## Abstract
Since colonial times, the sense of encountering an unseen, transcendental Presence within the natural world has been a characteristic motif in American literature and culture. In this book, the author suggests that the religious import of environmental literature has yet to be fully recognized or understood. Whatever their theology, American writers have perennially construed the nonhuman world to be a source, in Rachel Carson’s words, of “something that takes us out of ourselves.”
Reflecting recent practice of “ecocriticism,” Making Nature Sacred explores how the quest for natural revelation has been pursued through successive phases of American literary and intellectual history. And it shows how the imaginative challenge of “reading” landscapes has been influenced by biblical hermeneutics. Though focused on adaptations of Judeo-Christian tradition that view nature as religiously iconic, it also samples Native American, African American, and Buddhist forms of ecospirituality. It begins with Colonial New England writers such Anne Bradstreet and Jonathan Edwards, re-examines pivotal figures such as Henry Thoreau and John Muir, and takes account of writings by Mary Austin, Rachel Carson, and many others along the way. The book concludes with an assessment of the “spiritual renaissance” underway in current environmental writing. Such writing is represented by prose writers such as Wendell Berry, Annie Dillard, John Cheever, Marilynne Robinson, Peter Matthiessen, and Barry Lopez; and by noteworthy poets including Patiann Rogers, Wendell Berry, Gary Snyder, Mary Oliver, and Denise Levertov. American writers testify overall that our ecological predicament must be understood not merely as a technical challenge, but as a genuine crisis of spirit and imagination.
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