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结果集 1-50(总计 52+)
nexusstc/Classical Hollywood Film Cycles/14588034b535ea1113bf93d075f82dc1.pdf
Classical Hollywood Film Cycles (Routledge Advances in Film Studies) Zoë Wallin Routledge, an imprint of the Taylor & Francis Group, Routledge Advances in Film Studies, 1, 2019
This book explores the ways in which Hollywood film cycles from the 1930s to the 1960s were shaped by their surrounding industrial contexts and market environments, to build an inclusive conception of the form, operation, and function of film cycles. By foregrounding patterns of distribution, spaces of exhibition, and modes of consumption as key components of the form and mechanics of cycles, this book develops a methodology for defining cycles based on an analysis of the industry and trade discourse. Applying her unique framework to six case studies of different cycles, Zoe Wallin blends a wide range of historical sources to analyze the many cultural, social, political, aesthetic, and industrial contexts relevant to these films. This book makes an important contribution to the literature in the area of film historiography, and will be of interest to any scholars of film studies, history and media studies.
更多信息……
英语 [en] · PDF · 9.3MB · 2019 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
base score: 11065.0, final score: 17483.51
lgli/R:\!fiction\0day\05-19-2012 Part 1\Carl Hiaasen - Team Rodent- How Disney Devours the World (epub).epub
Team Rodent: How Disney Devours the World (Library of Contemporary Thought) Hiaasen, Carl Random House Publishing Group, Penguin Random House LLC, New York, 1998
"Disney is so good at being good that it manifests an evil; so uniformly efficient and courteous, so dependably clean and conscientious, so unfailingly entertaining that it's unreal, and therefore is an agent of pure wickedness. . . . Disney isn't in the business of exploiting Nature so much as striving to improve upon it, constantly fine-tuning God's work." --from TEAM RODENT TEAM RODENT How Disney Devours America "Revulsion is good. Revulsion is healthy. Each of us has limits, unarticulated boundaries of taste and tolerance, and sometimes we forget where they are. Peep Land is here to remind us; a fixed compass point by which we can govern our private behavior. Because being grossed out is essential to the human experience; without a perceived depravity, we'd have nothing against which to gauge the advance or decline of culture; our art, our music, our cinema, our books. Without sleaze, the yardstick shrinks at both ends. Team Rodent doesn't believe in sleaze, however, nor in old-fashioned revulsion. Square in the middle is where it wants us all to be, dependable consumers with predictable attitudes. The message, never stated but avuncularly implied, is that America's values ought to reflect those of the Walt Disney Company, and not the other way around." BONUS: This edition includes an excerpt from Carl Hiaasen's Bad Monkey.
更多信息……
英语 [en] · EPUB · 1.9MB · 1998 · 📘 非小说类图书 · 🚀/lgli/lgrs/zlib · Save
base score: 11065.0, final score: 17482.908
upload/degruyter/DeGruyter Partners/University of California Press [RETAIL]/10.1525_9780520340527.pdf
Hollywood : Mecca of the Movies Cendrars, Blaise ;Guérin, Jean ;White, Garrett (editor) University of California Press, Reprint 2019, 1995 dec 31
Blaise Cendrars, one of twentieth-century France's most gifted men of letters, came to Hollywood in 1936 for the newspaper __Paris-Soir__. Already a well-known poet, Cendrars was a celebrity journalist whose perceptive dispatches from the American dream factory captivated millions. These articles were later published as __Hollywood: Mecca of the Movies__, which has since appeared in many languages. Remarkably, this is its first translation into English. Hollywood in 1936 was crowded with stars, moguls, directors, scouts, and script girls. Though no stranger to filmmaking (he had worked with director Abel Gance), Cendrars was spurned by the industry greats with whom he sought to hobnob. His response was to __invent__ a wildly funny Hollywood of his own, embellishing his adventures and mixing them with black humor, star anecdotes, and wry social commentary. Part diary, part tall tale, this book records Cendrars's experiences on Hollywood's streets and at its studios and hottest clubs. His impressions of the town's drifters, star-crazed sailors, and undiscovered talent are recounted in a personal, conversational style that anticipates the "new journalism" of writers such as Tom Wolfe. Perfectly complemented by his friend Jean Guérin's witty drawings, and following the tradition of European travel writing, Cendrars's "little book about Hollywood" offers an astute, entertaining look at 1930s America as reflected in its unique movie mecca.
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英语 [en] · PDF · 11.2MB · 1995 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
base score: 11065.0, final score: 17482.838
lgli/R:\0day\ger3\2013-11ok\[english] Hiaasen, Carl - Team Rodent. How Disney Devours the World.epub
Team Rodent: How Disney Devours the World (Library of Contemporary Thought) Hiaasen, Carl Ballantine Books, 2013
"Disney is so good at being good that it manifests an evil; so uniformly efficient and courteous, so dependably clean and conscientious, so unfailingly entertaining that it's unreal, and therefore is an agent of pure wickedness. . . . Disney isn't in the business of exploiting Nature so much as striving to improve upon it, constantly fine-tuning God's work." --from TEAM RODENT TEAM RODENT How Disney Devours America "Revulsion is good. Revulsion is healthy. Each of us has limits, unarticulated boundaries of taste and tolerance, and sometimes we forget where they are. Peep Land is here to remind us; a fixed compass point by which we can govern our private behavior. Because being grossed out is essential to the human experience; without a perceived depravity, we'd have nothing against which to gauge the advance or decline of culture; our art, our music, our cinema, our books. Without sleaze, the yardstick shrinks at both ends. Team Rodent doesn't believe in sleaze, however, nor in old-fashioned revulsion. Square in the middle is where it wants us all to be, dependable consumers with predictable attitudes. The message, never stated but avuncularly implied, is that America's values ought to reflect those of the Walt Disney Company, and not the other way around." BONUS: This edition includes an excerpt from Carl Hiaasen's Bad Monkey.
更多信息……
英语 [en] · 德语 [de] · EPUB · 0.2MB · 2013 · 📘 非小说类图书 · 🚀/lgli/lgrs/zlib · Save
base score: 11055.0, final score: 17482.838
upload/newsarch_ebooks/2018/09/08/9781442201446-The Mouse that Roared.epub
The Mouse That Roared : Disney and the End of Innocence Henry A. Giroux and Grace Pollock Rowman & Littlefield Publishers, Incorporated, 2018
How are children—and their parents—affected by the world's most influential corporation? Henry A. Giroux explores the surprisingly diverse ways in which Disney, while hiding behind a cloak of innocence and entertainment, strives to dominate global media and shape the desires, needs, and futures of today's children.
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英语 [en] · EPUB · 4.0MB · 2018 · 📗 未知类型的图书 · 🚀/upload/zlib · Save
base score: 11068.0, final score: 17481.662
upload/degruyter/DeGruyter Partners/University of California Press [RETAIL]/10.1525_9780520975132.pdf
Road Trip to Nowhere : Hollywood Encounters the Counterculture Jon Lewis, 1955- University of California Press, University of California Press, Oakland, California, 2022
**How a new generation of counterculture talent changed the landscape of Hollywood, the film industry, and celebrity culture.** By 1967, the commercial and political impact on Hollywood of the sixties counterculture had become impossible to ignore. The studios were in bad shape, still contending with a generation-long box office slump and struggling to get young people into the habit of going to the movies. __Road Trip to Nowhere__ examines a ten-year span (from 1967 to 1976) rife with uneasy encounters between artists caught up in the counterculture and a corporate establishment still clinging to a studio system on the brink of collapse. Out of this tumultuous period many among the young and talented walked away from celebrity, turning down the best job Hollywood—and America—had on offer: movie star. __Road Trip to Nowhere__ elaborates a primary-sourced history of movie production culture, examining the lives of a number of talented actors who got wrapped up in the politics and lifestyles of the counterculture. Thoroughly put off by celebrity culture, actors like Dennis Hopper, Christopher Jones, Jean Seberg, and others rejected the aspirational backstory and inevitable material trappings of success, much to the chagrin of the studios and directors who backed them. In __Road Trip to Nowhere__, film historian Jon Lewis details dramatic encounters on movie sets and in corporate boardrooms, on the job and on the streets, and in doing so offers an entertaining and rigorous historical account of an out-of-touch Hollywood establishment and the counterculture workforce they would never come to understand.
更多信息……
英语 [en] · PDF · 5.4MB · 2022 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
base score: 11065.0, final score: 17481.662
ia/teamrodenthowdis0000hiaa.pdf
Team Rodent : How Disney Devours the World Carl Hiaasen Ballantine Books, Penguin Random House LLC, New York, 1998
'Disney is so good at being good that it manifests an evil; so uniformly efficient and courteous, so dependably clean and conscientious, so unfailingly entertaining that it's unreal, and therefore is an agent of pure wickedness.... Disney isn't in the business of exploiting Nature so much as striving to improve upon it, constantly fine-tuning God's work.'--from TEAM RODENTTEAM RODENTHow Disney Devours America'Revulsion is good. Revulsion is healthy. Each of us has limits, unarticulated boundaries of taste and tolerance, and sometimes we forget where they are. Peep Land is here to remind us; a fixed compass point by which we can govern our private behavior. Because being grossed out is essential to the human experience; without a perceived depravity, we'd have nothing against which to gauge the advance or decline of culture; our art, our music, our cinema, our books. Without sleaze, the yardstick shrinks at both ends. Team Rodent doesn't believe in sleaze, however, nor in old-fashioned revulsion. Square in the middle is where it wants us all to be, dependable consumers with predictable attitudes. The message, never stated but avuncularly implied, is that America's values ought to reflect those of the Walt Disney Company, and not the other way around.'BONUS: This edition includes an excerpt from Carl Hiaasen's Bad Monkey.
更多信息……
英语 [en] · PDF · 2.6MB · 1998 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17481.205
upload/bibliotik/W/Warner Bros. - Steven Bingen.epub
Warner Bros. : Hollywood's Ultimate Backlot Bingen, Steven;Wanamaker, Marc(Photographs) Taylor Trade Publishing, Rowman & Littlefield Publishing, Lanham, Maryland, 2014
Movie studios are the wondrous, almost magical locales where not just films, but legends, are created. Unfortunately, these celebrity playgrounds are, and always have been, largely hidden from public view. Although some movie studios offer tours, few guests from outside the Hollywood community have ever been witness to the artistry, politics, and scandals that routinely go on behind the soundstage walls and away from the carefully orchestrated scenes visible to them from their tram carts. In this book, studio staff historian and Hollywood insider Steven Bingen throws open Hollywood's iron gates and takes you inside the greatest and yet most mysterious movie studio of them all: Warner Bros. Long home to the world's biggest stars and most memorable films and television shows, the Warner Bros. Studio lot functions as a small city and is even more fascinating, glamorous, and outrageous than any of the stars or movies that it has been routinely minting for more than ninety years. Accompanied by stunning behind-the-scenes photos and maps, and including a revealing backstory, this book is your ticket to a previously veiled Hollywood paradise.
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英语 [en] · EPUB · 46.1MB · 2014 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
base score: 11065.0, final score: 17481.143
ia/isbn_9780230340077.pdf
The Disney Middle Ages: A Fairy-Tale and Fantasy Past (The New Middle Ages) edited by Tison Pugh, Susan Aronstein Palgrave Macmillan US, Springer Nature, New York, 2012
For many, the middle ages depicted in Walt Disney movies have come to figure as the middle ages, forming the earliest visions of the medieval past for much of the contemporary Western (and increasingly Eastern) imagination. The essayists of The Disney Middle Ages explore Disney's mediation and re-creation of a fairy-tale and fantasy past, not to lament its exploitation of the middle ages for corporate ends, but to examine how and why these medieval visions prove so readily adaptable to themed entertainments many centuries after their creation. What results is a scrupulous and comprehensive examination of the intersection between the products of the Disney Corporation and popular culture's fascination with the middle ages. Erscheinungsdatum: 28.11.2012
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英语 [en] · PDF · 16.0MB · 2012 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17481.143
upload/degruyter/DeGruyter Partners/Rutgers University Press [NORETAIL]/10.36019_9780813583341_mg.pdf
Disney Culture (Quick Takes: Movies and Popular Culture) Wills, John Rutgers University Press, Quick Takes: Movies and Popular Culture, 2019
Over the past century, Disney has grown from a small American animation studio into a multipronged global media giant. Today, the company’s annual revenue exceeds the GDP of over 100 countries, and its portfolio has grown to include Pixar, Marvel, Lucasfilm, ABC, and ESPN. With a company so diversified, is it still possible to identify a coherent Disney vision or message? __Disney Culture__ proposes that there is still a unifying Disney ethos, one that can be traced back to the corporate philosophy that Walt Disney himself developed back in the 1920s. Yet, as cultural historian John Wills demonstrates, Disney’s values have also adapted to changing social climates. At the same time, the world of Disney has profoundly shaped how Americans view the world. Wills offers a nuanced take on the corporate ideologies running through animated and live-action Disney movies from __Frozen__ to __Fantasia__, from __Mary Poppins__ to S__tar Wars: The Force Awakens__. But __Disney Culture__ encompasses much more than just movies as it explores the intersections between Disney’s business practices and its cultural mythmaking. Welcome to “the Disney Way.”
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英语 [en] · PDF · 1.0MB · 2019 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
base score: 11060.0, final score: 17480.723
upload/trantor/en/Capodagli, Bill/The Disney Way Harnessing the Management Secrets 2007.epub
The Disney Way Harnessing the Management Secrets 2007 Capodagli, Bill, Jackson, Lynn McGraw-Hill School Education Group, 1998
"So useful you may whistle while you work"- "Fortune"The original edition of "The Disney Way" was awarded a coveted "Best Business Book of the Year" by Fortune magazine. The world's foremost experts on Disney, Bill Capodagli and Lynn Jackson revealed Walt's secret success formula that propelled his company into the highest echelon of business, creativity, innovation, and success.Now this fully revised edition profiles a new set of diverse organizations-from The Cheesecake Factory, Ernst and Young, and Four Seasons Hotels and Resorts, to Griffin Hospital, John Robert's Spa, and Men's Wearhouse-that have redefined their businesses by embracing The Disney Way. Walt's "dream, believe, dare, do" credo is a powerful foundation that will support any business, drive any team, and guide any leader to newfound levels of success."It was the Disney standard of imagination and engagement that inspired me so many years ago...Now, Bill and Lynn bring these ideals and practices into practical use, with something for any dreamer to use."-from the new foreword by John Christensen, coauthor of the bestselling book "FISH!""This book is about the real magic: Stimulating and harmonizing the collective energy of your people."-Ken Blanchard, bestselling author of "The One Minute Manager"words : 111061
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英语 [en] · EPUB · 2.2MB · 1998 · 📗 未知类型的图书 · 🚀/upload/zlib · Save
base score: 11068.0, final score: 17479.805
nexusstc/RKO Radio Pictures: A Titan Is Born/27166e390cddcce2e56bbe5abce73004.epub
RKO Radio Pictures : A Titan Is Born Richard B. Jewell University of California Press, University of California Press, Berkeley, 2012
One of the “Big Five” studios of Hollywood’s golden age, RKO is remembered today primarily for the famous films it produced, from King Kong and Citizen Kane to the Astaire-Rogers musicals. But its own story also provides a fascinating case study of film industry management during one of the most vexing periods in American social history. __RKO Radio Pictures: A Titan is Born__ offers a vivid history of a thirty-year roller coaster of unstable finances, management battles, and artistic gambles. Richard Jewell has used unparalleled access to studio documents generally unavailable to scholars to produce the first business history of RKO, exploring its decision-making processes and illuminating the complex interplay between art and commerce during the heyday of the studio system. Behind the blockbuster films and the glamorous stars, the story of RKO often contained more drama than any of the movies it ever produced.<DIV>
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英语 [en] · EPUB · 2.9MB · 2012 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
base score: 11065.0, final score: 17479.473
nexusstc/Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling/7f3a36ac066f2a54421c6b26319b876c.pdf
Reinventing Hollywood : How 1940s Filmmakers Changed Movie Storytelling David Bordwell The University of Chicago Press, Illustrated, 1st American Edition, US, 2017
In the 1940s, American movies changed. Flashbacks began to be used in outrageous, unpredictable ways. Soundtracks flaunted voice-over commentary, and characters might pivot from a scene to address the viewer. Incidents were replayed from different characters’ viewpoints, and sometimes those versions proved to be false. Films now plunged viewers into characters’ memories, dreams, and hallucinations. Some films didn’t have protagonists, while others centered on anti-heroes or psychopaths. Women might be on the verge of madness, and neurotic heroes lurched into violent confrontations. Combining many of these ingredients, a new genre emerged—the psychological thriller, populated by women in peril and innocent bystanders targeted for death. If this sounds like today’s cinema, that’s because it is. In __Reinventing Hollywood,__ David Bordwell examines for the first time the full range and depth of trends that crystallized into traditions. He shows how the Christopher Nolans and Quentin Tarantinos of today owe an immense debt to the dynamic, occasionally delirious narrative experiments of the Forties. With verve and wit, Bordwell examines how a booming movie market during World War II allowed ambitious writers and directors to push narrative boundaries. Although those experiments are usually credited to the influence of __Citizen Kane__, Bordwell shows that similar impulses had begun in the late 1930s in radio, fiction, and theatre before migrating to film. And despite the postwar recession in the industry, the momentum for innovation continued. Some of the boldest films of the era came in the late forties and early fifties, as filmmakers sought to outdo their peers. Through in-depth analyses of films both famous and virtually unknown, from __Our Town__ and __All About Eve__ to __Swell Guy__ and __The Guilt of Janet Ames__, Bordwell assesses the era’s unique achievements and its legacy for future filmmakers. The result is a groundbreaking study of how Hollywood storytelling became a more complex art. __Reinventing Hollywood__ is essential reading for all lovers of popular cinema.
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英语 [en] · PDF · 5.4MB · 2017 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
base score: 11065.0, final score: 17479.473
ia/hollywoodontrial00free.pdf
Hollywood on trial: McCarthyism's war against the movies Freedland, Michael, 1934- London : Robson Books, London, England, 2007
<p>This is the true story of how J. Parnell Thomas, chairman of the UnAmerican Activities Committee made a national name for himself by ruining the lives of hundreds of people in the movie industry. Two years later, Thomas would be jailed for embezzling government money, but in August 1953 he was riding high. <i>Hollywood on Trial</i> relates the story of the victims of this witchhunt. Through the Committee many of Hollywood's leading lights were denied the right to work. Stars such as Charlie Chaplin and Paul Robeson were denied the passports that would have allowed them to leave America, Oscar-winning writers were forced to give their scripts to others to offer in their own names and then share the proceeds. Humphrey Bogart, Lauren Bacall, Danny Kaye, and John Huston went to Washington in defense of the "Hollywood Ten", the first writers to be blacklisted, yet when Bogart and Bacall were questioned, they too buckled. The humiliations continued until the end of the 1950s. The scars, however, have remained to this day.</p>
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英语 [en] · PDF · 24.1MB · 2007 · 📗 未知类型的图书 · 🚀/duxiu/ia · Save
base score: 11068.0, final score: 17479.473
upload/newsarch_ebooks/2018/09/04/1612190502.epub
The Hollywood economist : release 2.0 : the hidden financial reality behind the movies Epstein, Edward Jay Melville House : Turnaround [distributor, Reprint, 2012
A fully revised edition of the popular guide to Hollywood finances, updated to reflect even newer films and trends In a Freakonomics-meets-Hollywood saga, veteran investigative reporter Edward Jay Epstein goes undercover to explore Hollywood's "invisible money machine," probing the dazzlingly complicated finances behind the hits and flops, while he answers a surprisingly difficult question: How do the studiosmake their money' We also learn: + How and why the studios harvest silver from old film prints ... + Why stars do'or don't do'their own stunts ... + The future of Netflix: Why the "next big thing" now seems in such deep trouble ... + What it costs to insure Nicole Kidman's right knee + How Hollywood manipulates Wall Street: including the story of the acquisition of MGM wherein a consortium of banks and hedge funds lost some $5 billion while Hollywood made millions. + Why Arnold Schwarzenegger is considered a contract genius + The fate of serious fare: How HBO, AMC, and Showtime have found ways to make money offer adult drama, while the Hollywood studios prefer to cater to teen audiences. + Why Lara Croft: Tomb Raider is considered a "masterpiece" of financing ... From the Trade Paperback edition
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英语 [en] · EPUB · 3.8MB · 2012 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
base score: 11065.0, final score: 17479.473
upload/newsarch_ebooks/2021/10/03/0520271793.epub
RKO Radio Pictures : A Titan Is Born Richard B. Jewell University of California Press, University of California Press, Berkeley, 2012
One of the "Big Five" studios of Hollywood’s golden age, RKO is remembered today primarily for the famous films it produced, from King Kong and Citizen Kane to the Astaire-Rogers musicals. But its own story also provides a fascinating case study of film industry management during one of the most vexing periods in American social history. <i>RKO Radio Pictures: A Titan is Born </i>offers a vivid history of a thirty-year roller coaster of unstable finances, management battles, and artistic gambles. Richard Jewell has used unparalleled access to studio documents generally unavailable to scholars to produce the first business history of RKO, exploring its decision-making processes and illuminating the complex interplay between art and commerce during the heyday of the studio system. Behind the blockbuster films and the glamorous stars, the story of RKO often contained more drama than any of the movies it ever produced.
更多信息……
英语 [en] · EPUB · 2.9MB · 2012 · 📗 未知类型的图书 · 🚀/upload/zlib · Save
base score: 11068.0, final score: 17479.42
upload/newsarch_ebooks_2025_10/2018/10/16/0252033272_The.pdf
The Mouse Machine : Disney and Technology J P. Telotte Ill. : University of Illinois Press, University of Illinois Press, Urbana, 2008
Throughout Disney's phenomenally successful run in the entertainment industry, the company has negotiated the use of cutting-edge film and media technologies that, J. P. Telotte argues, have proven fundamental to the company's identity. Disney's technological developments include the use of stereophonic surround sound for __Fantasia__, experimentation with wide-screen technology, inaugural adoption of three-strip Technicolor film, and early efforts at fostering depth in the animated image. Telotte also chronicles Disney's partnership with television, development of the theme park, and depiction of technology in science fiction narratives. An in-depth discussion of Disney's shift into digital filmmaking with its Pixar partnership and an emphasis on digital special effects in live-action films, such as the __Pirates of the Caribbean__ series, also highlight the studio's historical investment in technology. By exploring the technological context for Disney creations throughout its history, __The Mouse Machine__ illuminates Disney's extraordinary growth into one of the largest and most influential media and entertainment companies in the world. **Hardback is unjacketed.**
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英语 [en] · PDF · 1.2MB · 2008 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
base score: 11060.0, final score: 17478.773
nexusstc/The Disney Musical on Stage and Screen/96e5aacd68136097e2f7e9f379b958da.pdf
The Disney Musical on Stage and Screen : Critical Approaches From 'Snow White' to 'Frozen' George Rodosthenous; Elizabeth Randell Upton; Raymond Knapp; Tim Stephenson; Paul Laird; Geoffrey Block; Olaf Jubin; Barbara Wallace Grossman; Stacy E. Wolf; Aaron C. Thomas; Dominic Symonds; Stefanie Jones; Donatella Galella; Catherine Young; Emily Clark; Sam Baltimore; Sarah Whitfield Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing Plc, 2017 jun 29
A critical treatment of the corporation's hugely successful musicals both on screen and on the stage. The 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations. The Disney Musical: Critical Approaches on Stage and Screen is the first critical treatment of the corporation's hugely successful musicals both on screen and on the stage. Its 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations. Covering early 20th century works such as the first full-length feature film Snow White and the Seven Dwarfs (1937), to The Lion King - Broadway's highest grossing production in history, and Frozen (2013), this edited collection offers a diverse range of theoretical engagements that will appeal to readers of film and media studies, musical theatre, cultural studies, and theatre and performance. The volume is divided into three sections to provide a contextual analysis of Disney's most famous musicals: DISNEY MUSICALS: ON FILM DISNEY ADAPTATIONS: ON STAGE AND BEYOND DISNEY MUSICALS: GENDER AND RACE The first section employs film theory, semiotics and film music analysis to explore the animated works and their links to the musical theatre genre. The second section addresses various stage versions and considers Disney's outreach activities, cultural value and productions outside the Broadway theatrical arena. The final section focuses on issues of gender and race portraying representations of race, hetero-normativity, masculinity and femininity in Newsies, Frozen, High School Musical, Aladdin and The Jungle Book. The various chapters address these three aspects of the Disney Musical and offer new critical readings of a vast range of important works from the Disney musical cannon including Enchanted, Mary Poppins, Hunchback of Notre Dame, The Lion King and versions of musicals for television in the early 1990s and 2000s. The critical readings are detailed, open-minded and come to surprising conclusions about the nature of the Disney Musical and its impact
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英语 [en] · PDF · 2.1MB · 2017 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
base score: 11065.0, final score: 17478.725
nexusstc/United Artists, Vol. 1/1e2eb2bab3ce66690a7cf4a76b139acf.pdf
United Artists, Volume 1, 1919–1950 : The Company Built by the Stars Tino Balio; ProQuest (Firm) The University of Wisconsin Press, University of Wisconsin Press, Madison, Wis, 2009
Annotation United Artists was a unique motion picture company in the history of Hollywood. Founded by Charlie Chaplin, Mary Pickford, Douglas Fairbanks, and director D.W. Griffithfour of the greatest names of the silent eraUnited Artists functioned as a distribution company for independent producers. In this lively and detailed history of United Artists from 1919 through 1951, film scholar Tino Balio chronicles the companys struggle for survival, its rise to prominence as the Tiffany of the industry, and its near extinction in the 1940s. This edition is updated with a new introduction by Balio that places in relief UAs operations for those readers who may be unfamiliar with film industry practices and adds new perspective to the companys place within Hollywood
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英语 [en] · PDF · 283.2MB · 2009 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc · Save
base score: 11065.0, final score: 17477.086
lgli/R:\0day\eng\!usenet2\The Disney Way Harnessing the Management Secrets 2007 Bill Capodagli.epub
The Disney Way, Revised Edition : Harnessing the Management Secrets of Disney in Your Company Capodagli, Bill, Jackson, Lynn McGraw-Hill Professional Publishing, McGraw Hill LLC Professional Division, New York, 2007
<p>“So useful you may whistle while you work”- <i>Fortune</i></p> <p>The original edition of <i>The Disney Way</i> was awarded a coveted “Best Business Book of the Year” by Fortune magazine. The world's foremost experts on Disney, Bill Capodagli and Lynn Jackson revealed Walt's secret success formula that propelled his company into the highest echelon of business, creativity, innovation, and success.</p> <p>Now this fully revised edition profiles a new set of diverse organizations-from The Cheesecake Factory, Ernst and Young, and Four Seasons Hotels and Resorts, to Griffin Hospital, John Robert's Spa, and Men's Wearhouse-that have redefined their businesses by embracing The Disney Way. Walt's “dream, believe, dare, do” credo is a powerful foundation that will support any business, drive any team, and guide any leader to newfound levels of success.</p> <p>“It was the Disney standard of imagination and engagement that inspired me so many years ago…Now, Bill and Lynn bring these ideals and practices into practical use, with something for any dreamer to use.”-from the new foreword by John Christensen, coauthor of the bestselling book <i>FISH!</i></p> <p>“This book is about the real magic: Stimulating and harmonizing the collective energy of your people.”-Ken Blanchard, bestselling author of <i>The One Minute Manager</i></p>
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英语 [en] · EPUB · 2.2MB · 2007 · 📘 非小说类图书 · 🚀/lgli/lgrs/zlib · Save
base score: 11065.0, final score: 17477.086
ia/hollywoodmeccaof0000cend.pdf
Hollywood : Mecca of the Movies Blaise Cendrars; with 29 drawings from life by Jean Guérin; translated and introduced by Garrett White Berkeley: University of California Press, University of California Press, Berkeley, 1995
Blaise Cendrars, one of twentieth-century France's most gifted men of letters, came to Hollywood in 1936 for the newspaper Paris-Soir. Already a well-known poet, Cendrars was a celebrity journalist whose perceptive dispatches from the American dream factory captivated millions. These articles were later published as Hollywood: Mecca of the Movies, which has since appeared in many languages. Remarkably, this is its first translation into English.Hollywood in 1936 was crowded with stars, moguls, directors, scouts, and script girls. Though no stranger to filmmaking (he had worked with director Abel Gance), Cendrars was spurned by the industry greats with whom he sought to hobnob. His response was to invent a wildly funny Hollywood of his own, embellishing his adventures and mixing them with black humor, star anecdotes, and wry social commentary.Part diary, part tall tale, this book records Cendrars's experiences on Hollywood's streets and at its studios and hottest clubs. His impressions of the town's drifters, star-crazed sailors, and undiscovered talent are recounted in a personal, conversational style that anticipates the'new journalism'of writers such as Tom Wolfe.Perfectly complemented by his friend Jean Guérin's witty drawings, and following the tradition of European travel writing, Cendrars's'little book about Hollywood'offers an astute, entertaining look at 1930s America as reflected in its unique movie mecca.This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.Blaise Cendrars, one of twentieth-century France's most gifted men of letters, came to Hollywood in 1936 for the newspaper Paris-Soir. Already a well-known poet, Cendrars was a celebrity journalist whose perceptive dispatches from the American drea</DIV
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英语 [en] · PDF · 8.2MB · 1995 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17476.69
upload/degruyter/DeGruyter Partners/Stanford University Press [RETAIL]/10.1515_9780804794749.pdf
The Studios after the Studios: Neoclassical Hollywood (1970-2010) (Post*45) Connor, J. D. Stanford University Press, Post*45, 1, 2015
Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this new classical era, the major studios movies ― their stories and styles ― were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how studios work―how studios think―we need to watch their films closely. How closely? Maniacally so. In a wide range of examples, __The Studios after the Studios__ explores the gaps between story and backstory in order to excavate the hidden history of Hollywood's second great studio era.
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英语 [en] · PDF · 7.3MB · 2015 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
base score: 11065.0, final score: 17476.65
ia/redstaroverholly0000rado.pdf
Red Star Over Hollywood : The Film Colony's Long Romance with the Left Radosh, Ronald; Radosh, Allis San Francisco: Encounter Books, Perseus Books, LLC, San Francisco, 2005
<p>Until now, Hollywood's political history has been dominated by a steady stream of films and memoirs decrying the "nightmare" of the Red Scare and how it victimized political innocents. But in Red Star over Hollywood, Ronald and Allis Radosh tell for the first time the "backstory" behind this myth.</p> <p>The authors show how the Soviet Comintern decided to make the film capitol a prime target in the late 1920s.&nbsp;&nbsp; They follow the lives of Budd Schulberg, Ring Lardner Jr., Maurice Rapf and other young radicals who went to the USSR in the early 1930s, underwent a political conversion experience there, and came back to Hollywood as apostles preaching a Soviet gospel.&nbsp; They take us inside the cells and discussion groups they and other Party members formed, the guilds and unions they tried to take over, and the studios they tried to influence.<br> The Radoshes not only prove that the members of the Hollywood Party were loyal first and foremost to Joseph Stalin, but show that in fact many of the screenwriters who later became part of the Hollywood Ten succeeded in using films as a propaganda medium in behalf of Soviet cause.&nbsp; One of their most significant successes was the wartime blockbuster Mission To Moscow, whose inside story the authors document in fascinating detail.&nbsp;</p> <p>The Radoshes' are at their best when writing about the blacklist era. They take us inside the Hollywood Communists' strategy sessions as they prepared to testify in front of the House Committee on Un-American Activities and show that while others were lionizing them as blameless victims of American nativism and paranoia, the Hollywood Reds themselves were beset by doubts and disagreements about their disloyalty to America and their treatment by the Communist Party. Creating memorable portraits of Dalton Trumbo, Elia Kazan and John Garfield, the authors also trace the afterlives of those touched by HUAC and the blacklist and show how they continued their argument with America and each other over the next half century.&nbsp;</p> <p> Red Star Over Hollywood is an epic work about one of the most discussed and least understood episodes in our political life. Getting behind the denial and apologetics, the Radoshes tell a story whose long half-life continues. The men and women who agitated for communism a half-century ago created a living legacy used by Jane Fonda and others who revived the Hollywood Left in the 1960s, and by figures such as Susan Sarandon, Tim Robbins and Sean Penn in the equally turbulent filmland politics of today</p>
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英语 [en] · PDF · 14.0MB · 2005 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17476.293
upload/degruyter/DeGruyter Partners/University of Texas Press [RETAIL]/10.7560_744479.pdf
Twentieth Century-Fox : The Zanuck-Skouras Years, 1935–1965 Peter Lev; ProQuest (Firm) University of Texas Press, University of Texas Press, Austin, 2013
When the Fox Film Corporation merged with Twentieth Century Pictures in 1935, the company posed little threat to industry juggernauts such as Paramount and MGM. In the years that followed however, guided by executives Darryl F. Zanuck and Spyros Skouras, it soon emerged as one of the most important studios. Though working from separate offices in New York and Los Angeles and often of two different minds, the two men navigated Twentieth Century-Fox through the trials of the World War II boom, the birth of television, the Hollywood Blacklist, and more to an era of exceptional success, which included what was then the highest grossing movie of all time, The Sound of Music. Twentieth Century-Fox is a comprehensive examination of the studio’s transformation during the Zanuck-Skouras era. Instead of limiting his scope to the Hollywood production studio, Lev also delves into the corporate strategies, distribution models, government relations, and technological innovations that were the responsibilities of the New York headquarters. Moving chronologically, he examines the corporate history before analyzing individual films produced by Twentieth Century-Fox during that period. Drawn largely from original archival research, Twentieth Century-Fox offers not only enlightening analyses and new insights into the films and the history of the company, but also affords the reader a unique perspective from which to view the evolution of the entire film industry.
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英语 [en] · PDF · 5.4MB · 2013 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
base score: 11065.0, final score: 17474.127
nexusstc/United Artists, Vol. 1/ba81415c8ba522549668ac880aedb793.pdf
United Artists, Volume 2, 1951-1978 Vol. 2: The Company That Changed the Film Industry Tino Balio; ProQuest (Firm) The University of Wisconsin Press, University of Wisconsin Press, Madison, Wis, 2009
In this second volume of Tino Balio's history of United Artists, he examines the turnaround of the company in the hands of Arthur Krim and Robert Benjamin in the 1950s, when United Artists devised a successful strategy based on the financing and distribution of independent production that transformed the company into an industry leader. Drawing on corporate records and interviews, Balio follows United Artists through its merger with Transamerica in the 1960s and its sale to MGM after the financial debacle of the film Heaven's Gate . With its attention to the role of film as both an art form and an economic institution, United Artists: The Company That Changed the Film Industry is an indispensable study of one company's fortunes from the 1950s to the 1980s and a clear-eyed analysis of the film industry as a whole. This edition includes an expanded introduction that examines the history of United Artists from 1978 to 2008, as well as an account of Arthur Krim's attempt to mirror UA's success at Orion Pictures from 1978 to 1991.
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英语 [en] · PDF · 290.8MB · 2009 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc · Save
base score: 11065.0, final score: 17473.736
zlib/Arts/Film/Herbert, Daniel,/Maverick Movies_27956654.epub
Maverick Movies : New Line Cinema and the Transformation of American Film Herbert, Daniel, Oakland, California : University Of California Press,, University of California Press, Oakland, California, 2024
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Maverick Movies tells the improbable story of New Line Cinema, a company that cut a remarkable path through the American film industry and movie culture. Founded in 1967 as an art film distributor, New Line made a small fortune running John Waters's Pink Flamingos at midnight screenings in the 1970s and found reliable returns with the Nightmare on Elm Street franchise in the 1980s. By 2001, the company competed with the major Hollywood studios and reached global box office success with the Lord of the Rings franchise. Blurring boundaries between high and low culture, between independent film and Hollywood, and between the margins and the mainstream, New Line Cinema epitomizes Hollywood's shift in focus from the mass audience fostered by the classic studios to the multitude of niche audiences sought today.
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英语 [en] · EPUB · 10.5MB · 2024 · 📘 非小说类图书 · 🚀/zlib · Save
base score: 11065.0, final score: 17471.283
nexusstc/Maverick Movies: New Line Cinema and the Transformation of American Film/69000e36a752bad8ec2039100522e902.pdf
Maverick Movies : New Line Cinema and the Transformation of American Film Daniel Herbert University of California Press, 2023
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.__Maverick Movies__ tells the improbable story of New Line Cinema, a company that cut a remarkable path through the American film industry and movie culture. Founded in 1967 as an art-film distributor, New Line made a small fortune running John Waters's __Pink Flamingos__ at midnight screenings in the 1970s and found reliable returns with the __Nightmare on Elm Street__ franchise in the 1980s. By 2001, the company competed with the major Hollywood studios and reached global box-office success with the __Lord of the Rings__ franchise. Blurring boundaries between high and low culture, between independent film and Hollywood, and between the margins and the mainstream, New Line Cinema offers a compelling case study of the evolution of contemporary film culture through the disintegration of the mass audience fostered by the classic Hollywood studios into the multitude of niche audiences that Hollywood seeks today.
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英语 [en] · PDF · 9.4MB · 2023 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc · Save
base score: 11065.0, final score: 17471.105
zlib/Biography & Autobiography/Theatre & Performance Art/Chris Yogerst/The Warner Brothers_27022926.pdf
The Warner Brothers (Screen Classics) Chris Yogerst, Michael Uslan The University Press of Kentucky, Screen Classics, 1, 2023
One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers—Harry, Albert, Sam, and Jack—whose vision for Hollywood helped shape the world of entertainment as we know it. In The Warner Brothers, Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat—and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.
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英语 [en] · PDF · 127.9MB · 2023 · 📘 非小说类图书 · 🚀/zlib · Save
base score: 11065.0, final score: 17469.998
lgli/Edward Jay Epstein - Edward Jay Epstein - The Hollywood Economist 2.0: The Hidden Financial Reality Behind the Movies (2012, Melville House).pdf
The Hollywood economist : release 2.0 : the hidden financial reality behind the movies Edward Jay Epstein Melville House Publishing, Revised ed., 2012
A fully revised edition of the popular guide to Hollywood finances, updated to reflect even newer films and trendsIn a Freakonomics-meets-Hollywood saga, veteran investigative reporter Edward Jay Epstein goes undercover to explore Hollywood's "invisible money machine," probing the dazzlingly complicated finances behind the hits and flops, while he answers a surprisingly difficult question: How do the studiosmake their money?In this, a revised and updated edition The Hollywood Economist, we learn:+ The future of Netflix: Why the "next big thing" now seems in such deep trouble...+ What it costs to insure Nicole Kidman's right knee...+ How Hollywood manipulates Wall Street, including the story of the acquisition of MGM... wherein a consortium of banks and hedge funds lost some $5 billion... while Hollywood made millions.+ Why Arnold Schwarzenegger is considered a contract genius...+ The fate of serious...
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英语 [en] · PDF · 3.2MB · 2012 · 📘 非小说类图书 · 🚀/lgli/zlib · Save
base score: 11068.0, final score: 17469.863
zlib/no-category/Anne Helen Petersen/Scandals of Classic Hollywood_26753777.epub
Scandals of Classic Hollywood : Sex, Deviance, and Drama From the Golden Age of American Cinema Anne Helen Petersen Penguin Publishing Group, Penguin Random House LLC, [Place of publication not identified], 2014
Celebrity gossip meets history in this compulsively readable collection from Buzzfeed reporter Anne Helen Peterson. This guide to film stars and their deepest secrets is sure to top your list for movie gifts and appeal to fans of classic cinema and hollywood history alike. Believe it or not, America’s fascination with celebrity culture was thriving well before the days of TMZ, Cardi B, Kanye's tweets, and the #metoo allegations that have gripped Hollywood. And the stars of yesteryear? They weren’t always the saints that we make them out to be. BuzzFeed's Anne Helen Petersen, author of Too Fat, Too Slutty, Too Loud,  is here to set the record straight. Pulling little-known gems from the archives of film history, Petersen reveals eyebrow-raising information, including: • The smear campaign against the original It Girl, Clara Bow, started by her best friend • The heartbreaking story of Montgomery Clift’s rapid rise to fame, the car accident that destroyed his face, and the “long suicide” that followed • Fatty Arbuckle's descent from Hollywood royalty, fueled by allegations of a boozy orgy turned violent assault • Why Mae West was arrested and jailed for "indecency charges" • And much more Part biography, part cultural history, these stories cover the stuff that films are made of: love, sex, drugs, illegitimate children, illicit affairs, and botched cover-ups. But it's not all just tawdry gossip in the pages of this book. The stories are all contextualized within the boundaries of film, cultural, political, and gender history, making for a read that will inform as it entertains. Based on Petersen's beloved column on the Hairpin, but featuring 100% new content, Scandals of Classic Hollywood is sensationalism made smart.
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英语 [en] · EPUB · 2.7MB · 2014 · 📗 未知类型的图书 · 🚀/zlib · Save
base score: 11068.0, final score: 17469.863
ia/talkingpictures0000norm_a5j9.pdf
Talking Pictures: Story of Hollywood Barry Norman Arrow Books, London, England, September 1, 1987
An account of the development of Hollywood. This is the story of Greta Garbo, Clark Gable, Jean Harlow, Gary Cooper, Cary Grant, Marilyn Monroe and stars like John Gilbert and Clara Bow, both of whose careers finished with the change-over to sound.
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英语 [en] · PDF · 34.6MB · 1987 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17469.82
lgli/Anne Helen Petersen - Scandals of Classic Hollywood (2014, ).mobi
Scandals of Classic Hollywood : Sex, Deviance, and Drama From the Golden Age of American Cinema Anne Helen Petersen Penguin Publishing Group, Penguin Random House LLC, [Place of publication not identified], 2014
Gossip meets history—a compulsively readable collection of Hollywood's most notorious clashes and controversies in the spirit of Hollywood Babylon. Believe it or not, America's fascination with celebrity culture was thriving well before the days of TMZ, Perez Hilton, Charlie Sheen's breakdown and allegations against Woody Allen. And the stars of yesteryear? They weren’t always the saints that we make them out to be. BuzzFeed columnist Anne Helen Petersen is here to set the record straight with Scandals of Classic Hollywood. Pulling little-known gems from the archives of film history, Petersen reveals eyebrow-raising information. Part biography, part cultural history, these stories cover the stuff that films are made of: love, sex, drugs, illegitimate children, illicit affairs, and botched cover-ups. But it's not all just tawdry gossip in the pages of this book. The stories are all contextualized within the boundaries of film, cultural, political, and gender history, making for a read that will inform as it entertains. Based on Petersen's popular column on the Hairpin, but featuring 100% new content, Scandals of Classic Hollywood is sensationalism made smart.
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英语 [en] · MOBI · 3.9MB · 2014 · 📘 非小说类图书 · 🚀/lgli/zlib · Save
base score: 11058.0, final score: 17469.658
zlib/Biography & Autobiography/Entertainment Biography/William Goldman/Adventures in the Screen Trade_26816719.epub
Adventures in the screen trade : a personal view of Hollywood and screenwriting William Goldman Grand Central Publishing, 1st, 2012
Now available as an ebook for the first time! No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the bestselling author of Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you into Hollywood's inner sanctums...on and behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films...into the plush offices of Hollywood producers...into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and into his own professional experiences and creative thought processes in the crafting of screenplays. You get a firsthand look at why and how films get made and what elements make a good screenplay. Says columnist Liz Smith, "You'll be fascinated.
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英语 [en] · EPUB · 0.5MB · 2012 · 📘 非小说类图书 · 🚀/zlib · Save
base score: 11058.0, final score: 17469.525
ia/bigbookofdisneyt0000boot.pdf
The Big Book of Disney Top 10s: Fun Facts and Cool Trivia (My Top 10 Disney) Jennifer Boothroyd; Mary Lindeen Lerner Publications TM, Lerner Publishing Group, Minneapolis, 2019
What are some of the top 10 best moments, quotes, and jokes from your favorite Disney and Pixar movies? Check out everything from: • The top 10 features of an Incredibles'supersuit • The top 10 times Frozen melts your heart • Toy Story's top 10 funniest moments • The top 10 musical moments in Coco Explore these and so much more. Learn some new fun facts, and test your knowledge with quizzes only a superfan could ace!
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英语 [en] · PDF · 14.5MB · 2019 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17469.459
lgli/William Goldman - Adventures in the Screen Trade (2012, Grand Central Publishing).epub
Adventures in the screen trade : a personal view of Hollywood and screenwriting William Goldman Grand Central Publishing, 1st, 2012
Now available as an ebook for the first time! No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the bestselling author of Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you into Hollywood's inner sanctums...on and behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films...into the plush offices of Hollywood producers...into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and into his own professional experiences and creative thought processes in the crafting of screenplays. You get a firsthand look at why and how films get made and what elements make a good screenplay. Says columnist Liz Smith, "You'll be fascinated.
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英语 [en] · EPUB · 1.0MB · 2012 · 📘 非小说类图书 · 🚀/lgli/zlib · Save
base score: 11060.0, final score: 17469.268
lgli/Anne Helen Petersen [Petersen, Anne Helen] - Scandals of Classic Hollywood (2014, ).epub
Scandals of Classic Hollywood : Sex, Deviance, and Drama From the Golden Age of American Cinema Anne Helen Petersen [Petersen, Anne Helen] Penguin Publishing Group, Penguin Random House LLC, [Place of publication not identified], 2014
Gossip meets history—a compulsively readable collection of Hollywood's most notorious clashes and controversies in the spirit of Hollywood Babylon. Believe it or not, America's fascination with celebrity culture was thriving well before the days of TMZ, Perez Hilton, Charlie Sheen's breakdown and allegations against Woody Allen. And the stars of yesteryear? They weren’t always the saints that we make them out to be. BuzzFeed columnist Anne Helen Petersen is here to set the record straight with Scandals of Classic Hollywood. Pulling little-known gems from the archives of film history, Petersen reveals eyebrow-raising information. Part biography, part cultural history, these stories cover the stuff that films are made of: love, sex, drugs, illegitimate children, illicit affairs, and botched cover-ups. But it's not all just tawdry gossip in the pages of this book. The stories are all contextualized within the boundaries of film, cultural, political, and gender history, making for a read that will inform as it entertains. Based on Petersen's popular column on the Hairpin, but featuring 100% new content, Scandals of Classic Hollywood is sensationalism made smart.
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英语 [en] · EPUB · 1.2MB · 2014 · 📘 非小说类图书 · 🚀/lgli/zlib · Save
base score: 11063.0, final score: 17469.023
lgli/William Goldman - Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting (2012, Hachette Book Group USA).epub
Adventures in the screen trade : a personal view of Hollywood and screenwriting William Goldman Grand Central Publishing, 1st, 2012
The book is divided into three parts. "Part One: Hollywood Realities" is a collection of essays on various subjects ranging from movie stars and studio executives to his thoughts on how to begin and end a screenplay and how to write for a movie star."Part Two: Adventures" has stories from 11 projects that Goldman has been involved with, from Charly and Masquerade, to the Academy Award-winning Butch Cassidy and the Sundance Kid and All the President's Men, to some projects that remained unrealised, such as a musical remake of Grand Hotel.In "Part Three: Da Vinci", Goldman shows the reader how he would go about adapting his own short story "Da Vinci" into a screenplay. The full text of "Da Vinci" and the subsequent screenplay that he wrote are included, followed by interviews with key movie industry figures, including director George Roy Hill, cinematographer Gordon Willis, and composer Dave Grusin.'I don't know if it's ever been equalled: both a guide to how to write and a guide to how to navigate the experience of being a professional in the industry. Even though he existed at the most exalted level, it never felt like that. It felt democratic and egalitarian in the way he wrote. Before his book, people never really gave thought to screenwriters, their craft, or their place in the ecosystem of movie-making. Bill not only shone a light on that and inspired a whole new generation of writers, he also made movie-making and showbusiness understandable to a vast general audience' - Peter Morgan, writer of The Crown and Frost/Nixon
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英语 [en] · EPUB · 0.5MB · 2012 · 📘 非小说类图书 · 🚀/lgli/zlib · Save
base score: 11055.0, final score: 17468.965
lgli/William Goldman - Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting (1983, Grand Central Publishing ).epub
Adventures in the screen trade : a personal view of Hollywood and screenwriting William Goldman Grand Central Publishing, 1st, 2012
The book is divided into three parts. "Part One: Hollywood Realities" is a collection of essays on various subjects ranging from movie stars and studio executives to his thoughts on how to begin and end a screenplay and how to write for a movie star."Part Two: Adventures" has stories from 11 projects that Goldman has been involved with, from Charly and Masquerade, to the Academy Award-winning Butch Cassidy and the Sundance Kid and All the President's Men, to some projects that remained unrealised, such as a musical remake of Grand Hotel.In "Part Three: Da Vinci", Goldman shows the reader how he would go about adapting his own short story "Da Vinci" into a screenplay. The full text of "Da Vinci" and the subsequent screenplay that he wrote are included, followed by interviews with key movie industry figures, including director George Roy Hill, cinematographer Gordon Willis, and composer Dave Grusin.'I don't know if it's ever been equalled: both a guide to how to write and a guide to how to navigate the experience of being a professional in the industry. Even though he existed at the most exalted level, it never felt like that. It felt democratic and egalitarian in the way he wrote. Before his book, people never really gave thought to screenwriters, their craft, or their place in the ecosystem of movie-making. Bill not only shone a light on that and inspired a whole new generation of writers, he also made movie-making and showbusiness understandable to a vast general audience' - Peter Morgan, writer of The Crown and Frost/Nixon
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英语 [en] · EPUB · 0.6MB · 2012 · 📘 非小说类图书 · 🚀/lgli/zlib · Save
base score: 11055.0, final score: 17468.836
zlib/Arts/Film/Herbert, Daniel/Maverick Movies: New Line Cinema and the Transformation of American Film_27786193.pdf
Maverick Movies : New Line Cinema and the Transformation of American Film Herbert, Daniel University of California Press, First, First Edition, FR, 2023
"Maverick Movies tells the improbable story of New Line Cinema, a company that cut a remarkable path through the American film industry and movie culture. Founded in 1967 as an art-film distributor, New Line made a small fortune running John Waters's Pink Flamingos at midnight screenings in the 1970s and found reliable returns with the Nightmare on Elm Street franchise in the 1980s. By 2001, the company competed with the major Hollywood studios and reached global box-office success with the Lord of the Rings franchise. Blurring boundaries between high and low culture, between independent film and Hollywood, and between the margins and the mainstream, New Line Cinema offers a compelling case study of the evolution of contemporary film culture through the disintegration of the mass audience fostered by the classic Hollywood studios into the multitude of niche audiences that Hollywood seeks today"--
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英语 [en] · PDF · 11.4MB · 2023 · 📘 非小说类图书 · 🚀/zlib · Save
base score: 11065.0, final score: 17468.709
ia/warnerbroshollyw0000bing.pdf
Warner Bros. : Hollywood's Ultimate Backlot Steven Bingen with Marc Wanamaker, Bison Archives; foreword by Doris Day Lanham: Taylor Trade Publishing, Rowman & Littlefield Publishing, Lanham, Maryland, 2014
Movie studios are the wondrous, almost magical locales where not just films, but legends, are created. Unfortunately, these celebrity playgrounds are, and always have been, largely hidden from public view. Although some movie studios offer tours, few guests from outside the Hollywood community have ever been witness to the artistry, politics, and scandals that routinely go on behind the soundstage walls and away from the carefully orchestrated scenes visible to them from their tram carts.In this book, studio staff historian and Hollywood insider Steven Bingen throws open Hollywood's iron gates and takes you inside the greatest and yet most mysterious movie studio of them all: Warner Bros. Long home to the world's biggest stars and most memorable films and television shows, the Warner Bros. Studio lot functions as a small city and is even more fascinating, glamorous, and outrageous than any of the stars or movies that it has been routinely minting for more than ninety years. Accompanied by stunning behind-the-scenes photos and maps, and including a revealing backstory, this book is your ticket to a previously veiled Hollywood paradise.
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英语 [en] · PDF · 35.4MB · 2014 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17468.7
zlib/Biography & Autobiography/Business & Finance/Carl Hiaasen/Team Rodent: How Disney Devours the World_24321577.epub
Team Rodent: How Disney Devours the World (Library of Contemporary Thought) Carl Hiaasen Random House Publishing Group, Penguin Random House LLC, New York, 1998
"Disney is so good at being good that it manifests an evil; so uniformly efficient and courteous, so dependably clean and conscientious, so unfailingly entertaining that it's unreal, and therefore is an agent of pure wickedness. . . . Disney isn't in the business of exploiting Nature so much as striving to improve upon it, constantly fine-tuning God's work." --from TEAM RODENT TEAM RODENT How Disney Devours America "Revulsion is good. Revulsion is healthy. Each of us has limits, unarticulated boundaries of taste and tolerance, and sometimes we forget where they are. Peep Land is here to remind us; a fixed compass point by which we can govern our private behavior. Because being grossed out is essential to the human experience; without a perceived depravity, we'd have nothing against which to gauge the advance or decline of culture; our art, our music, our cinema, our books. Without sleaze, the yardstick shrinks at both ends. Team Rodent doesn't believe in sleaze, however, nor in old-fashioned revulsion. Square in the middle is where it wants us all to be, dependable consumers with predictable attitudes. The message, never stated but avuncularly implied, is that America's values ought to reflect those of the Walt Disney Company, and not the other way around." BONUS: This edition includes an excerpt from Carl Hiaasen's Bad Monkey.
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英语 [en] · EPUB · 0.4MB · 1998 · 📘 非小说类图书 · 🚀/zlib · Save
base score: 11058.0, final score: 17468.611
ia/hollywoodbabylon0000unse_h2o3.pdf
Hollywood Babylon strikes again! : another overview of exhibitionism, sexuality, and sin as filtered through 85 years of Hollywood scandal Porter, Darwin, Prince, Danforth Blood Moon Productions, Ltd. ; Distributed in North America through the National Book Network, National Book Network, [New York], 2010
Blood Moon announces the release of Volume Two of its series on sex, scandal, sin, and exhibitionism in Hollywood, Hollywood Babylon Strikes Again. Its format and cover design follows the example set in 2008 by its predecessor, Hollywood Babylon—It's Back (ISBN 978-0-9748118-8-8), a title that incited massive media coverage (radio and tabloid) and reviews that originated in mainstream publications (New York Daily News); literary reviews (Shelf Awareness); and pop internet sites (The Hollywood Offender). Co-authored by Darwin Porter, one of the world's top celebrity biographers, and Danforth Prince, a former staff member at The New York Times and long-time writer at THE FROMMER GUIDES, this is an anthology of vice wherein readers can expect more of the corrupt and previously unknown shockers they were exposed to in Volume One. This “naughty sister” is dedicated to the hellraisers, both male and female, who blazed across the silver screen and into our hearts as we followed their every move onscreen. Years ago, we devoured their vanilla, sugar-coated interviews in such magazines as Photoplay. But were these cinematic gods and goddesses really telling the truth? What were they hiding? INQUIRING MINDS DESPERATELY WANT TO KNOW. Within its “artfully lurid” pages, readers learn about “The Not-So-Good, the Very, Very Bad, and The Fabulous” revealed in ways you've never seen, heard, or read about before.
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英语 [en] · PDF · 38.4MB · 2010 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17468.547
lgli/Disney and Philosophy Truth, Trust, and a Little Bit of Pixie Dust (The Blackwell Philosophy and Pop Culture Series) [AN 2318927].epub
Disney and Philosophy: Truth, Trust, and a Little Bit of Pixie Dust (The Blackwell Philosophy and Pop Culture Series) Richard Brian Davis;; William Irwin John Wiley & Sons, Incorporated, The Blackwell philosophy and pop culture series, S.l, 2019
Take a magic carpet ride through Disney’s wonderful world of films and entertainment experiences, and discover the wisdom within its most popular and enduring stories Philosophy begins in wonder, and there’s no question that Disney’s immersive worlds and iconic characters have enchanted generations of children and adults alike, inviting us to escape the mundane into a world of fantasy, imagination, and infinite possibility. In Disney and Philosophy, essays from thirty-two deep-thinking Disneyphiles chart a course through the philosophical world of Disney, tapping into the minds of the great sages of the ages—Plato, Aristotle, Confucius, Descartes, and Goofy—to explore universal questions of freedom, personal identity, morality, family, and friendship: Can Sleeping Beauty know that she’s not dreaming? Does turning our emotions and memories “inside out” tell us who we are? What can Toy Story and Wall-E teach us about being human? Is hakuna matata really such a problem-free philosophy? If you’ve ever asked who you are, what is right, or what your purpose is, Disney and Philosophy will spark your curiosity and imagination with a whole new world of unexpected insight into the Magic Kingdom.
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英语 [en] · EPUB · 0.7MB · 2019 · 📘 非小说类图书 · 🚀/lgli/lgrs · Save
base score: 11060.0, final score: 17468.545
nexusstc/Classical Hollywood Film Cycles/00c8dc5a594f4ddffef77f6f3be56862.epub
Classical Hollywood Film Cycles (Routledge Advances in Film Studies) Wallin, Zoe Routledge, an imprint of the Taylor & Francis Group, Routledge Advances in Film Studies, 1, 2019
This book explores the ways in which Hollywood film cycles from the 1930s to the 1960s were shaped by their surrounding industrial contexts and market environments, to build an inclusive conception of the form, operation, and function of film cycles. By foregrounding patterns of distribution, spaces of exhibition, and modes of consumption as key components of the form and mechanics of cycles, this book develops a methodology for defining cycles based on an analysis of the industry and trade discourse. Applying her unique framework to six case studies of different cycles, Zoe Wallin blends a wide range of historical sources to analyze the many cultural, social, political, aesthetic, and industrial contexts relevant to these films. This book makes an important contribution to the literature in the area of film historiography, and will be of interest to any scholars of film studies, history and media studies.
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英语 [en] · EPUB · 3.5MB · 2019 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
base score: 11065.0, final score: 17468.361
ia/disneytozofficia0000smit_x2p2.pdf
Disney A to Z: The Official Encyclopedia (Fifth Edition) (Disney Editions Deluxe) Smith, Dave, 1940- Los Angeles: Disney Editions, Fifth edition, Los Angeles, 2016
"If you're curious about The Walt Disney Company, this comprehensive encyclopedia is your one-stop guide! Filled with significant achievements, short biographies, historic dates, comprehensive lists, and tons of trivia, this newly updated collection covers all things Disney--from A to Z-through about 8,000 entries and more than 800 images. Dave Smith, chief archivist emeritus of the Walt Disney Archives and the ultimate authority on all matters Disney, adds and enhances thousands of entries based on 10 years of historical perspective since the encyclopedia's last release. The additions incorporate nearly 200 new feature films and about 150 new TV programs from ABC, Disney, ESPN, Freeform, Lucasfilm Ltd., Marvel, and Pixar Animation Studios. Entries even cover the many expansions at the Disney Parks worldwide, including the grand opening of the Shanghai Disney Resort in 2016"--Jacket
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英语 [en] · PDF · 90.3MB · 2016 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17468.297
zlib/Arts/Performing Arts/Peter Lev/Twentieth Century–Fox : The Zanuck-Skouras Years, 1935–1965_23300146.epub
Twentieth Century–Fox : The Zanuck-Skouras Years, 1935–1965 Peter Lev University of Texas Press, University of Texas Press, Austin, 2013
When the Fox Film Corporation merged with Twentieth Century Pictures in 1935, the company posed little threat to industry juggernauts such as Paramount and MGM. In the years that followed however, guided by executives Darryl F. Zanuck and Spyros Skouras, it soon emerged as one of the most important studios. Though working from separate offices in New York and Los Angeles and often of two different minds, the two men navigated Twentieth Century-Fox through the trials of the World War II boom, the birth of television, the Hollywood Blacklist, and more to an era of exceptional success, which included what was then the highest grossing movie of all time, The Sound of Music. Twentieth Century-Fox is a comprehensive examination of the studio’s transformation during the Zanuck-Skouras era. Instead of limiting his scope to the Hollywood production studio, Lev also delves into the corporate strategies, distribution models, government relations, and technological innovations that were the responsibilities of the New York headquarters. Moving chronologically, he examines the corporate history before analyzing individual films produced by Twentieth Century-Fox during that period. Drawn largely from original archival research, Twentieth Century-Fox offers not only enlightening analyses and new insights into the films and the history of the company, but also affords the reader a unique perspective from which to view the evolution of the entire film industry.
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英语 [en] · EPUB · 11.4MB · 2013 · 📘 非小说类图书 · 🚀/zlib · Save
base score: 11068.0, final score: 17468.297
lgli/Disney and Philosophy Truth, Trust, and a Little Bit of Pixie Dust (The Blackwell Philosophy and Pop Culture Series) [AN 2318927].pdf
Disney and Philosophy: Truth, Trust, and a Little Bit of Pixie Dust (The Blackwell Philosophy and Pop Culture Series) Richard Brian Davis;; William Irwin John Wiley & Sons, Incorporated, The Blackwell philosophy and pop culture series, S.l, 2019
Take a magic carpet ride through Disney’s wonderful world of films and entertainment experiences, and discover the wisdom within its most popular and enduring stories Philosophy begins in wonder, and there’s no question that Disney’s immersive worlds and iconic characters have enchanted generations of children and adults alike, inviting us to escape the mundane into a world of fantasy, imagination, and infinite possibility. In Disney and Philosophy, essays from thirty-two deep-thinking Disneyphiles chart a course through the philosophical world of Disney, tapping into the minds of the great sages of the ages—Plato, Aristotle, Confucius, Descartes, and Goofy—to explore universal questions of freedom, personal identity, morality, family, and friendship: Can Sleeping Beauty know that she’s not dreaming? Does turning our emotions and memories “inside out” tell us who we are? What can Toy Story and Wall-E teach us about being human? Is hakuna matata really such a problem-free philosophy? If you’ve ever asked who you are, what is right, or what your purpose is, Disney and Philosophy will spark your curiosity and imagination with a whole new world of unexpected insight into the Magic Kingdom.
更多信息……
英语 [en] · PDF · 1.2MB · 2019 · 📘 非小说类图书 · 🚀/lgli/lgrs/zlib · Save
base score: 11060.0, final score: 17468.031
upload/bibliotik/T/Team Rodent - Carl Hiaasen.epub
Team Rodent: How Disney Devours the World (Library of Contemporary Thought) Carl Hiaasen Random House Publishing Group, Place of publication not identified, 2010
"Disney is so good at being good that it manifests an evil; so uniformly efficient and courteous, so dependably clean and conscientious, so unfailingly entertaining that it's unreal, and therefore is an agent of pure wickedness. . . . Disney isn't in the business of exploiting Nature so much as striving to improve upon it, constantly fine-tuning God's work." --from TEAM RODENT TEAM RODENT How Disney Devours America "Revulsion is good. Revulsion is healthy. Each of us has limits, unarticulated boundaries of taste and tolerance, and sometimes we forget where they are. Peep Land is here to remind us; a fixed compass point by which we can govern our private behavior. Because being grossed out is essential to the human experience; without a perceived depravity, we'd have nothing against which to gauge the advance or decline of culture; our art, our music, our cinema, our books. Without sleaze, the yardstick shrinks at both ends. Team Rodent doesn't believe in sleaze, however, nor in old-fashioned revulsion. Square in the middle is where it wants us all to be, dependable consumers with predictable attitudes. The message, never stated but avuncularly implied, is that America's values ought to reflect those of the Walt Disney Company, and not the other way around." BONUS: This edition includes an excerpt from Carl Hiaasen's Bad Monkey.
更多信息……
英语 [en] · EPUB · 1.9MB · 2010 · 📕 小说类图书 · 🚀/lgli/upload/zlib · Save
base score: 11065.0, final score: 17467.95
upload/duxiu_main/v/rar/58/Carl Hiaasen/Team Rodent (17474)/Team Rodent - Carl Hiaasen.mobi
Team Rodent: How Disney Devours the World (Library of Contemporary Thought) Carl Hiaasen Ballantine Books, Penguin Random House LLC, New York, 1998
Amazon.com Review Let's get one thing straight: Carl Hiaasen doesn't like the Walt Disney Company. Whenever the giant entertainment conglomerate stumbles, as it did with its proposed Civil War theme park in Virginia, Hiaasen cheers. When a rhinoceros mysteriously dies at Disney's new theme park, Animal Kingdom, Hiaasen secretly hopes for the worst, because, as he writes, "no scandal is so delectable as a Disney scandal." A native of Florida, author of such thrillers as Lucky You and Strip Tease , and a journalist for the Miami Herald , Hiaasen comes by his dislike for Disney honestly. He has witnessed the relentless success of the Disney machine firsthand with the development of Disney World and other properties around Orlando. In Team Rodent: How Disney Devours the World , Hiaasen paints a witty and sarcastic portrait in this nonfiction account of a company who can control the press, manipulate local governments, and because it's Disney, get away with it. Team Rodent is a quick, entertaining read that even the most loyal Disney shareholder (except maybe Michael Eisner) will find enlightening and amusing. --Harry C. Edwards Review After opening with an overbilious screed against the company's signature blandness, the author settles down and rakes good muck. -- Entertainment Weekly, Troy Patterson Non-fiction,Sociology,Business,Humour,Writing
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英语 [en] · MOBI · 0.4MB · 1998 · 📘 非小说类图书 · 🚀/lgli/upload/zlib · Save
base score: 11048.0, final score: 17467.95
upload/bibliotik/T/The Hollywood Studios - Ethan Mordden.epub
The Hollywood studios : house style in the golden age of the movies Ethan Mordden Knopf Doubleday Publishing Group, 2012
Hollywood in the years between 1929 and 1948 was a town of moviemaking empires. The great studios were estates of talent: sprawling, dense, diverse. It was the Golden Age of the Movies, and each studio made its distinctive contribution. But how did the studios, "growing up" in the same time and place, develop so differently? What combinations of talents and temperaments gave them their signature styles? These are the questions Ethan Mordden answers, with breezy erudition and irrepressible enthusiasm, in this fascinating and wonderfully readable book. Mordden illuminates how the style of each studio was primarily dictated by the personality, philosophy, and attitudes of its presiding mogul--and how all these factors affected the work and careers of individual actors, directors, writers, and technicians, and the success of the studio in general.
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英语 [en] · EPUB · 10.5MB · 2012 · 📗 未知类型的图书 · 🚀/upload/zlib · Save
base score: 11068.0, final score: 17467.889
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