nexusstc/Dynastic Deeds: Hunt scenes in the funerary imagery of the Achaemenid Eastern Mediterranean/44fc268878ee157b73d94805f7f9bc82.pdf
Dynastic deeds : hunt scenes in the funerary imagery of the Achaemenid Eastern Mediterranean 🔍
Poggio, Alessandro
University of Michigan Press, BAR British Archaeological Reports International Series 2974, 2020
英语 [en] · PDF · 9.8MB · 2020 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
描述
This study adopts a transregional approach that focuses on connectivity dynamics in order to present a wider picture of artistic, cultural and political phenomena in the Mediterranean. It examines dynastic funerary art at the end of the fifth century and in the fourth century BC by focusing - through a wide range of evidence - on what funerary images can reveal about the societies that produced them. It analyses renowned dynastic tombs from south-western Anatolia (present-day Turkey) such as the Mausoleum of Halicarnassus and the Nereid Monument of Xanthos, but also from Phoenicia (present-day Lebanon). A common element among the similarities displayed by these tombs is the nearly constant presence of the multiple-quarry hunt iconography, which consists of prey from different species depicted in one figurative programme. The Eastern Mediterranean under Persian Achaemenid rule is portrayed as an interconnected cultural and political area with specific features instead of merely being an area between the Greek and Persian worlds.
备用文件名
lgli/Dynastic Deeds_ Hunt scenes in the funerary imagery of the Achaemenid Eastern Mediterranean (10.30861_9781407356389).pdf
备用文件名
lgrsnf/Dynastic Deeds_ Hunt scenes in the funerary imagery of the Achaemenid Eastern Mediterranean (10.30861_9781407356389).pdf
备用文件名
zlib/no-category/Alessandro Poggio/Dynastic Deeds: Hunt scenes in the funerary imagery of the Achaemenid Eastern Mediterranean_24993363.pdf
备选作者
Alessandro Poggio
备用出版商
British Archaeological Reports Limited; British Archaeological Reports (Oxford) Ltd
备用出版商
BAR Publishing
备用出版商
Hadrian Books
备用版本
BAR. International series, 2974, Oxford, 2020
备用版本
United Kingdom and Ireland, United Kingdom
元数据中的注释
{"isbns":["1407354663","1407356380","9781407354668","9781407356389"],"publisher":"BAR Publishing","series":"BAR British Archaeological Reports International Series 2974"}
备用描述
Cover
Title page
Copyright page
Of Related Interest
Acknowledgments
Table of contents
List of Illustrations
Introduction
The hunt and power
A new transregional approach
The visual evidence under examination
Circulation of materials, people, and ideas
The multiple-quarry hunt: status quaestionis
Visual evidence: transmediality
Literary sources
Methodological reference studies
Socio-political issues
Outline of chapters
1. Historical and Artistic Background
1.1. The Eastern Mediterranean under Persian rule
1.2. The Eastern Mediterranean as an interconnected area
1.3. “Graeco-Persian” art and culture
2. Dynastic Tombs and Artistic Phenomena
2.1. A regional survey
2.1.1. Caria
2.1.2. Lycia
2.1.3. Phoenicia
2.2. A comparative analysis of dynastic tombs
2.2.1. Topography and display
2.2.2. The figurative programmes
2.3. Artistic phenomena under the dynasts
2.3.1. Circulation and mobility
2.3.2. Workshop practices
2.4. Conclusion
3. The Multiple-Quarry Hunt: History of an Iconography
3.1. The Eastern Mediterranean and the Near East before the Persian Empire
3.1.1. The Syro-Anatolian area
3.1.2. The Assyrians
3.1.3. The Levant and Cyprus
3.2. The multiple-quarry hunt in Persia
3.3. The multiple-quarry hunt in the Greek world
3.4. Conclusion
4. Images of Multiple-Quarry Hunts in the Eastern Mediterranean
4.1. The hunt and dynastic ideology in the Eastern Mediterranean
4.2. The iconography of the multiple-quarry hunt
4.2.1. Dynastic funerary monuments
4.2.2. Further sculptural evidence from western Anatolia
4.2.3. A typological appraisal
4.2.4. The contribution of glyptic: the Graeco-Persian tabloid seals
4.3. The iconology of multiple-quarry hunts
4.3.1. Sequence of prey
4.3.2. Hunting techniques
4.3.3. The bear hunt
4.3.4. Mythological hunts
4.3.5. Geography
4.3.6. Timeframe
4.4. Conclusion
5. The Hunt as Mirror of Social Structure
5.1. Number of participants
5.1.1. Hunting scenes
5.1.2. Preparation and return scenes
5.2. Main hunters
5.2.1. The dynast
5.2.2. The dynast’s family
5.3. Hunting and hierarchies: the dynast’s retinue
5.3.1. Friends and dignitaries
5.3.2. Servants
5.4. Horses
5.5. Hunt participants in action: accidents
5.6. Conclusion
6. Conclusion: Hunting, Politics, and Tradition
6.1. Competition
6.2. Spread
Bibliography
Index of Passages
Inscriptions
Coins
General Index
Title page
Copyright page
Of Related Interest
Acknowledgments
Table of contents
List of Illustrations
Introduction
The hunt and power
A new transregional approach
The visual evidence under examination
Circulation of materials, people, and ideas
The multiple-quarry hunt: status quaestionis
Visual evidence: transmediality
Literary sources
Methodological reference studies
Socio-political issues
Outline of chapters
1. Historical and Artistic Background
1.1. The Eastern Mediterranean under Persian rule
1.2. The Eastern Mediterranean as an interconnected area
1.3. “Graeco-Persian” art and culture
2. Dynastic Tombs and Artistic Phenomena
2.1. A regional survey
2.1.1. Caria
2.1.2. Lycia
2.1.3. Phoenicia
2.2. A comparative analysis of dynastic tombs
2.2.1. Topography and display
2.2.2. The figurative programmes
2.3. Artistic phenomena under the dynasts
2.3.1. Circulation and mobility
2.3.2. Workshop practices
2.4. Conclusion
3. The Multiple-Quarry Hunt: History of an Iconography
3.1. The Eastern Mediterranean and the Near East before the Persian Empire
3.1.1. The Syro-Anatolian area
3.1.2. The Assyrians
3.1.3. The Levant and Cyprus
3.2. The multiple-quarry hunt in Persia
3.3. The multiple-quarry hunt in the Greek world
3.4. Conclusion
4. Images of Multiple-Quarry Hunts in the Eastern Mediterranean
4.1. The hunt and dynastic ideology in the Eastern Mediterranean
4.2. The iconography of the multiple-quarry hunt
4.2.1. Dynastic funerary monuments
4.2.2. Further sculptural evidence from western Anatolia
4.2.3. A typological appraisal
4.2.4. The contribution of glyptic: the Graeco-Persian tabloid seals
4.3. The iconology of multiple-quarry hunts
4.3.1. Sequence of prey
4.3.2. Hunting techniques
4.3.3. The bear hunt
4.3.4. Mythological hunts
4.3.5. Geography
4.3.6. Timeframe
4.4. Conclusion
5. The Hunt as Mirror of Social Structure
5.1. Number of participants
5.1.1. Hunting scenes
5.1.2. Preparation and return scenes
5.2. Main hunters
5.2.1. The dynast
5.2.2. The dynast’s family
5.3. Hunting and hierarchies: the dynast’s retinue
5.3.1. Friends and dignitaries
5.3.2. Servants
5.4. Horses
5.5. Hunt participants in action: accidents
5.6. Conclusion
6. Conclusion: Hunting, Politics, and Tradition
6.1. Competition
6.2. Spread
Bibliography
Index of Passages
Inscriptions
Coins
General Index
备用描述
This Book Analyses The Imagery Of Hunt On Renowned Dynastic Tombs From The Eastern Mediterranean Under Persian Achaemenid Rule, Such As The Mausoleum Of Halicarnassus. This Study Adopts A Transregional Approach That Focuses On Connectivity Dynamics In Order To Get A Wider Picture Of Artistic, Cultural And Political Phenomena In The Mediterranean.
开源日期
2023-05-04
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