En Garde Arts, and The Industry, among others. Updated to take account of the burgeoning scholarship on the subject, The History and Theory of Environmental Scenography remains the authoritative account that illuminates present day theatre practice and its antecedents. ** General Theater Stagecraft & Scenography Performing Arts History & Criticism Cover 1 Contents 8 List of Figures 9 Acknowledgments 12 Introduction to the Revised Edition 14 1 The Scenography of Environmental Performance 20 2 The Environmental Tradition 34 3 Reactions Against the Proscenium 48 4 Surrounding Space Theatres 70 5 Environmental Production in Russia 94 6 Okhlopkov and Tonecki: Environmental Staging in the 1930s 110 7 Environments and Happenings 126 8 Found Environments 142 9 Transformed Spaces 164 10 Sites: Specific and Otherwise 186 11 Conclusion: Immersive Theatre 212 Appendix I 230 Appendix II 232 Notes 236 Bibliography 242 About the Author 258 Index 259

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Language of the Snakes traces the history of the Prakrit language as a literary phenomenon, starting from its cultivation in courts of the Deccan in the first centuries of the common era. Although little studied today, Prakrit was an important vector of the kavya movement and once joined Sanskrit at the apex of classical Indian literary culture. The opposition between Prakrit and Sanskrit was at the center of an enduring “language order” in India, a set of ways of thinking about, naming, classifying, representing, and ultimately using languages. As a language of classical literature that nevertheless retained its associations with more demotic language practices, Prakrit both embodies major cultural tensions—between high and low, transregional and regional, cosmopolitan and vernacular—and provides a unique perspective onto the history of literature and culture in South Asia.

Epilepsy A-Z is a unique compendium that provides a bullet of epilepsy-related information that is ideal for quick and easy reference. It is essential for busy practitioners who want the essence of terms and topics relevant to patient care and seizures. Physicians can quickly find answers to clinical questions, access important drug information, or understand the newest treatments and innovations for managing the most complex epilepsy patients with this concise yet comprehensive resource. Key points are summarized with current references and applicable graphics to give the reader an immediate and direct presentation that makes A-Z a must-have for the busy clinician. Special features of this thoroughly revised and significantly expanded edition include: Current as well as condensed comprehensive discussion in all areas of clinical epilepsy A to Z dictionary format -provides a quick way to arrive at the terminology or topic of interest; relevant Pearls and summaries throughout the book- demystify and clarify where comprehensive textbooks can t Newer techniques complete with graphics- assist clinicians taking care of even the most complex epilepsy patients Key references summarized- provide impact for the reader and quick access to related articles

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Language of the Snakes traces the history of the Prakrit language as a literary phenomenon, starting from its cultivation in courts of the Deccan in the first centuries of the common era. Although little studied today, Prakrit was an important vector of the kavya movement and once joined Sanskrit at the apex of classical Indian literary culture. The opposition between Prakrit and Sanskrit was at the center of an enduring “language order” in India, a set of ways of thinking about, naming, classifying, representing, and ultimately using languages. As a language of classical literature that nevertheless retained its associations with more demotic language practices, Prakrit both embodies major cultural tensions—between high and low, transregional and regional, cosmopolitan and vernacular—and provides a unique perspective onto the history of literature and culture in South Asia.

A neuf heures du matin, le capitaine Aréna vint nous prévenir que notre bâtiment était prêt et n'attendait plus que nous pour mettre à la voile. Nous quittâmes aussitôt l'hôtel, et nous nous rendîmes sur le port.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Language of the Snakes traces the history of the Prakrit language as a literary phenomenon, starting from its cultivation in courts of the Deccan in the first centuries of the common era. Although little studied today, Prakrit was an important vector of the kavya movement and once joined Sanskrit at the apex of classical Indian literary culture. The opposition between Prakrit and Sanskrit was at the center of an enduring “language order” in India, a set of ways of thinking about, naming, classifying, representing, and ultimately using languages. As a language of classical literature that nevertheless retained its associations with more demotic language practices, Prakrit both embodies major cultural tensions—between high and low, transregional and regional, cosmopolitan and vernacular—and provides a unique perspective onto the history of literature and culture in South Asia.

A few years ago, MySpace.com was just an idea kicking around a Southern California spam mill. Scroll down to the present day and MySpace is one of the most visited Internet destinations in America, displaying more than 40 billion webpage views per month and generating nearly $1 billion annually for Rupert Murdoch’s online empire. Even by the standards of the Internet age, the MySpace saga is an astounding growth story, which climaxed with the site’s acquisition by Murdoch’s News Corporation in 2005 for a sum approaching one billion dollars. But more than that, it may be the defining drama of the digital era. In Stealing MySpace , Pulitzer Prize-winning journalist Julia Angwin chronicles the rise of this Internet powerhouse. With an unerring eye, Angwin details how MySpace took the Internet by storm by grabbing the best ideas from around the Web, encouraging pinup stars such as Tila Tequila to make their home on its pages and giving everyone freedom to experiment with online identities–including using somebody else’s identity. Stealing MySpace introduces us to the site’s founders, Chris DeWolfe and Tom Anderson, who dabbled in computer hacking, online pornography, spam, and spyware before starting MySpace. Although their street savvy, doggedness, and clubbing skills far eclipsed their tech prowess, they stumbled their way to success and soon found themselves at ground zero of a high-stakes war that pitted Rupert Murdoch against his frequent nemesis, the combative Viacom CEO Sumner Redstone. Angwin sheds light on the dizzying backroom deals that allowed Murdoch to snatch MySpace from Viacom’s grasp even as the MySpace founders remained in the dark about their own fate. Then she takes us inside the Murdoch empire as DeWolfe and Anderson lobby furiously to regain control of their creation. Venturing beyond the business aspects of the story, Angwin also explores the Internet culture, a voyeuristic world in which MySpace must stay one step ahead of amateur pornographers, sexual predators, and “spoofers” who set up fake profiles (Rupert Murdoch himself tolerates dozens of phony “Ruperts” on the site) and cope with the general excesses and sometimes illegal acts of a community of account holders equal in number to the population of Japan. In Stealing MySpace , Julia Angwin dishes on the epic real-world battle for control of a virtual empire. In a savvy, smart, fast-paced narrative reminiscent of Bryan Burrough and John Helyar’s Barbarians at the Gate and Michael Lewis’s The New New Thing, Stealing MySpace tells is the whole gripping story behind a breakout cultural phenomenon. From the Hardcover edition. Amazon.com Review Book Description A few years ago, MySpace.com was just an idea kicking around a Southern California spam mill. Scroll down to the present day and MySpace is one of the most visited Internet destinations in America, displaying more than 40 billion webpage views per month and generating nearly $1 billion annually for Rupert Murdoch’s online empire. Even by the standards of the Internet age, the MySpace saga is an astounding growth story, which climaxed with the site’s acquisition by Murdoch’s News Corporation in 2005 for a sum approaching one billion dollars. But more than that, it may be the defining drama of the digital era. In Stealing MySpace , Pulitzer Prize-winning journalist Julia Angwin chronicles the rise of this Internet powerhouse. With an unerring eye, Angwin details how MySpace took the Internet by storm by grabbing the best ideas from around the Web, encouraging pinup stars such as Tila Tequila to make their home on its pages and giving everyone freedom to experiment with online identities–including using somebody else’s identity. Stealing MySpace introduces us to the site’s founders, Chris DeWolfe and Tom Anderson, who dabbled in computer hacking, online pornography, spam, and spyware before starting MySpace. Although their street savvy, doggedness, and clubbing skills far eclipsed their tech prowess, they stumbled their way to success and soon found themselves at ground zero of a high-stakes war that pitted Rupert Murdoch against his frequent nemesis, the combative Viacom CEO Sumner Redstone. Angwin sheds light on the dizzying backroom deals that allowed Murdoch to snatch MySpace from Viacom’s grasp even as the MySpace founders remained in the dark about their own fate. Then she takes us inside the Murdoch empire as DeWolfe and Anderson lobby furiously to regain control of their creation. Venturing beyond the business aspects of the story, Angwin also explores the Internet culture, a voyeuristic world in which MySpace must stay one step ahead of amateur pornographers, sexual predators, and “spoofers” who set up fake profiles (Rupert Murdoch himself tolerates dozens of phony “Ruperts” on the site) and cope with the general excesses and sometimes illegal acts of a community of account holders equal in number to the population of Japan. In Stealing MySpace , Julia Angwin dishes on the epic real-world battle for control of a virtual empire. In a savvy, smart, fast-paced narrative reminiscent of Bryan Burrough and John Helyar’s Barbarians at the Gate and Michael Lewis’s The New New Thing, Stealing MySpace tells is the whole gripping story behind a breakout cultural phenomenon. Julia Angwin on *Stealing MySpace * Porn. Hacking. Spyware. Spam. Spy cameras you can hide in your shoe. Prior to launching MySpace, the founders dabbled in all of the above. Relentless marketers and knockoff artists, their story also included a boardroom coup, broken friendships, betrayals, litigation and a pair of feuding media moguls--Sumner Redstone and Rupert Murdoch. When I stumbled on the history of MySpace, I quickly realized it was not your typical Silicon Valley saga. There were no computer geniuses dropping out of prestigious universities, no fancy algorithms, no computers in garages. In short: The MySpace tale was manna from journalistic heaven--I had to write it. It was also a serious lesson about the evolution of the Internet. The success of these ragtag marketers from Los Angeles demonstrated an important change in our culture: Technology had finally become relatively easy to use. Innovation was no longer confined to the digital elites. MySpace's success was largely due to the fact that it put its customers first, and technology second. Still, as it grew, MySpace's lack of tech savvy has been its Achilles Heel. Today, MySpace is being forced to play technological catch-up to rival social networking site, Facebook, and it's not clear if it will succeed. The final chapter of the MySpace story has not yet been written. But the unlikely tale of how MySpace was born is one that begged to be told. -- Julia Angwin From Publishers Weekly Angwin, an award-winning journalist for the Wall Street Journal , recounts the history of MySpace.com in this well-written, entertaining and drama-filled chronicle. From its founding by Chris DeWolfe to its surprising purchase for nearly $600 million by Rupert Murdoch and NewsCorp., Angwin takes the reader through the companys tumultuous journey to the top. Readers will learn how Eliot Spitzer's spyware lawsuit nearly devastated the company and how Richard Blumenthal's investigation into the sites lack of protection of minors resulted in a blindsiding public assault. An array of personalities populate the book, including Viacom chairman Sumner Redstone, Bill OReilly and Tila Tequila, who was one of the earliest to use her popularity on the site to generate a successful business. Angwin also describes the massive defection of MySpace users to Facebook and leaves the reader to wrestle with the issue of digital identity. Attesting to the depth of her research, Angwin also includes a lengthy notes section. This engrossing look at how MySpace became a media powerhouse will find a solid audience of business history, technology and entrepreneurship readers. (Mar.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Business & Money,Biography & History,Company Profiles,Organizational Behavior,Workplace,Computers & Technology,Networking,Internet; Groupware; & Telecommunications,Company Histories

A few years ago, MySpace.com was just an idea kicking around a Southern California spam mill. Scroll down to the present day and MySpace is one of the most visited Internet destinations in America, displaying more than 40 billion webpage views per month and generating nearly $1 billion annually for Rupert Murdoch’s online empire. Even by the standards of the Internet age, the MySpace saga is an astounding growth story, which climaxed with the site’s acquisition by Murdoch’s News Corporation in 2005 for a sum approaching one billion dollars. But more than that, it may be the defining drama of the digital era. In Stealing MySpace , Pulitzer Prize-winning journalist Julia Angwin chronicles the rise of this Internet powerhouse. With an unerring eye, Angwin details how MySpace took the Internet by storm by grabbing the best ideas from around the Web, encouraging pinup stars such as Tila Tequila to make their home on its pages and giving everyone freedom to experiment with online identities–including using somebody else’s identity. Stealing MySpace introduces us to the site’s founders, Chris DeWolfe and Tom Anderson, who dabbled in computer hacking, online pornography, spam, and spyware before starting MySpace. Although their street savvy, doggedness, and clubbing skills far eclipsed their tech prowess, they stumbled their way to success and soon found themselves at ground zero of a high-stakes war that pitted Rupert Murdoch against his frequent nemesis, the combative Viacom CEO Sumner Redstone. Angwin sheds light on the dizzying backroom deals that allowed Murdoch to snatch MySpace from Viacom’s grasp even as the MySpace founders remained in the dark about their own fate. Then she takes us inside the Murdoch empire as DeWolfe and Anderson lobby furiously to regain control of their creation. Venturing beyond the business aspects of the story, Angwin also explores the Internet culture, a voyeuristic world in which MySpace must stay one step ahead of amateur pornographers, sexual predators, and “spoofers” who set up fake profiles (Rupert Murdoch himself tolerates dozens of phony “Ruperts” on the site) and cope with the general excesses and sometimes illegal acts of a community of account holders equal in number to the population of Japan. In Stealing MySpace , Julia Angwin dishes on the epic real-world battle for control of a virtual empire. In a savvy, smart, fast-paced narrative reminiscent of Bryan Burrough and John Helyar’s Barbarians at the Gate and Michael Lewis’s The New New Thing, Stealing MySpace tells is the whole gripping story behind a breakout cultural phenomenon. From the Hardcover edition. Amazon.com Review Book Description A few years ago, MySpace.com was just an idea kicking around a Southern California spam mill. Scroll down to the present day and MySpace is one of the most visited Internet destinations in America, displaying more than 40 billion webpage views per month and generating nearly $1 billion annually for Rupert Murdoch’s online empire. Even by the standards of the Internet age, the MySpace saga is an astounding growth story, which climaxed with the site’s acquisition by Murdoch’s News Corporation in 2005 for a sum approaching one billion dollars. But more than that, it may be the defining drama of the digital era. In Stealing MySpace , Pulitzer Prize-winning journalist Julia Angwin chronicles the rise of this Internet powerhouse. With an unerring eye, Angwin details how MySpace took the Internet by storm by grabbing the best ideas from around the Web, encouraging pinup stars such as Tila Tequila to make their home on its pages and giving everyone freedom to experiment with online identities–including using somebody else’s identity. Stealing MySpace introduces us to the site’s founders, Chris DeWolfe and Tom Anderson, who dabbled in computer hacking, online pornography, spam, and spyware before starting MySpace. Although their street savvy, doggedness, and clubbing skills far eclipsed their tech prowess, they stumbled their way to success and soon found themselves at ground zero of a high-stakes war that pitted Rupert Murdoch against his frequent nemesis, the combative Viacom CEO Sumner Redstone. Angwin sheds light on the dizzying backroom deals that allowed Murdoch to snatch MySpace from Viacom’s grasp even as the MySpace founders remained in the dark about their own fate. Then she takes us inside the Murdoch empire as DeWolfe and Anderson lobby furiously to regain control of their creation. Venturing beyond the business aspects of the story, Angwin also explores the Internet culture, a voyeuristic world in which MySpace must stay one step ahead of amateur pornographers, sexual predators, and “spoofers” who set up fake profiles (Rupert Murdoch himself tolerates dozens of phony “Ruperts” on the site) and cope with the general excesses and sometimes illegal acts of a community of account holders equal in number to the population of Japan. In Stealing MySpace , Julia Angwin dishes on the epic real-world battle for control of a virtual empire. In a savvy, smart, fast-paced narrative reminiscent of Bryan Burrough and John Helyar’s Barbarians at the Gate and Michael Lewis’s The New New Thing, Stealing MySpace tells is the whole gripping story behind a breakout cultural phenomenon. Julia Angwin on *Stealing MySpace * Porn. Hacking. Spyware. Spam. Spy cameras you can hide in your shoe. Prior to launching MySpace, the founders dabbled in all of the above. Relentless marketers and knockoff artists, their story also included a boardroom coup, broken friendships, betrayals, litigation and a pair of feuding media moguls--Sumner Redstone and Rupert Murdoch. When I stumbled on the history of MySpace, I quickly realized it was not your typical Silicon Valley saga. There were no computer geniuses dropping out of prestigious universities, no fancy algorithms, no computers in garages. In short: The MySpace tale was manna from journalistic heaven--I had to write it. It was also a serious lesson about the evolution of the Internet. The success of these ragtag marketers from Los Angeles demonstrated an important change in our culture: Technology had finally become relatively easy to use. Innovation was no longer confined to the digital elites. MySpace's success was largely due to the fact that it put its customers first, and technology second. Still, as it grew, MySpace's lack of tech savvy has been its Achilles Heel. Today, MySpace is being forced to play technological catch-up to rival social networking site, Facebook, and it's not clear if it will succeed. The final chapter of the MySpace story has not yet been written. But the unlikely tale of how MySpace was born is one that begged to be told. -- Julia Angwin From Publishers Weekly Angwin, an award-winning journalist for the Wall Street Journal , recounts the history of MySpace.com in this well-written, entertaining and drama-filled chronicle. From its founding by Chris DeWolfe to its surprising purchase for nearly $600 million by Rupert Murdoch and NewsCorp., Angwin takes the reader through the companys tumultuous journey to the top. Readers will learn how Eliot Spitzer's spyware lawsuit nearly devastated the company and how Richard Blumenthal's investigation into the sites lack of protection of minors resulted in a blindsiding public assault. An array of personalities populate the book, including Viacom chairman Sumner Redstone, Bill OReilly and Tila Tequila, who was one of the earliest to use her popularity on the site to generate a successful business. Angwin also describes the massive defection of MySpace users to Facebook and leaves the reader to wrestle with the issue of digital identity. Attesting to the depth of her research, Angwin also includes a lengthy notes section. This engrossing look at how MySpace became a media powerhouse will find a solid audience of business history, technology and entrepreneurship readers. (Mar.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

This book contends that mainstream considerations of the economic and social force of culture, including theories of the creative class and of cognitive and immaterial labor, are indebted to historic conceptions of the art of literary authorship. It shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as models of contentedly flexible and self-managed work, the treatment of training in and exposure to art as a pathway to social inclusion, the use of culture and cultural institutions to increase property values, and support for cultural diversity as a means of growing cultural markets. Contemporary writers have tended to explore how their own critical capacities have become compatible with or even essential to a neoliberal economy that has embraced art's autonomous gestures as proof that authentic self-articulation and social engagement can and should occur within capitalism. Taking a sociological approach to literary criticism, Sarah Brouillette interprets major works of contemporary fiction by Monica Ali, Aravind Adiga, Daljit Nagra, and Ian McEwan alongside government policy, social science, and theoretical explorations of creative work and immaterial labor.

<p>Some estimates say that as many as eight out of ten new businesses fail within the first 18 months. More conservative estimates say that about half of new business start-ups are still in business four to five years later. In either case, the likelihood of business failure is very high. Anything that improves the odds should be welcomed by, both, the business and the lender/investment communities. Studies prove that good planning practices more than double the chance of business success. Yet, the vast majority of small to medium sized businesses operate without a formal plan, and only a subset of those follow through, measuring targeted objectives and adjusting plans accordingly. Why?Some of the reasons include: they just don't know any better, it's just too complicated, and it's just too time consuming. Translation: it's just too easy NOT to do it. Start-up companies that need seed money must create business plans in order to obtain loans, attract investors and launch more successful crowd funding projects. But the process is often tedious and quickly forgotten after the initial requirement.Business owners and leaders need tools that help them easily articulate, revise and track plans and objectives on an on-going basis. Business is ART leads the reader through an easy to follow approach to business as ART, beginning with the vision and painting the picture through strategic planning, business planning and performance metric tracking. The emphasis is on ease and visual appeal in order to keep the reader engaged in the process long after putting down the book. The read is light, at times humorous, and includes several real-life examples, stories, quotes and anecdotes. Along the way it provides simplified, table-driven templates for creating plans and introduces a new, proprietary methodology for tracking metrics: the PingChart. Finally, Business is ART introduces a new, proprietary software for following this simplified approach.<br></p>

This book is the first collection of essays on the British prose poem. With essays by leading academics, critics and practitioners, the book traces the British prose poem’s unsettled history and reception in the UK as well as its recent popularity. The essays cover the nineteenth, twentieth and twenty-first centuries exploring why this form is particularly suited to the modern age and yet can still be problematic for publishers, booksellers and scholars. Refreshing perspectives are given on the Romantics, Modernists and Post-Modernists, among them Woolf, Beckett and Eliot as well as more recent poets like Seamus Heaney, Geoffrey Hill, Claudia Rankine, Jeremy Over and Vahni Capildeo. __British Prose Poetry__ moves from a contextual overview of the genre’s early volatile and fluctuating status, through to crucial examples of prose poetry written by established Modernist, surrealist and contemporary writers. Key questions around boundaries are discussed more generally in terms of race, class and gender. The British prose poem’s international heritage, influences and influence are explored throughout as an intrinsic part of its current renaissance.

The official study guide for CCNP Routing Exam 640-503. A step-by-step way to master the skills and concepts tested on the exam, including routing principles and extending IP addresses. The CD-ROM contains a custom testing engine with practice exams that mimic the real testing environment. System requirements: CD-ROM drive.

"A classic work of theatre history and criticism when first published, Arnold Aronson's formative study surveyed the phenomenon known as environmental theatre. Now updated in this richly illustrated second edition to reflect developments and practice since the 1980s, it offers readers a comprehensive study of the theatre practice which has evolved to become the dominant mode of much contemporary innovative performance. For most audiences, particularly in the Western tradition, theatre means going to a building in which seats face a stage on which actors perform a play. But there has always been a vital alternative that came to be known as environmental theatre. Whether in folk performances, street theatre, avant-garde performance, utopian architecture, Happenings, mass spectacles, or contemporary immersive theatre, the relationship of the spectator to the performance has been one in which the audience is surrounded or immersed in a shared space, in which the multiple events may be happening simultaneously, and in which the experience of theatrical space is visceral and often kinetic. This book examines the history of this phenomenon and looks at a range of contemporary practice. New chapters examine how the 'transformed spaces' of earlier work have become the interactive and immersive productions that characterize the work of companies such as Punchdrunk, dreamthinkspeak, Teatro da Vertigem, En Garde Arts, and The Industry, among others. Updated to take account of the burgeoning scholarship on the subject, The History and Theory of Environmental Scenography remains the authoritative account that illuminates present day theatre practice and its antecedents."--Provided by publisher

"How's her head?" exclaimed Captain Dinks, the moment his genial, rosy, weather-beaten face appeared looming above the top-rail of the companion way that led up to the poop from the saloon below, the bright mellow light of the morning sun reflecting from his deep-tanned visage as if from a mirror, and making it as radiant almost as the orb of day.

What do werewolves, vampires, and the Little Mermaid have in common? They are all shapechangers. In The Beastly Bride, acclaimed editors Ellen Datlow and Terri Windling bring together original stories and poems from a stellar lineup of authors including Peter S. Beagle, Ellen Kushner, Jane Yolen, Lucius Shepard, and Tanith Lee, as well as many new, diverse voices. Terri Windling provides a scholarly, yet accessible introduction, and Charles Vess's decorations open each story. From Finland to India, the Pacific Northwest to the Hamptons, shapechangers are part of our magical landscapeùand The Beastly Bride is sure to be one of the most acclaimed anthologies of the year.

What do werewolves, vampires, and the Little Mermaid have in common? They are all shapechangers. In The Beastly Bride , acclaimed editors Ellen Datlow and Terri Windling bring together original stories and poems from a stellar lineup of authors including Peter S. Beagle, Ellen Kushner, Jane Yolen, Lucius Shepard, and Tanith Lee, as well as many new, diverse voices. Terri Windling provides a scholarly, yet accessible introduction, and Charles Vess's decorations open each story. From Finland to India, the Pacific Northwest to the Hamptons, shapechangers are part of our magical landscapeùand The Beastly Bride is sure to be one of the most acclaimed anthologies of the year.

The appearance in 1964 of A.H.M. Jones' "The Later Roman Empire 284-602: A Social, Economic, and Administrative Survey" transformed the study of the Late Antique world. In this volume a number of leading scholars reassess the impact of Jones' great work, the influences that shaped his scholarship, and the legacy he left for later generations. Jones' historical method, his fundamental knowledge of Late Roman political, social, economic and religious structures, and his famous assessment of the Decline and Fall of Rome are re-examined here in the light of modern research. This volume offers a valuable aid to academics and students alike who seek to better understand and exploit the priceless resource that is the Later Roman Empire. Contributors include Averil Cameron, Peter Garnsey, David Gwynn, Peter Heather, Caroline Humfress, Luke Lavan, Wolfgang Liebeschuetz, Stefan Rebenich, Alexander Sarantis, Roger Tomlin, Bryan Ward-Perkins, and Michael Whitby. About the Author David M. Gwynn (DPhil Oxford 2003) is Lecturer in Ancient and Late Antique History at Royal Holloway, University of London. His doctoral thesis was recently published as The Eusebians: The Polemic of Athanasius of Alexandria and the Construction of the "Arian Controversy" (Oxford 2007).

What do werewolves, vampires, and the Little Mermaid have in common? They are all shapechangers. In The Beastly Bride , acclaimed editors Ellen Datlow and Terri Windling bring together original stories and poems from a stellar lineup of authors including Peter S. Beagle, Ellen Kushner, Jane Yolen, Lucius Shepard, and Tanith Lee, as well as many new, diverse voices. Terri Windling provides a scholarly, yet accessible introduction, and Charles Vess's decorations open each story. From Finland to India, the Pacific Northwest to the Hamptons, shapechangers are part of our magical landscapeùand The Beastly Bride is sure to be one of the most acclaimed anthologies of the year.

In this first book-length study of the topic, Robert C. Scharff offers a detailed analysis of the young Heidegger’s interpretation of Dilthey’s hermeneutics of historical life and Husserl’s transcendental phenomenology. He argues that it is Heidegger’s prior reading of Dilthey that grounds his critical appropriation of Husserl’s phenomenology. He shows that in Heidegger’s early lecture courses, a “possible” phenomenology is presented as a genuine alternative with the modern philosophies of consciousness to which Husserl’s “actual” phenomenology is still too closely tied. All of these philosophies tend to overestimate the degree to which we can achieve intellectual independence from our surroundings and inheritance. In response, Heidegger explains why becoming phenomenological is always a possibility; but being a phenomenologist is not. Scharff concludes that this discussion of the young Heidegger, Husserl, and Dilthey leads to the question of our own current need for a phenomenological philosophy—that is, for a philosophy that avoids technique-happiness, that at least sometimes thinks with a self-awareness that takes no theoretical distance from life, and that speaks in a language that is “not yet” selectively representational. ** Review As Scharff sees it, Heidegger's way of becoming phenomenological was not Husserl's, who regarded phenomenology as a theoretical-scientific attitude of a transcendental subject expositing its intentional objects, but rather Dilthey's, who situates it in the whole of life that is always already there as an articulated historical context that mutually correlates self and world into a meaningful whole. (Theodore Kisiel, Distinguished Research Professor Emeritus of Philosophy, Northern Illinois University) No one knows the Heidegger-Dilthey connection better than Robert Scharff, and in this revolutionary new work he pushes the reset button on the origins of Being and Time. Through a meticulous reading of the earliest courses Scharff reveals how Heidegger’s grappling with Dilthey turned him into a phenomenologist of life and eventually of Dasein, in contrast to the transcendental consciousness of Husserl. Written with clarity and verve, this book leaves the “Seinology” of later commentaries in the dust and restores to Heidegger’s work the existential vitality that is its birthright. (Thomas Sheehan, Professor of Religious Studies, Stanford University) About the Author Robert C. Scharff is Professor of Philosophy Emeritus at the University of New Hampshire and Executive Director of ITERATA, a non-profit institute for the study of interdisciplinarity in science, industry, and higher education. He is author of How History Matters to Philosophy (2015), Comte After Positivism (2002), and numerous papers on 19th and 20th century positivism, postpositivism, and continental philosophy; co-editor (with Val Dusek) of The Philosophy of Technology (2003, 2014); and former editor of Continental Philosophy Review (1994–2005).

The Protestant philosophical and theological heritage of Thomas Aquinas This major new book provides an introduction to Thomas Aquinas’s influence on Protestantism. The editors, both noted commentators on Aquinas, bring together a group of influential scholars to demonstrate the ways that Anglican, Lutheran, and Reformed thinkers have analyzed and used Thomas through the centuries. Later chapters also explore how today’s Protestants might appropriate the work of Aquinas to address a number of contemporary theological and philosophical issues. The authors set the record straight and disavow the widespread impression that Aquinas is an irrelevant figure for the history of Protestant thought. This assumption has dominated not only Protestant historiography but also Roman Catholic accounts of the Reformation and Protestant intellectual life. The book opens the possibility for contemporary reception, engagement, and critique and even intra-Protestant relations and includes: Information on the fruitful appropriation of Aquinas in Anglican, Lutheran, and Reformed theologians over the centuries Important essays from leading scholars on the teachings of Aquinas New perspectives on Thomas Aquinas’s position as a towering figure in the history of Christian thought Aquinas Among the Protestant is a ground-breaking and interdenominational work for students and scholars of Thomas Aquinas and theology more generally. ** From the Back Cover This major new book provides an introduction to Thomas Aquinas's influence on Protestantism. The editors, both noted commentators on Aquinas, bring together a group of influential scholars to demonstrate the ways that Anglican, Lutheran, and Reformed thinkers have analyzed and used Thomas through the centuries. Later chapters also explore how today's Protestants might appropriate the work of Aquinas to address a number of contemporary theological and philosophical issues. The authors set the record straight and disavow the widespread impression that Aquinas is an irrelevant figure for the history of Protestant thought. This assumption has dominated not only Protestant historiography but also Roman Catholic accounts of the Reformation and Protestant intellectual life. The book opens the possibility for contemporary reception, engagement, and critique and even intra-Protestant relations and includes: Information on the fruitful appropriation of Aquinas in Anglican, Lutheran, and Reformed theologians over the centuries Important essays from leading scholars on the teachings of Aquinas New perspectives on Thomas Aquinas's position as a towering figure in the history of Christian thought Aquinas Among the Protestants is a ground-breaking and interdenominational work for students and scholars of Thomas Aquinas and theology more generally. About the Author Manfred Svensson is Professor of Philosophy at the University of the Andes, Chile. His research has focused on Augustine, the idea of things indifferent (adiaphora), and on the history of toleration. His most recent book is Reforma protestante y tradición intelectual cristiana . David VanDrunen is the Robert B. Strimple Professor of Systematic Theology and Christian Ethics at Westminster Seminary California. He is the author or editor of ten books, including Divine Covenants and Moral Order: A Biblical Theology of Natural Law .

The Protestant philosophical and theological heritage of Thomas Aquinas This major new book provides an introduction to Thomas Aquinas’s influence on Protestantism. The editors, both noted commentators on Aquinas, bring together a group of influential scholars to demonstrate the ways that Anglican, Lutheran, and Reformed thinkers have analyzed and used Thomas through the centuries. Later chapters also explore how today’s Protestants might appropriate the work of Aquinas to address a number of contemporary theological and philosophical issues. The authors set the record straight and disavow the widespread impression that Aquinas is an irrelevant figure for the history of Protestant thought. This assumption has dominated not only Protestant historiography but also Roman Catholic accounts of the Reformation and Protestant intellectual life. The book opens the possibility for contemporary reception, engagement, and critique and even intra-Protestant relations and includes: Information on the fruitful appropriation of Aquinas in Anglican, Lutheran, and Reformed theologians over the centuries Important essays from leading scholars on the teachings of Aquinas New perspectives on Thomas Aquinas’s position as a towering figure in the history of Christian thought Aquinas Among the Protestant is a ground-breaking and interdenominational work for students and scholars of Thomas Aquinas and theology more generally. ** From the Back Cover This major new book provides an introduction to Thomas Aquinas's influence on Protestantism. The editors, both noted commentators on Aquinas, bring together a group of influential scholars to demonstrate the ways that Anglican, Lutheran, and Reformed thinkers have analyzed and used Thomas through the centuries. Later chapters also explore how today's Protestants might appropriate the work of Aquinas to address a number of contemporary theological and philosophical issues. The authors set the record straight and disavow the widespread impression that Aquinas is an irrelevant figure for the history of Protestant thought. This assumption has dominated not only Protestant historiography but also Roman Catholic accounts of the Reformation and Protestant intellectual life. The book opens the possibility for contemporary reception, engagement, and critique and even intra-Protestant relations and includes: Information on the fruitful appropriation of Aquinas in Anglican, Lutheran, and Reformed theologians over the centuries Important essays from leading scholars on the teachings of Aquinas New perspectives on Thomas Aquinas's position as a towering figure in the history of Christian thought Aquinas Among the Protestants is a ground-breaking and interdenominational work for students and scholars of Thomas Aquinas and theology more generally. About the Author Manfred Svensson is Professor of Philosophy at the University of the Andes, Chile. His research has focused on Augustine, the idea of things indifferent (adiaphora), and on the history of toleration. His most recent book is Reforma protestante y tradición intelectual cristiana . David VanDrunen is the Robert B. Strimple Professor of Systematic Theology and Christian Ethics at Westminster Seminary California. He is the author or editor of ten books, including Divine Covenants and Moral Order: A Biblical Theology of Natural Law .

In this first book-length study of the topic, Robert C. Scharff offers a detailed analysis of the young Heidegger’s interpretation of Dilthey’s hermeneutics of historical life and Husserl’s transcendental phenomenology. He argues that it is Heidegger’s prior reading of Dilthey that grounds his critical appropriation of Husserl’s phenomenology. He shows that in Heidegger’s early lecture courses, a “possible” phenomenology is presented as a genuine alternative with the modern philosophies of consciousness to which Husserl’s “actual” phenomenology is still too closely tied. All of these philosophies tend to overestimate the degree to which we can achieve intellectual independence from our surroundings and inheritance. In response, Heidegger explains why becoming phenomenological is always a possibility; but being a phenomenologist is not. Scharff concludes that this discussion of the young Heidegger, Husserl, and Dilthey leads to the question of our own current need for a phenomenological philosophy—that is, for a philosophy that avoids technique-happiness, that at least sometimes thinks with a self-awareness that takes no theoretical distance from life, and that speaks in a language that is “not yet” selectively representational. ** Review As Scharff sees it, Heidegger's way of becoming phenomenological was not Husserl's, who regarded phenomenology as a theoretical-scientific attitude of a transcendental subject expositing its intentional objects, but rather Dilthey's, who situates it in the whole of life that is always already there as an articulated historical context that mutually correlates self and world into a meaningful whole. (Theodore Kisiel, Distinguished Research Professor Emeritus of Philosophy, Northern Illinois University) No one knows the Heidegger-Dilthey connection better than Robert Scharff, and in this revolutionary new work he pushes the reset button on the origins of Being and Time. Through a meticulous reading of the earliest courses Scharff reveals how Heidegger’s grappling with Dilthey turned him into a phenomenologist of life and eventually of Dasein, in contrast to the transcendental consciousness of Husserl. Written with clarity and verve, this book leaves the “Seinology” of later commentaries in the dust and restores to Heidegger’s work the existential vitality that is its birthright. (Thomas Sheehan, Professor of Religious Studies, Stanford University) About the Author Robert C. Scharff is Professor of Philosophy Emeritus at the University of New Hampshire and Executive Director of ITERATA, a non-profit institute for the study of interdisciplinarity in science, industry, and higher education. He is author of How History Matters to Philosophy (2015), Comte After Positivism (2002), and numerous papers on 19th and 20th century positivism, postpositivism, and continental philosophy; co-editor (with Val Dusek) of The Philosophy of Technology (2003, 2014); and former editor of Continental Philosophy Review (1994–2005).

Why did London Underground once employ a one-legged man to ride up and down the escalators at Earl's Court tube station? What did Hitler plan to do with Nelson's Column? Why is London's only medieval mummy a prostitute named Clarice la Claterballock? How did a beer flood in Tottenham Court Road drown nine people? Where can you see a pair of Queen Victoria's knickers? Containing chapters covering London past and present; buildings and streets; famous and unexpected Londoners; arts, literature and crime; plus much much more, the 180 lists will amaze, amuse and inform. More than simply a keepsake for tourists, every self-respecting Londoner needs this book. Review Imaginatively insane Sunday Herald * Impossible to put down. Independent on Sunday * This is the sort of book for which the word quirky was coined. Sunday Herald About the Author NICK RENNISON worked as a bookseller, editor and writer in London for many years. He is the author of The London Blue Plaque Guide (Sutton 2003) and Waterstone's Guide to London Writing (Waterstone's 1999). His other books include The Good Reading Guide (Bloomsbury 2001) and The Good Reading Guide to Crime Fiction (Bloomsbury 2003).

A look at corporate authoritarianism that William Shirer called “the best thing I’ve ever seen on how America might go fascist democratically.” In 1980, US capitalist politics wore a “nice-guy mask,” a troubling disguise to cover up a creeping despotism in which the ultra-rich and corporate overseers were merging with a centralized state power in order to manage the populace. This immanent corporate authoritarianism threatened to subvert constitutional democracy. But unlike the violent and sudden usurpations that led to fascism in the days of Hitler, Mussolini, and the Japanese empire builders, this new “smiling” American breed of fascism was gaining ground through gradual and silent infringements on the freedoms of the American people.   First published over three decades ago, Friendly Fascism is uncannily predictive of the threats and realities of current political and economic power trends. Author Bertram Gross, a presidential adviser during the New Deal era, traces the history and logic of declining democracy in First World countries and pinpoints capitalist transnational growth and inappropriate responses to global crises as the sources of late twentieth-century despotism in America. Gross issues ever-urgent warnings about what happens when big business and big government become bedfellows—chronic inflation, recurring recession, overt and hidden unemployment, the poisoning of the environment—and simultaneously proffers a practical shift of perspective that could help US citizens build a truer democracy. He imagines an America in which heroes are no longer needed and the leadership is a group of non-elitists who “recognize the ignorance of the wise as well as the wisdom of the ignorant.”

The conventional wisdom of economic voting theory argues that a nation's economic performance drives electoral outcomes. Therefore, voters will hold an administration accountable for its economic stewardship. Austin Hart challenges the simplicity of this notion, drawing on cognitive-psychological research on priming to demonstrate that the intensity of voters' exposure to economic campaign messages systematically conditions the strength of the economic vote. However, this study goes further than simply saying 'campaigns matter'. Here, we learn that candidates who control the campaign narrative can capitalize on favorable economic conditions or - contrary to the predictions of conventional theory - overcome unfavorable conditions. Although the aim is not to dismiss the importance of structural variables in the study of elections, Hart shows that the choices candidates make about what to say and how often shape election outcomes in ways that cannot be explained by contextual or institutional forces alone. **

As a graduate student in upstate New York, Nathaniel Mason is drawn into a tangle of relationships with people who seem to hover just beyond his grasp. There's Theresa, alluring but elusive, and Jamie, who is fickle if not wholly unavailable. But Jerome Coolberg is the most mysterious and compelling. Not only cryptic about himself, he seems also to have appropriated parts of Nathaniel's past that Nathaniel cannot remember having told him about. In this extraordinary novel of mischief and menace, we see a young man's very self vanishing before his eyes. From the Trade Paperback edition.From Publishers WeeklyThe author of the National Book Award–nominated The Feast of Love, Baxter returns with this ninth book, an assay into the limits of character, fictional and otherwise. The first half of the novel follows the brief arc of Nathaniel Mason's graduate career in 1970s Buffalo, N.Y., which centers on his friendship with the sexy but self-dramatizing Teresa (which she pronounces Teraysa, as if she were French) and her lover Jerome Coolberg, a virtuoso of cast-off ideas. Coolberg, obsessed with Nathaniel, begins taking his shirts and notebooks, and claiming that episodes from Nathaniel's life happened to him. Coolberg drops a hint that something bad will happen to Jamie, Nathaniel's sometime lover; when it actually comes to pass, Nathaniel's world begins to collapse. In the novel's second half, decades after these events have occurred, Coolberg enters Nathaniel's life again for a final, dramatic confrontation. Baxter has a great, registering eye for the real pleasures and attritions of life, but the book gets hung up on metafictional questions of identity (the major one: who is writing this first-person narrative?). The results cheat readers out of identifying with any of the characters, perhaps intentionally. (Feb.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From The New YorkerOpening in gritty, nineteen-seventies Buffalo, Baxter’s suspenseful fifth novel concerns a mildmannered graduate student, Nathaniel, who falls under the spell of a cerebral but affected outsider, the aptly named Coolberg. Drawn to Coolberg’s sneering persona (and to that of his girlfriend, Theresa, who relishes Coolberg’s performances), Nathaniel begins to unravel when he learns that Coolberg is appropriating his identity: a burglar steals clothes from Nathaniel that Coolberg ends up wearing, and Coolberg begins claiming Nathaniel’s history for his own. Baxter’s talent for creating uncanny settings and telling details and his inventive way with language (a similarly dressed couple are "umbilicaled") are both on display here, but the conceptual twist at the novel’s end feels unequal to the dramatic tension that precedes it. Copyright © 2008 * Click here to subscribe to The New Yorker*Pages : 324

In this magisterial study, Norman J. Girardot focuses on James Legge (1815-1897), one of the most important nineteenth-century figures in the cultural exchange between China and the West. A translator-transformer of Chinese texts, Legge was a pioneering cross-cultural pilgrim within missionary circles in China and within the academic world of Oxford University. By tracing Legge's career and his close association with Max Müller (1823-1900), Girardot elegantly brings a biographically embodied approach to the intellectual history of two important aspects of the emergent "human sciences" at the end of the nineteenth century: sinology and comparative religions. Girardot weaves a captivating narrative that illuminates the era in which Legge lived as well as the surroundings in which he worked. His encyclopedic knowledge of pertinent figures, documents, peculiar ideologies, and even the personal quirks of principal and minor players brings the world of imperial China and Victorian England very much to life. At the same time, Girardot gets at the roots of much of the twentieth-century discourse about the strange religious or nonreligious otherness of China. Review "A magnificent book, learned and witty (and specializing in the author's own brand of self-deprecating humor), with trails leading off into obscure and fascinating corners of Victorian life. . . . This book on Legge's intellectual career and ethos is magisterial, urbane, very scholarly, and likely to remain definitive for a long time to come."--"Taipei Times" From the Inside Flap "Norman J. Girardot's The Victorian Translation of China: James Legge's Oriental Pilgrimage is breathtaking in its scope. James Legge was a giant in Sinology; only a monumental volume such as this one could do justice to him. The publication of this biography of Legge is a major event, not just for the history of Sinology, but for the intellectual history of the late 19th century in general. Indeed, in a sense, the book is almost as much about the great Indologist and comparative philologist Max Müller as it is about the Christian missionary from Aberdeen who produced such epochal translations of the Chinese classics in Hong Kong and at Oxford. Partly inspired by Lytton Strachey's trenchant insights of into the Victorian mind and character, Girardot's masterpiece deserves to be ranked with the finest examples of the craft of writing about influential persons and interesting eras. But it is more than that; quite simply, this is one of the most outstanding academic biographies of all time and in any field."--Victor H. Mair, translator of Tao Te Ching: The Classic Book of Integrity and the Way and Wandering on the Way: Early Taoist Tales and Parables of Chuang Tzu . "Through a densely annotated translation of the entire Confucian canon and two seminal Daoist texts, James Legge is the single most important individual in making the historical classics of Chinese history and philosophy known to English readership, and through it to the entire Western world. Norman Girardot's study, surpassing all previous efforts in chronicling the person and assessing Legge's legacy, is itself a monumental achievement in research, interpretation, and writing. The focalized discussion of the subject in terms of the scholar as missionary, the development of Sinological Orientalism, and the rise and growth of the Comparative Science of Religions or Religionswissenschaft provides unrivalled enormity of scope and depth of understanding. The Victorian Translation of China will remain a definitive work for decades to come."--Anthony C. Yu, author most recently of Rereading the Stone: Desire and the Making of Fiction in Dream of the Red Chamber .

What do werewolves, vampires, and the Little Mermaid have in common? They are all shapechangers. In "The Beastly Bride," acclaimed editors Ellen Datlow and Terri Windling bring together original stories and poems from a stellar lineup of authors including Peter S. Beagle, Ellen Kushner, Jane Yolen, Lucius Shepard, and Tanith Lee, as well as many new, diverse voices. Terri Windling provides a scholarly, yet accessible introduction, and Charles Vesss decorations open each story. From Finland to India, the Pacific Northwest to the Hamptons, shapechangers are part of our magical landscapeand "The Beastly Bride" is sure to be one of the most acclaimed anthologies of the year.words : 137505

In this extraordinary novel of mischief and menace, we see a young man's very self vanishing before his eyes—from the winner of the PEN/Malamud Award and “one of our most gifted writers” ( Chicago Tribune ) "Entirely original.... So craftily construcyed that to appreciate how liberally Baxter plants creepy hints of what's to come a reader should really savor this book twice." — The Washington Post As a graduate student in upstate New York, Nathaniel Mason is drawn into a tangle of relationships with people who seem to hover just beyond his grasp. There's Theresa, alluring but elusive, and Jamie, who is fickle if not wholly unavailable. But Jerome Coolberg is the most mysterious and compelling. Not only cryptic about himself, he seems also to have appropriated parts of Nathaniel's past that Nathaniel cannot remember having told him about.

The recent uproar over NSA dataveillance can obscure the fact that surveillance has been part of our lives for decades. And cinema has long been aware of its power—and potential for abuse. In Closed Circuits , Garrett Stewart analyzes a broad spectrum of films, from M and Rear Window through The Conversation to Déjà Vu , Source Code , and The Bourne Legacy , in which cinema has articulated—and performed—the drama of inspection’s unreturned look. While mainstays of the thriller, both the act and the technology of surveillance, Stewart argues, speak to something more foundational in the very work of cinema. The shared axis of montage and espionage—with editing designed to draw us in and make us forget the omnipresence of the narrative camera—extends to larger questions about the politics of an oversight regime that is increasingly remote and robotic. To such a global technopticon, one telltale response is a proliferating mode of digitally enhanced “surveillancinema.” **

"The first comprehensive study of the process of desegregation as it unfolded during the twentieth century at the flagship universities and white land-grant institutions of the south."--Amy Thompson McCandless, College of Charleston "Broadens the discussion of the civil rights movement to include academic spaces as sites of struggle and contributes to southern history by providing unique accounts of black agency during the dismantling of the Jim Crow South."-- Stephanie Y. Evans, University of Florida Nowhere else can one read about how Brown v. Board of Education transformed higher education on campus after campus, in state after state, across the South. And no other book details the continuing struggle to change each school in the years that followed the enrollment of the first African American students. Institutions of higher education long functioned as bastions of white supremacy and black exclusion. Against the walls of Jim Crow and the powers of state laws, black southerners--prospective students, their parents and families, their lawyers and their communities--struggled to gain access and equity. Higher Education and the Civil Rights Movement examines an understudied aspect of racial history, revealing desegregation to be a process, not an event. **

You are girlish, our images tell us. You are plastic. Girlhood and the Plastic Image explains how, revealing the increasing girlishness of contemporary media. The figure of the girl has long been prized for its mutability, for the assumed instability and flexibility of the not-yet-woman. The plasticity of girlish identity has met its match in the plastic world of digital art and cinema. A richly satisfying interdisciplinary study showing girlish transformation to be a widespread condition of mediation, Girlhood and the Plastic Image explores how and why our images promise us the adaptability of youth. This original and engaging study will appeal to a broad interdisciplinary audience including scholars of media studies, film studies, art history, and women’s studies. ** You are girlish, our images tell us. You are plastic. Girlhood and the Plastic Image explains how, revealing the increasing girlishness of contemporary media. The figure of the girl has long been prized for its mutability, for the assumed instability and flexibility of the not-yet-woman. The plasticity of girlish identity has met its match in the plastic world of digital art and cinema. A richly satisfying interdisciplinary study showing girlish transformation to be a widespread condition of mediation, Girlhood and the Plastic Image explores how and why our images promise us the adaptability of youth. This original and engaging study will appeal to a broad interdisciplinary audience including scholars of media studies, film studies, art history, and women's studies. **

We live in a time when the most appalling social injustices and unjust human sufferings no longer seem to generate the moral indignation and the political will needed both to combat them effectively and to create a more just and fair society. If God Were a Human Rights Activist aims to strengthen the organization and the determination of all those who have not given up the struggle for a better society, and specifically those that have done so under the banner of human rights. It discusses the challenges to human rights arising from religious movements and political theologies that claim the presence of religion in the public sphere. Increasingly globalized, such movements and the theologies sustaining them promote discourses of human dignity that rival, and often contradict, the one underlying secular human rights. Conventional or hegemonic human rights thinking lacks the necessary theoretical and analytical tools to position itself in relation to such movements and theologies; even worse, it does not understand the importance of doing so. It applies the same abstract recipe across the board, hoping that thereby the nature of alternative discourses and ideologies will be reduced to local specificities with no impact on the universal canon of human rights. As this strategy proves increasingly lacking, this book aims to demonstrate that only a counter-hegemonic conception of human rights can adequately face such challenges. ** Review "Santos's task is to point to a 'counterhegemonic' conception of human rights, the grounds for which he finds in progressive theologies that, he posits, exist ' with certain nuances' in all major religions . . . [H]is challenges are worth confronting, and the intellectual journey he provides is worth taking . . . Recommended."—W.F. Schulz, CHOICE "Boaventura de Sousa Santos is one of the most influential critical thinkers of our times. God may not be a human rights activist, but many religious and believing people are also at the forefront of the struggle for human dignity and emancipation. However, their conception of human rights is counter-hegemonic , distinct from the established Western modern version, and sometimes, as in Liberation theology, inspired by a radical anti-capitalist perspective. Our understanding of human rights is profoundly expanded and enriched by Santos' remarkable new book."—Michael Löwy, Emeritus Research Director, Centre National de la Recherche Scientifique, Paris "This tantalizingly-named book challenges readers to view human rights from the perspective of 'God' and to ask whether human rights derive from 'God.' We are all invited to follow Boaventura de Sousa Santos as he expertly explores this perspective and urges readers to consider future possibilities for human rights."—Mogobe Bernard Ramose, University of South Africa "Using his characteristic irony, erudition, and wit, Santos argues that western notions of human 'rights' are meant to espouse the dignity of humankind, yet they are also being advanced for the facilitation of imperialism and the proliferation of misery. Through an appeal to secularism, these notions of human rights render themselves incapable of responding to the lived realities of peoples of the global south—those left in the abyssal realm of imperial damnation. A must-read for those interested in the question of human rights and the complicated task of building law beyond its current, dominating and degrading paradigms."—Lewis Gordon, Professor, University of Connecticut, author of What Fanon Said: A Philosophical Introduction to His Life and Thought About the Author Boaventura de Sousa Santos is Emeritus Professor of Sociology at the School of Economics, University of Coimbra (Portugal), Distinguished Legal Scholar at the University of Wisconsin-Madison Law School. He has published widely on globalization, sociology of law and the state, epistemology, democracy, and human rights in Portuguese, Spanish, English, Italian, French, German, and Chinese.

As a graduate student in upstate New York, Nathaniel Mason is drawn into a tangle of relationships with people who seem to hover just beyond his grasp. There's Theresa, alluring but elusive, and Jamie, who is fickle if not wholly unavailable. But Jerome Coolberg is the most mysterious and compelling. Not only cryptic about himself, he seems also to have appropriated parts of Nathaniel's past that Nathaniel cannot remember having told him about. In this extraordinary novel of mischief and menace, we see a young man's very self vanishing before his eyes.—from the winner of the PEN/Malamud Award and “one of our most gifted writers” (Chicago Tribune)"Entirely original.... So craftily constructed that to appreciate how liberally Baxter plants creepy hints of what's to come a reader should really savor this book twice." —The Washington PostAs a graduate student in upstate New York, Nathaniel Mason is drawn into a tangle of relationships with people who seem to hover just beyond his grasp. There's Theresa, alluring but elusive, and Jamie, who is fickle if not wholly unavailable. But Jerome Coolberg is the most mysterious and compelling. Not only cryptic about himself, he seems also to have appropriated parts of Nathaniel's past that Nathaniel cannot remember having told him about.

Nineteenth-Century British Secularism offers a new paradigm for understanding secularization in the nineteenth century. It addresses the crisis in the secularization thesis by foregrounding a nineteenth-century development called 'Secularism' – the particular movement and creed founded by George Jacob Holyoake from 1851 to 1852. Nineteenth-Century British Secularism rethinks and reevaluates the significance of Holyoake's Secularism, regarding it as a historic moment of modernity and granting it centrality as both a herald and exemplar for a new understanding of modern secularity. In addition to Secularism proper, the book treats several other moments of secular emergence in the nineteenth century, including Thomas Carlyle's 'natural supernaturalism', Richard Carlile's anti-theist science advocacy, Charles Lyell's uniformity principle in geology, Francis Newman's naturalized religion or 'primitive Christianity', and George Eliot's secularism and post-secularism. ** Social History History Philosophy Religion Europe Great Britain History & Surveys Science Modern General Religion; Politics & State

Well-researched analysis of the impact that Spain and Spanish America had on antebellum literature in the United States. In Hispanicism and Early US Literature , author John C. Havard posits that representations of Spain, Spanish America, Spanishness, and Spanish Americanness are integral elements in the evolution of early national and antebellum US literature. He argues that Spanish-speaking countries have long held a broad fascination for Americans and that stock narratives regarding these peoples were central to the period’s US literature. Beginning with the work of eighteenth-century literary nationalists such as Joel Barlow, US literature has been drawn to reflect on Spain and Spanish America. Such reflection was often inspired by geopolitical conflicts such as US expansion into Spanish Louisiana and the US-Mexican War. Havard terms the discourse emerging from these reflections “Hispanicism.” This discourse was used to portray the dominant viewpoint of classical liberalism that propounded an American exceptionalism premised on the idea that Hispanophone peoples were comparatively lacking the capacity for self-determination, hence rationalizing imperialism. On the conservative side were warnings against progress through conquest. Havard delves into selected works of early national and antebellum literature on Spain and Spanish America to illuminate US national identity. Poetry and novels by Joel Barlow, James Fenimore Cooper, and Herman Melville are mined to further his arguments regarding identity, liberalism, and conservatism. Understudied authors Mary Peabody Mann and José Antonio Saco are held up to contrast American and Cuban views on Hispanicism and Cuban annexation as well as to develop the focus on nationality and ideology via differences in views on liberalism. More than just a work of literary criticism, there is a substantial amount of cultural and political history discussed. Havard’s use of archival sources such as political articles and personal correspondence elucidates not just literary genres and movements such as early national epic poetry, abolitionist fiction, and the American Renaissance, but also US culture writ large. ** Americas History Mexico Fiction & Literature Nonfiction American Literary Theory & Criticism Contents 6 Acknowledgments 8 Introduction 12 Part I. The Black Legend, Hispanicism, and the Emergence of National Identity in the Early United States 46 1. Joel Barlow’s The Vision of Columbus and The Columbiad: US National Identity and Spain 48 2. James Fenimore Cooper’s Mercedes of Castile and Jack Tier: Realism and Hispanicism 75 3. Herman Melville’s “Benito Cereno” as Critique of Hispanicist Exceptionalism: Cosmopolitanism and Ironizing Identity 105 Part II. Hispanicism and the Case of Cuba 128 4. Mary Peabody Mann’s Juanita: Cuba and US National Identity 130 5. José Antonio Saco’s Antiannexationist Essays: Cuba, Hispanicism, and National Identity 158 Epilogue: The Hispanicist Forebears of 1898 176 Notes 198 Works Cited 204 Index 218

You are girlish, our images tell us. You are plastic. Girlhood and the Plastic Image explains how, revealing the increasing girlishness of contemporary media. The figure of the girl has long been prized for its mutability, for the assumed instability and flexibility of the not-yet-woman. The plasticity of girlish identity has met its match in the plastic world of digital art and cinema. A richly satisfying interdisciplinary study showing girlish transformation to be a widespread condition of mediation, Girlhood and the Plastic Image explores how and why our images promise us the adaptability of youth. This original and engaging study will appeal to a broad interdisciplinary audience including scholars of media studies, film studies, art history, and women’s studies. ** You are girlish, our images tell us. You are plastic. Girlhood and the Plastic Image explains how, revealing the increasing girlishness of contemporary media. The figure of the girl has long been prized for its mutability, for the assumed instability and flexibility of the not-yet-woman. The plasticity of girlish identity has met its match in the plastic world of digital art and cinema. A richly satisfying interdisciplinary study showing girlish transformation to be a widespread condition of mediation, Girlhood and the Plastic Image explores how and why our images promise us the adaptability of youth. This original and engaging study will appeal to a broad interdisciplinary audience including scholars of media studies, film studies, art history, and women's studies. **

"Theatricality in Early Modern Art and Architecture offers the first systematic investigation of exchanges between the arts, architecture and the theatre. The authors present many new instances of the interaction between the arts, providing a theoretical and historiographical context for these interactions. Offers the first systematic investigation of exchanges between the arts, architecture and the theatre, not simply the influence of the theatre on the arts, and vice versa Develops a theoretical and methodological model to study such exchanges and interactions Presents many new, hitherto unknown instances of the interaction between the arts, particularly architecture, and the theatre, and provides such interactions with a theoretical and historiographical context Authors have opened up new ways of analyzing theatricality both in the arts, architecture and the theatre"-- "Interactions between the visual arts and the theatre are not simply a matter of exchanges of media or genres. They affect the way a play, painting or statue is viewed, the media, genres and arts involved, and the characters on stage or represented in painting or sculpture. These interactions raise questions about the ways genres are distinguished and defined, and ultimately the relation between representation and presence. This book offers the first systematic investigation of exchanges between the arts, architecture and the theatre, and not just an overview of the influence of the theatre on the arts, and vice versa. The authors take as their starting point a study of the implications of the use of four elements that define early modern theatre: the scenario, the actor, the theatrical space, and the audience. In doing so, the authors open up new ways of analyzing theatricality both in the arts, architecture and the theatre. They also present many new, hitherto unknown instances of the interaction between the arts, and provide these interactions with a theoretical and historiographical context"--