"openlib_subject:Literary Criticism & Collections / French" - 搜索

ia/leslaisdemariede0000mari_i2o2.pdf

Les lais de Marie de France is a collection of narrative poems written by the medieval French poet known as Marie de France. This work, believed to have been composed in the 12th century, consists of twelve lais, which are short romantic and fantastical stories written in verse form. Marie de France's lais draw inspiration from Celtic and Arthurian legends, as well as medieval courtly love traditions. Each lai tells a standalone tale, often centered around themes of love, desire, adventure, and supernatural elements. The stories feature a range of characters, including knights, noble ladies, fairies, werewolves, and shape-shifters, creating a rich tapestry of medieval folklore. One of the remarkable aspects of Les lais de Marie de France is the poet's skillful use of language and poetic techniques. Marie de France's writing style combines elegance, lyricism, and vivid imagery, transporting the readers to the imaginative and enchanting world of her narratives. While the lais explore themes of love and desire, they also touch upon deeper subjects such as loyalty, fate, and the complexities of human relationships. Marie de France's works offer insights into the social and cultural values of medieval society, providing a glimpse into the courtly and chivalric ideals of the time. Les lais de Marie de France is recognized as a significant contribution to medieval literature, particularly in the realm of romance and narrative poetry. Its influence can be seen in later works of literature, including the Arthurian legends and the development of the romance genre. Overall, this collection of lais showcases Marie de France's talent as a storyteller and her ability to capture the imagination of her readers through tales of love, adventure, and magic.

法语 [fr] · PDF · 8.6MB · 2007 · 📗 未知类型的图书 · 🚀/ia · Save

ia/isbn_9781859732700.pdf

Romain Rolland R. A. Francis Berg Publishers, First Edition, PS, 1999

Romain Rolland's life coincided closely with the span of the French Third Republic, an age of which he was an acute and critical observer. A mind combining an unusual breadth of sympathies with uncompromisingly lofty values and a novelist's eye for detail, his interests cover a wide range of areas - history, musicology, biography, politics, religion, the East - and his correspondence with both the famous and the obscure, is exceptionally rich. He is remembered for his plays on the French Revolution, his work on Beethoven, his novels, his biographies, his opposition to the First World War, his desperate attempts between the wars to reconcile Gandhism and Leninism and, during the Occupation, his nostalgia for the Catholic faith of his forbears. Drawing on the wealth of the unpublished Archives Romain Rolland, this book offers a fresh perspective on the events of an often turbulent life and traces the changing patterns of his thought, which disconcerted his friends by its constant evolution. Rolland's work is unified by a fierce desire for independence, an insistence that the psychological force of faith is more important than its content, by an obsession with historical process and by a constant musicianly quest for harmony, or the reconciliation of discords within a synthetic whole. The author attempts to do justice to every side of Romain Rolland's output, showing how each of his works in their diverse genres contributes to the overall thrust of his developing thought. Though covering his political thought, the author avoids over-stressing it, as much previous criticism has done, and gives due weight to the work of his last years, which so far has been very imperfectly studied.

英语 [en] · PDF · 11.8MB · 1999 · 📗 未知类型的图书 · 🚀/ia · Save

ia/francoismauriacv0000unse.pdf

Francois Mauriac: Visions And Reappraisals (berg French Studies Series) Flower, John, Swift, Bernard C., Mauriac, François Oxford, UK ; New York: Berg: Distributed exclusively in the US and Canada by St. Martin's Press, Berg French studies, Oxford, UK, New York, 1989

Examines aspects of Mauriac's work and career that have been unduly neglected and suggests new critical approaches.

英语 [en] · PDF · 11.0MB · 1989 · 📗 未知类型的图书 · 🚀/ia · Save

ia/wisdomofsatre0000barn.pdf

176 pages ; 22 cm

英语 [en] · PDF · 5.7MB · 2001 · 📗 未知类型的图书 · 🚀/ia · Save

ia/isbn_9780809303472.pdf

Gide's Eagles (Crosscurrents/Modern Critiques) Ben Stoltzfus Carbondale: Southern Illinois University Press ; London: Feffer & Simons, 1st Edition edition, March 1, 1969

xv, 185 pages ; 22 cm Includes bibliographical references (pages 159-176) and index

英语 [en] · PDF · 7.6MB · 1969 · 📗 未知类型的图书 · 🚀/ia · Save

lgli/Inconnu - Aminadab ( Aminadab ).pdf

Aminadab ( Aminadab ) Maurice Blanchot, Jeff Fort, Jeff Fort University of Nebraska Press, French modernist library, Lincoln, NE, 2002

The world of Aminadab , Maurice Blanchot's second novel, is dark, bizarre, and fantastic. Reminiscent of Kafka's enclosed and allegorical spaces, Aminadab isboth a reconstruction and a deconstruction of power, authority, and hierarchy. The novel opens when Thomas, upon seeing a woman gesture to him from a window of a large boarding house, enters the building and slowly becomes embroiled in its inscrutable workings. Although Thomas is constantly reassured that he can leave the building, he seems to be separated forever from the world he has left behind. The story consists of Thomas's frustrated attempts to clarify his status as a resident in the building and his misguided interactions with the cast of sickly, depraved, or in some way deformed characters he meets, none of them ever quite what they seem to be. Aminadab, the man who according to legend guards the entrance to the building's underground spaces, is only one of the mysteries reified by the rumors circulating among the residents. Written in a prose that is classical and at times lyrical, Blanchot's novel functions as an allegory referring, above all, to the wandering and striving movement of writing itself.

英语 [en] · PDF · 0.7MB · 2002 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

ia/theoriesofafrica0000mill.pdf

Theories of Africans: Francophone Literature and Anthropology in Africa (Black Literature and Culture Series) Miller, Christopher L., 1953- Ill.] : University of Chicago Press, Black literature and culture, Chicago, Illinois, 1990

Introduction: Reading Through Western Eyes -- Ethnicity And Ethics -- Orality Through Literacy: Mande Verbal Art After The Letter -- L'enfant Noir, Totemism, And Suspended Animism -- Les Soleils Des Independances And Francophone Dialogue -- Senegalese Women Writers, Silence, And Letters: Before The Canon's Roar -- Conclusion. Christopher L. Miller. Includes Bibliographical References (p. 299-321) And Index.

英语 [en] · PDF · 20.1MB · 1990 · 📗 未知类型的图书 · 🚀/ia · Save

nexusstc/Authoritarian Fictions: The Ideological Novel as a Literary Genre/325739f8b3e487cd9a4770f294d50ee5.pdf

Authoritarian fictions : the ideological novel as a literary genre Susan Rubin Suleiman Princeton University Press, Princeton paperbacks, Princeton, N.J, New Jersey, 1993

Political ideologies often informed early twentieth-century French novels, creating a hybrid genre that is both "realist" and didactic: the roman thse. In this ground-breaking and critically acclaimed work, Susan Suleiman looks beyond the politics of novels by such authors as Malraux, Mauriac, Sartre, and Aragon, and examines their shared formal and generic features. Although the genre itself is considered antimodern, the critical and interpretive problems it raises are central to an understanding of both realist and modernist writing. "The great virtue of [Suleiman's] book is its ability to synthesize a range of theoretical ideas--whether formalist, structuralist or "reader-response' in the service of a clear and compelling critical argument."--Christopher Norris, The London Review of Books "This book is certainly one of the best examples of semiotic theory put to use for interpretation of literature and its relation to culture."--Thas Morgan, Genre

英语 [en] · PDF · 34.5MB · 1993 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

ia/francophonestudi0000unse.pdf

Francophone Studies: A Glossary (Essential Glossary) edited by Margaret A. Majumdar London: Arnold ; New York: Distributed in the United States of America by Oxford University Press, Essential glossary, London, New York, England, 2002

This glossary offers an introduction to Francophone Studies and a route-map to further study. Designed specifically with undergraduates in mind, it contains concise and accessible explanations of the key words, events, figures and concepts in Francophone Studies since 1945.From 'Afropessimisme' and 'Brazzaville Declaration' to 'Setif Uprising' and 'Wilaya', it gives an interdisciplinary overview of Francophone Studies, and offers directions for further reading. Covering politics, popular culture, private life, cultural institutions and significant events, the entries are fully cross-referenced and assume no prior knowledge, making this an essential reference for students of Francophone Studies in the Humanities and Social Sciences.

英语 [en] · PDF · 18.0MB · 2002 · 📗 未知类型的图书 · 🚀/ia · Save

ia/frenchcivilizati0000unse_u1z8.pdf

French Civilization and Its Discontents: Nationalism, Colonialism, Race (After the Empire: The Francophone World and Postcolonial France) Tyler Stovall; Georges Van Den Abbeele; Janet Bergstrom; Hafid Gafaiti; douard Glissant; Donna Hunter; Jean Jonassaint; Valerie Kaussen; Ethan Kleinberg; Driss Maghraoui; Patricia A. Morton; Richard Terdiman; Lyn Thompson; Nancy Wood; Winifred Woodhull; Ali Yedes Plymouth : Lexington Books, After the Empire: the francophone world and postcolonial France, Lanham, Md, 2003

The Intelligentsia And New Conceptions Of French Identity / Richard Terdiman -- The Marginality Of Michel De Certeau / Patricia Morton -- Disorienting Le Corbusier: Charles-edouard Jeanneret's 1911 Voyage D'orient / Winifred Woodhull -- France In The Wilderness / Janet Bergstrom -- Opacity In The Films Of Claire Denis -- Black Diaspora And Crǒlisation / Édouard Glissant -- The French Language In The Face Of Creolization / Ethan Kleinberg -- Kojv̈e And Fanon: The Desire For Recognition And The Fact Of Blackness / Donna Hunter -- Historically Particular Uses Of A Universal Subject / Jean Jonassaint -- For A Caribbean Intertext: On Some Readings Of Maryse Cond'̌s Crossing The Mangrove / Valerie Kaussen -- Hereditary Antagonism: Race And Nation In Maurice Casseus's Viejo -- Orientalism And The Maghrebian Presence In Post-colonial France / Hafid Gafaiti -- Nationalism, Colonialism, And Ethnic Discourse In The Construction Of French Identity / Driss Maghraoui -- French Identity, Islam And North Africans: Colonial Legacies, Post-colonial Realities / Ali Yedes -- Social Dynamics In Colonial Algeria: The Question Of Pieds-noirs Identity / Nancy Wood -- Remembering The Jews Of Algeria -- Miscegenation, Degeneration, And Other Metropolitan Anxieties / Lyn Thompson -- Decadence/degeneration/crǒlit:̌ Rachilde's La Jongleuse / Tyler Stovall -- Love, Labor, And Race: Colonial Men And White Women In France During The Great War / Georges Van Den Abbeele / The Children Of Belgium. Edited By Tyler Stovall, Georges Van Den Abbeele. Includes Bibliographical References (p. 343-364) And Index.

英语 [en] · PDF · 24.1MB · 2003 · 📗 未知类型的图书 · 🚀/ia · Save

ia/francefrom1851to0000cele.pdf

France from 1851 to the Present. ; Universalism in Crisis R. Célestin; E. DalMolin Palgrave Macmillan Limited, Springer Nature, New York, 2007

Bringing together history, literature, and popular culture, this book provides a cultural history of France from a period of dominance in the mid-19th century to one of decline or crisis in the first few years of the third millennium. Contains both chronological narrative and a selection of primary documents in translation. Erscheinungsdatum: 17.04.2008

英语 [en] · PDF · 31.8MB · 2007 · 📗 未知类型的图书 · 🚀/ia · Save

ia/frencheroticfict00alex.pdf

French Erotic Fiction: Women's Desiring Writing: 1880-1990 (Berg French Studies Series) Alex Hughes, Kate Ince, Jennifer Birkett Berg Publishers; Brand: Berg Publishers, Berg French studies, Oxford, Washington, D.C, England, 1996

This fascinating study explores the pleasures and torments of love and sexuality as depicted in the works of six important French women writers: Rachilde, Colette, Leduc, Wittig, Cixous and Duras. Historically, erotic literature has been dominated by male writers. Feminist critics have argued that its central motifs of voyeurism, sadomasochism, incest and violence to women's bodies are governed by the unconscious fantasies and prejudices of a patriarchal sociocultural order.The contributors question how this sociocultural order has affected the erotic writing of the women writers studied. They explore the opportunities for, and constraints on, women's erotic writing in the early to mid-twentieth century through the works of Rachilde, Colette and Leduc. This is contrasted with the writing of prominent contemporary authors -- Wittig, Cixous and Duras -- to reveal new developments and diversification within the genre. The focus throughout is on how these writers deal with erotic language and rhetoric, their treatment of traditional themes of eroticism, and -- most vital to recent feminist criticism and theory -- their vision of the female body and women's sexual pleasure. The book provides key insights into the development of women's erotic discourse throughout this century and the diversity that characterizes it.

英语 [en] · PDF · 9.5MB · 1996 · 📗 未知类型的图书 · 🚀/ia · Save

ia/corpsmystiquecor0000unse.pdf

Yale French Studies, Number 86: Corps Mystique, Corps Sacré: Textual Transfigurations Of The Body From The Middle Ages To The Seventeenth Century (yale French Studies Series) Francoise Jaouen; Françoise Jaouën; Benjamin Semple New Haven, Conn.: Yale University Press, Yale French studies -- no. 86, New Haven, Conn, Connecticut, 1994

This volume examines the variety of textual incarnations of the sacred and mystical body in French texts of the Medieval and Early modern period. Scholars examine Old French hagiography, epic and romance; Renaissance court ballet; seventeenth-century political treatises, memoirs of royal wedding ceremonies; and utopian, satirical, philosophical and didactic literature. The intellectual scope of the volume covers topics as diverse as medieval scholasticism, the representation of Pascals dead body, seventeenth-century political thought, relations between representations of the male and female body, and the foundations of modern scientific notions of the body.

英语 [en] · PDF · 13.8MB · 1994 · 📗 未知类型的图书 · 🚀/ia · Save

nexusstc/Fiction in the Archives: Pardon Tales and Their Tellers in Sixteenth-century France/ba3fbd0112fdacdd2aac67ac7e7822b5.pdf

Fiction in the archives : pardon tales and their tellers in sixteenth-century France Natalie Zemon Davis Stanford University Press, Stanford (CA), 1990

To receive a royal pardon in sixteenth-century France for certain kinds of homicide--unpremeditated, unintended, in self-defense, or otherwise excusable--a supplicant had to tell the king a story. These stories took the form of letters of remission, documents narrated to royal notaries by admitted offenders who, in effect, stated their case for pardon to the king. Thousands of such stories are found in French archives, providing precious evidence of the narrative skills and interpretive schemes of peasants and artisans as well as the well-born. This book, by one of the most acclaimed historians of our time, is a pioneering effort to us the tools of literary analysis to interpret archival texts: to show how people from different stations in life shaped the events of a crime into a story, and to compare their stories with those told by Renaissance authors not intended to judge the truth or falsity of the pardon narratives, but rather to refer to the techniques for crafting stories. A number of fascinating crime stories, often possessing Rabelaisian humor, are told in the course of the book, which consists of three long chapters. These chapters explore the French law of homicide, depictions of "hot anger" and self-defense, and the distinctive characteristics of women's stories of bloodshed. The book is illustrated with seven contemporary woodcuts and a facsimile of a letter of remission, with appendixes providing several other original documents. This volume is based on the Harry Camp Memorial Lectures given at Stanford University in 1986.

英语 [en] · PDF · 11.7MB · 1990 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

ia/balzacjamesreali0000stow_u1l9.pdf

Balzac, James, and the Realistic Novel (Princeton Legacy Library, 612) William W. Stowe Princeton University Press, Princeton University Press, Princeton, 2014

This book has a double purpose: to compare the literary projects, theories, and careers of Balzac and Henry James, and to develop a theory of realism that can account for their unabashed mimetic intentions and for their novels'sophisticated textuality.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

英语 [en] · PDF · 9.6MB · 2014 · 📗 未知类型的图书 · 🚀/ia · Save

ia/immigrationident0000harg.pdf

Immigration And Identity In Beur Fiction: Voices From The North African Community In France (berg French Studies Series) Hargreaves, Alec G. Berg : Distributed exclusively in the US and Canada by St. Martin's Press, Berg French studies, Oxford, New York, New York State, 1997

Narrative works by second-generation Maghrebis in France, popularly known as Beurs, are a vibrant part of the rapidly growing field of post-colonial literature. This expanded and updated edition of Alec Hargreaves' ground-breaking study combines careful analysis of the formal structures of Beur fiction with a wealth of insights derived from interviews with the authors and extensive access to unpublished writings.First published in hardback in 1991, the book is now being produced in paperback to cater for the high level of interest expressed in the hardback edition.

英语 [en] · PDF · 11.3MB · 1997 · 📗 未知类型的图书 · 🚀/ia · Save

lgli/F:\Library.nu\65\_198101.651d06b1634a523cd5098f1b12ddcbb2.pdf

Jean-Paul Sartre (Reaktion Books - Critical Lives) Andrew N Leak Reaktion Books, Reaktion Books Ltd., London, 2006

“What I have just written is false. True. Neither true nor false, like everything one writes about madmen, about men.” With these sentences, Jean-Paul Sartre undermines the truthfulness of his own autobiography, Les Mots. Undeterred by such circumlocutions, Andrew Leak here cuts through Sartre’s own disavowals to unearth the man behind the literary and philosophical giant. This biographical study integrates Sartre’s works into his personal life, revealing the intimate contexts in which his philosophy developed. From Sartre’s beginnings as a bright and precocious student, Leak explores how he struggled against the repressive strictures of bourgeois expectations, endured cruelty at the hands of schoolmates, and forged his conflicted personality within a fragmented family life. The book probes his particularly influential relationships with a range of people—from Simone de Beauvoir to Gaston Gallimard—and how Sartre was transformed by historical events, in particular his service in World War II.Telling anecdotes, personal correspondence, and archival photographs expose how Sartre’s own challenges emerged as predominant themes in his works—such as the often blurred delineation between the real and imaginary, and his preoccupation with definitions of “madness” in the individual. Leak’s astute and provocative examination of Sartre himself challenges the philosopher’s assertion about the limits of knowledge of the other. (20061226)

英语 [en] · PDF · 1.0MB · 2006 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

lgli/D:\!genesis\library.nu\d0\_192275.d07a16fa9af7e191a3225bbc6ffa0e07.pdf

Provisionality and the Poem: Transition in the Work of du Bouchet, Jaccottet and Noel (Faux Titre 278) Emma, Wagstaff Rodopi; Editions Rodopi BV.; Brand: Editions Rodopi BV., Brill Academic Publishers, Amsterdam, 2006

Much poetic writing in France in the post-1945 period is set in an elemental landscape and expressed through an impersonal poetic voice. It is therefore often seen as primarily spatial and cut off from human concerns. This study of three poets, Andr? du Bouchet, Philippe Jaccottet and Bernard No?l, who have not been compared before, argues that space is inseparable from time in their work, which is always in transition. The different ways in which the provisional operates in their writing show the wide range of forms that modern poetry can take: an insistence on the figure of the interval, hesitant movement, or exuberant impulse. As well as examining the imaginative universes of the poets through close attention to the texts, this book considers the important contribution they have made in their prose writing to our understanding of the visual arts and poetry translation, in themselves transitional activities. It argues that these writers have, in different ways! , succeeded in creating poetic worlds that attest to close and constantly changing contact with the real. Contents Acknowledgements List of Illustrations Introduction 1. Poetry in Time 2. Words in the Air 3. Art and the Book: Du Bouchet, No?l and the Visual Arts 4. The Foreign Language: Jaccottet, du Bouchet and Translation 5. Silence: No?l, Jaccottet and the Limits of Language Conclusion Illustrations Bibliography Index

英语 [en] · PDF · 2.1MB · 2006 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

duxiu/initial_release/a_40685441.zip

Freud, Proust and Lacan: Theory as Fiction (Cambridge Paperback Library) DAVID JAMES FISHER, Bowie, Malcolm, Malcolm Bowie TRANSACTION PUBLISHERS, 1987, 1987

The views of Freud, Proust and Lacan are depicted through this staging of a series of provocative dialogues between psychological science and imaginative literature of the twentieth century. FREUD had many harsh words for those who came to psycho-analysis in search of a world-view to supplant the 'scientific outlook' or to attenuate its rigours. Malcolm Bowie. Includes Index. Bibliography: P. 214-221.

英语 [en] · PDF · 57.7MB · 1987 · 📗 未知类型的图书 · 🚀/duxiu/zlibzh · Save

ia/familyidiotgusta0001sart.pdf

The Family Idiot : Gustave Flaubert, 1821-1857, Volume 1 Jean-Paul Sartre; translated by Carol Cosman Chicago: University of Chicago Press, University of Chicago Press, [N.p.], 2021

That Sartre's study of Flaubert, The Family Idiot, is a towering achievement in intellectual history has never been disputed. Yet critics have argued about the precise nature of this novel, or biography, or'criticism-fiction'which is the summation of Sartre's philosophical, social, and literary thought. Sartre writes, simply, in the preface to the book:'The Family Idiot is the sequel to The Question of Method. The subject: what, at this point in time, can we know about a man? It seemed to me that this question could only be answered by studying a specific case.''A man is never an individual,'Sartre writes,'it would be more fitting to call him a universal singular. Summed up and for this reason universalized by his epoch, he in turn resumes it by reproducing himself in it as singularity. Universal by the singular universality of human history, singular by the universalizing singularity of his projects, he requires simultaneous examination from both ends.'This is the method by which Sartre examines Flaubert and the society in which he existed. Now this masterpiece is being made available in an inspired English translation that captures all the variations of Sartre's style—from the jaunty to the ponderous—and all the nuances of even the most difficult ideas. Volume 1 consists of Part One of the original French work, La Constitution, and is primarily concerned with Flaubert's childhood and adolescence.

英语 [en] · 法语 [fr] · PDF · 27.1MB · 2021 · 📗 未知类型的图书 · 🚀/ia · Save

upload/motw_shc_2025_10/shc/Politics and Narratives of Birth_ Gynocolo - Carol A. Mossman.pdf

Politics and Narratives of Birth: Gynocolonization from Rousseau to Zola (Cambridge Studies in French, Series Number 41) Carol A. Mossman New York, NY : Cambridge University Press, Cambridge Studies in French, 1st Ed., 1993

This book is a feminist analysis which combines a psychoanalytic perspective on catastrophic birth with the politics of reproduction in the emergent democracy of nineteenth-century France. It focuses on three major thinkers whose personal relation to origins is problematic, Rousseau, Constant and Stendhal, and also includes a broad reading of the nineteenth-century novel within the frame of pathological generation, giving special attention to works by Michelet and Zola. Professor Mossman identifies important areas of interaction between production and reproduction at the level of aesthetic form and between private, birth-related discourse and the ideology of the birth of democracy. Within the context of the collapse of Ancien Régime France, the nascent ideology of motherhood collides with modes of discourse that invade and colonize the maternal body, generating a considerable burden of anxiety expressed in the nineteenth-century French novel.

英语 [en] · PDF · 5.3MB · 1993 · 📘 非小说类图书 · 🚀/duxiu/lgli/lgrs/nexusstc/upload/zlib · Save

ia/careerstoriesbel0000roge.pdf

Career Stories : Belle Époque Novels of Professional Development Juliette M. Rogers University Park, Pa.: Pennsylvania State University Press, Pennsylvania State University Press, University Park, Pa, 2007

In Career Stories, Juliette Rogers considers a body of largely unexamined novels from the Belle Époque that defy the usual categories allowed the female protagonist of the period. While most literary studies of the Belle Époque (1880–1914) focus on the conventional housewife or harlot distinction for female protagonists, the heroines investigated in Career Stories are professional lawyers, doctors, teachers, writers, archeologists, and scientists.In addition to the one well-known woman writer from the Belle Époque, Colette, this study will expand our knowledge of relatively unknown authors, including Gabrielle Reval, Marcelle Tinayre, and Colette Yver, who actively participated in contemporary debates on women's possible roles in the public domain and in professional careers during this period. Career Stories seeks to understand early twentieth century France by examining novels written about professional women, bourgeois and working-class heroines, and the particular dilemmas that they faced. This book contributes a new facet to literary histories of the Belle Époque: a subgenre of the bildungsroman that flourished briefly during the first decade of the twentieth century in France. Rogers terms this subgenre the female berufsroman, or novel of women's professional development.Career Stories will change the way we think about the Belle Époque and the interwar period in French literary history, because these women writers and their novels changed the direction that fiction writing would take in post-World War I France.

英语 [en] · PDF · 14.2MB · 2007 · 📗 未知类型的图书 · 🚀/ia · Save

ia/familyidiotgusta0004sart.pdf

The Family Idiot : Gustave Flaubert, 1821-1857, Volume 1 Jean-Paul Sartre; translated by Carol Cosman Chicago: University of Chicago Press, University of Chicago Press, [N.p.], 2021

That Sartre's study of Flaubert, The Family Idiot, is a towering achievement in intellectual history has never been disputed. Yet critics have argued about the precise nature of this novel, or biography, or'criticism-fiction'which is the summation of Sartre's philosophical, social, and literary thought. Sartre writes, simply, in the preface to the book:'The Family Idiot is the sequel to The Question of Method. The subject: what, at this point in time, can we know about a man? It seemed to me that this question could only be answered by studying a specific case.''A man is never an individual,'Sartre writes,'it would be more fitting to call him a universal singular. Summed up and for this reason universalized by his epoch, he in turn resumes it by reproducing himself in it as singularity. Universal by the singular universality of human history, singular by the universalizing singularity of his projects, he requires simultaneous examination from both ends.'This is the method by which Sartre examines Flaubert and the society in which he existed. Now this masterpiece is being made available in an inspired English translation that captures all the variations of Sartre's style—from the jaunty to the ponderous—and all the nuances of even the most difficult ideas. Volume 1 consists of Part One of the original French work, La Constitution, and is primarily concerned with Flaubert's childhood and adolescence.

英语 [en] · 法语 [fr] · PDF · 16.4MB · 2021 · 📗 未知类型的图书 · 🚀/ia · Save

lgli/D:\!genesis\library.nu\e2\_170007.e2675d7e8eaafd30ae9b22eb5715120f.pdf

Crossing the divide : representations of deafness in biography Author: Rachel M. Hartig Gallaudet University Press, 1st, First Edition, PS, 2006

This remarkable volume examines the process by which three deaf, French biographers from the 19th and 20th centuries attempted to cross the cultural divide between deaf and hearing worlds through their work. The very different approach taken by each writer sheds light on determining at what point an individual’s assimilation into society endanger his or her sense of personal identity.Author Hartig begins by assessing the publications of Jean-Ferdinand Berthier (1803-1886). Berthier wrote about Auguste B?bian, Abb? de l’Ep?e, and Abb? Sicard, all of whom taught at the National Institute for the Deaf in Paris. Although Berthier presented compelling portraits of their entire lives, he paid special attention to their political and social activism, his main interest.Yvonne Pitrois (1880-1937) pursued her particular interest in the lives of deaf-blind people. Her biography of Helen Keller focused on her subject’s destiny in conjunction with her unique relationship with Anne Sullivan. Corinne Rocheleau-Rouleau (1881-1963) recounted the historical circumstances that led French-Canadian pioneer women to leave France. The true value of her work resides in her portraits of these pioneer women: maternal women, warriors, religious women, with an emphasis on their lives and the choices they made.Crossing the Divide reveals clearly the passion these biographers shared for narrating the lives of those they viewed as heroes of an emerging French deaf community. All three used the genre of biography not only as a means of external exploration but also as a way to plumb their innermost selves and to resolve ambivalence about their own deafness.

英语 [en] · PDF · 1.0MB · 2006 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

ia/terrorconsensusv0000unse.pdf

Terror and consensus : vicissitudes of French thought Jean-Joseph Goux; Terror and Consensus: the Cultural Singularity of French Thought? Stanford, Calif.: Stanford University Press, Stanford, Calif, California, 1998

Speak, If You Are A Man, Or, The Transcendental Exclusion / Barbara Cassin -- Terror On The Run / Jean-françois Lyotard -- Subversion And Consensus: Proletarians, Women, Artists / Jean-joseph Goux -- The French Exception: End Or Continuation? / Marc Augé -- The Terror Of Consensus / Françoise Gaillard -- Democracy And Totalitarianism In Contemporary French Thought: Neoliberalism, The Heidegger Scandal, And Ethics In Post-structuralism / Philip R. Wood -- Postmodernity And The Politics Of Multiculturalism: The Lyotard-habermas Debate Over Social Theory / Mark Poster -- Performative Universalism And Cultural Diversity: French Thought And American Contexts / Françoise Lionnet -- Theater And Terror: Le Jugement Dernier Des Rois / Jean-marie Apostolidès -- Hostile Enlightenment / Pierre Saint-amand -- The Intellectual Sublime: Zola As Archetype Of A Cultural Myth / Susan Rubin Suleiman -- Is The West The Universal Model For Humanity? The Baruya Of New Guinea Between Change And Decay / Maurice Godelier. Edited By Jean-joseph Goux And Philip R. Wood. The Papers Assembled Here Comprise Contributions To A Conference Entitled 'terror And Consensus: The Cultural Singularity Of French Thought?' Held At Rice University In 1993, The Bicentenary Of The Great Terror Of The French Revolution, And Other Contributions Solicited Subsequently--introd. Includes Bibliographical References (p. 197-217) And Index.

英语 [en] · PDF · 13.1MB · 1998 · 📗 未知类型的图书 · 🚀/ia · Save

ia/familyidiotgusta0003sart.pdf

The Family Idiot : Gustave Flaubert, 1821-1857, Volume 1 Jean-Paul Sartre; translated by Carol Cosman Chicago: University of Chicago Press, University of Chicago Press, [N.p.], 2021

That Sartre's study of Flaubert, The Family Idiot, is a towering achievement in intellectual history has never been disputed. Yet critics have argued about the precise nature of this novel, or biography, or'criticism-fiction'which is the summation of Sartre's philosophical, social, and literary thought. Sartre writes, simply, in the preface to the book:'The Family Idiot is the sequel to The Question of Method. The subject: what, at this point in time, can we know about a man? It seemed to me that this question could only be answered by studying a specific case.''A man is never an individual,'Sartre writes,'it would be more fitting to call him a universal singular. Summed up and for this reason universalized by his epoch, he in turn resumes it by reproducing himself in it as singularity. Universal by the singular universality of human history, singular by the universalizing singularity of his projects, he requires simultaneous examination from both ends.'This is the method by which Sartre examines Flaubert and the society in which he existed. Now this masterpiece is being made available in an inspired English translation that captures all the variations of Sartre's style—from the jaunty to the ponderous—and all the nuances of even the most difficult ideas. Volume 1 consists of Part One of the original French work, La Constitution, and is primarily concerned with Flaubert's childhood and adolescence.

英语 [en] · 法语 [fr] · PDF · 28.0MB · 2021 · 📗 未知类型的图书 · 🚀/ia · Save

ia/temptationofimpo0000varg.pdf

The Temptation of the Impossible: Victor Hugo and "Les Miserables" Llosa, Mario Vargas Princeton: Princeton University Press, Princeton University Press, Princeton, 2007

It was one of the most popular novels of the nineteenth century and Tolstoy called it "the greatest of all novels." Yet today Victor Hugo's Les Misérables is neglected by readers and undervalued by critics. In The Temptation of the Impossible, one of the world's great novelists, Mario Vargas Llosa, helps us to appreciate the incredible ambition, power, and beauty of Hugo's masterpiece and, in the process, presents a humane vision of fiction as an alternative reality that can help us imagine a different and better world. Hugo, Vargas Llosa says, had at least two goals in Les Misérables—to create a complete fictional world and, through it, to change the real world. Despite the impossibility of these aims, Hugo makes them infectious, sweeping up the reader with his energy and linguistic and narrative skill. Les Misérables, Vargas Llosa argues, embodies a utopian vision of literature—the idea that literature can not only give us a supreme experience of beauty, but also make us more virtuous citizens, and even grant us a glimpse of the "afterlife, the immortal soul, God." If Hugo's aspiration to transform individual and social life through literature now seems innocent, Vargas Llosa says, it is still a powerful ideal that great novels like Les Misérables can persuade us is true.

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The Nothing Machine: The Fiction of Octave Mirbeau. (Faux Titre) Mirbeau, Octave; Ziegler, Robert Rodopi B.V. Editions, Faux titre no. 298, n, 2007

In an era when reality was aestheticized as collectibles, Octave Mirbeau unleashed his fiction like a destructive machine, setting fire to stale material and discredited ideologies, burning them as fuel and expelling texts as clean emissions. In this first English-language overview of all the novels published under Mirbeau's name, this study argues that Mirbeau is unique among his fin-de-siècle peers. Unlike the Decadents, whose art was a reliquary in which dead inspiration was preserved, Mirbeau disengaged himself from the corpses of past works. Abhorring tradition and complacency, Mirbeau elaborated a kinetics of fiction that made the novel into an agent of violent transformation. Contrasting the Decadents' aesthetic of elegant morbidity with Mirbeau's vitalistic view of fiction, this volume shows Mirbeau modeling himself on the figure of the torture artist, cutting up his finished works, building novels to disassemble them, fitting them together in revolutionary ways. Creativity for Mirbeau fertilizes un jardin des supplices , a cemetery smoldering with decomposing texts that are resolved into their constituent parts and then reemerge in different guises. In Mirbeau's writing, lives and art works are only transient aggregates of material, and creativity is immortalized through the perishing of old forms. **

英语 [en] · PDF · 1.8MB · 2007 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save

nexusstc/The Lacanian Subject: Between Language and Jouissance/e0425bf7b310ed3b52728cdfa8f81dc1.pdf

The Lacanian Subject : Between Language and Jouissance Bruce Fink Princeton University Press, New Ed edition, November 25, 1996

This book presents the radically new theory of subjectivity found in the work of Jacques Lacan. Against the tide of post-structuralist thinkers who announce "the death of the subject," Bruce Fink explores what it means to come into being as a subject where impersonal forces once reigned, subjectify the alien roll of the dice at the beginning of our universe, and make our own knotted web of our parents' desires that led them to bring us into this world. Lucidly guiding readers through the labyrinth of Lacanian theory--unpacking such central notions as the Other, object a, the unconscious as structures like a language, alienation and separation, the paternal metaphor, jouissance, and sexual difference--Fink demonstrates in-depth knowledge of Lacan's theoretical and clinical work. Indeed, this is the first book to appear in English that displays a firm grasp of both theory and practice of Lacanian psychoanalysis, the author being one of the only Americans to have undergone full training with Lacan's school in Paris. Fink Leads the reader step by step into Lacan's conceptual system to explain how one comes to be a subject--leading to psychosis. Presenting Lacan's theory in the context of his clinical preoccupations, Fink provides the most balanced, sophisticated, and penetrating view of Lacan's work to date--invaluable to the initiated and the uninitiated alike.

英语 [en] · PDF · 4.9MB · 1996 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

ia/michealtourinier0000unse.pdf

Michel Tournier And The Metaphor Of Fiction (modern French Writers) Jean Pierre Boulé Liverpool University Press, Liverpool University Press / Books, Liverpool, 1999

Michel Tournier is a writer who explores complex philosophical questions in the guise of concrete, imagistic narratives. This comprehensive study privileges the notion of literary reference, by which the world of text is understood or experienced in metaphorical relation to the world outside of it. Metaphor, in the context of Tournier{u2019}s fiction, shows how the fantastic merges with the real to provide new perspectives on many diverse aspects of the modern world: the Crusoe myth, Nazism, the value to society of art and religion, and the nature of education. This book elucidates an aesthetic of Tournier{u2019}s fiction that encompasses the writer{u2019}s stated ambition to {u2018}go beyond literature{u2019}

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upload/alexandrina/Collections/Project-Muse/Princeton University Press/The Lacanian Subject- Between Language and Jouissance.pdf

The Lacanian Subject : Between Language and Jouissance Bruce Fink Princeton University Press, Princeton University Press, [N.p.], 2017

Cover 1 Half Title, Title Page, Copyright, Dedication 2 Contents 8 Preface 12 One: Language and Otherness 20 Two: The Nature of Unconscious Thought, or How the Other Half "Thinks" 33 Three: The Creative Function of the Word: The Symbolic and the Real 43 Part Two: The Lacanian Subject 52 Four: The Lacanian Subject 54 Five: The Subject and the Other's Desire 68 Six: Metaphor and the Precipitation of Subjectivity 88 Seven: Object (a): Cause of Desire 100 Eight: There's No Such Thing as a Sexual Relationship 117 Nine: The Four Discourses 146 Ten: Psychoanalysis and Science 157 Afterword 166 Appendix 1: The Language of the Unconscious 172 Appendix 2: Stalking the Cause 184 Glossary of Lacanian Symbols 192 Acknowledgments 194 Notes 196 Bibliography 226 Index 232 Publisher:Princeton University Press,Published:2017,ISBN:9781400885671,Related ISBN:9780691015897,Language:English,OCLC:1016848316 This book presents the radically new theory of subjectivity found in the work of Jacques Lacan. Against the tide of post-structuralist thinkers who announce "the death of the subject," Bruce Fink explores what it means to come into being as a subject where impersonal forces once reigned, subjectify the alien roll of the dice at the beginning of our universe, and make our own knotted web of our parents' desires that led them to bring us into this world. Lucidly guiding readers through the labyrinth of Lacanian theory--unpacking such central notions as the Other, object a, the unconscious as structures like a language, alienation and separation, the paternal metaphor, jouissance, and sexual difference--Fink demonstrates in-depth knowledge of Lacan's theoretical and clinical work. Indeed, this is the first book to appear in English that displays a firm grasp of both theory and practice of Lacanian psychoanalysis, the author being one of the only Americans to have undergone full training with Lacan's school in Paris. Fink Leads the reader step by step into Lacan's conceptual system to explain how one comes to be a subject--leading to psychosis. Presenting Lacan's theory in the context of his clinical preoccupations, Fink provides the most balanced, sophisticated, and penetrating view of Lacan's work to date--invaluable to the initiated and the uninitiated alike.

英语 [en] · PDF · 22.7MB · 2017 · 📘 非小说类图书 · 🚀/lgli/upload/zlib · Save

lgli/D:\!genesis\library.nu\ff\_152838.ff92abb1385403194a5deb103384437b.pdf

Queer Sexualities in French and Francophone Literature and Film. (French Literature) James Day (undifferentiated), James T. Day Brill, Brill Academic Publishers, Amsterdam, 2007

Annotation. The steady development of queer theory over the last two decades has provided useful analytical tools and the will to dismiss the watchdog of heteronormativity. Modes of reading have evolved, as this volume of FLS amply attests. Following Bill Edmiston¿s introduction to the volume ¿ a concise and informative history of queer theory ¿ the fifteen articles reveal, not surprisingly, significant diversity. One deals with queerness in the context of medieval writing where allegorical and euphemistic expression were understood to be irreconcilable. Another treats translations in Early Modern France of an Ovidian fable that had an inconvenient lesbian dimension. Rousseau¿s fixation on his bottom (e.g., for spankings) points to a queer streak, while Gautier¿s Mademoiselle de Maupin enhances the theme of sexual misidentity with ornamental figures. The queerness of Sand¿s La Mare au diable emerges in the course of a contrasexual reading. A musicologist investigates the possibility of a lesbian esthetics of music in a work by Erik Satie, while a literary scholar finds evidence of Proust¿s ¿outing¿ in Jean Santeuil. Other articles address the sense of gender transformation wrought by sodomy, a revised view on the writing subject in Jean Genet¿s fiction, the queerness of heterosexuality in the works of Michel Houellebecq, and recurring motifs in recent fiction produced by ¿gay Paris.¿ Two of the articles treat activism and esthetics in film

英语 [en] · PDF · 1.3MB · 2007 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

ia/tonguesnatcherse0000clau.pdf

Claudine Herrmann became famous in France with he publication of Les Voleuses de langue in 1976. Her much-quoted book is now recognized as a modern classic of feminist literary criticism. Nancy Kline's welcome English translation captures the clarity and passion of observations that go beyond books to boudoirs and boardrooms. Herrmann charges that language is the fundamental means by which women are oppressed. Their education forces them to parrot masculine discourse, often gets them dismissed as chatterboxes, and silences their real lives. Women who desire to express themselves creatively are obliged to "steal" language or to invent one of their own. Based on readings of major texts in literature, philosophy, and the social sciences, The Tongue Snatchers illuminates how men and women differ in their experiences of words, work, space, time, love, and sexuality.

英语 [en] · PDF · 7.9MB · 1991 · 📗 未知类型的图书 · 🚀/ia · Save

lgli/Jean-Paul Sartre [Sartre, Jean-Paul] - The Family Idiot: Gustave Flaubert, 1821-1857, Vol. 4 (2013, ).pdf

The Family Idiot: Gustave Flaubert, 1821-1857, Volume 4 (The Family Idiot) Jean-Paul Sartre [Sartre, Jean-Paul] The University of Chicago Press, 2013

Seen by many as the culmination of Sartre's thought and project, and viewed by Sartre himself as an attempt to answer the question, "What, at this point in time, can we know about a man?" this monumental work continues to perplex its fascinated critics and admirers, who have argued about its precise nature. However, as reviews of the first volume in this translation agreed, whatever The Family Idiot may be called—"a dialectic" (Fredric Jameson, New York Times Book Review); "biography, philosophy, or politics? Surely . . . all of these together" (Renee Winegarten, Commentary); "a new form of fiction?" (Victor Brombert, Times Literary Supplement); or simply, "mad, of course" (Julian Barnes, London Review of Books)—its prominent place in intellectual history is indisputable. Volume 3 consists of "School Years" and "Preneurosis," which are the second and third books of part 2 of the original French work. In vivid detail, Sartre renders Flaubert's secondary-school experiences and relationships: his part in a student rebellion against the faculty, his teenage infatuation with Romantic literature, his friendships and rivalries with his classmates, and the ironies inherent in the schoolboys' bourgeois existence. Sartre then discusses Flaubert's years at law school, where he studied at his father's insistence. This volume also contains Sartre's most sustained analysis of Madame Bovary. Sartre's approach to his complex subject, whether jaunty or judicious, psychoanalytical or political, is captured in all of its rich variety in Carol Cosman's translation.

英语 [en] · PDF · 37.8MB · 2013 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

ia/fictioninarchive0000davi_l1t4.pdf

Fictions in the Archives: Pardon Tales and Their Tellers in Sixteenth-Century France (The Harry Camp lectures at Stanford University) Davis, Natalie Zemon, 1928- author Stanford, Calif.: Stanford University Press, The Harry Camp lectures at Stanford University, Stanford, Calif, California, 1987

To receive a royal pardon in sixteenth-century France for certain kinds of homicideunpremeditated, unintended, in self-defense, or otherwise excusablea supplicant had to tell the king a story. These stories took the form of letters of remission, documents narrated to royal notaries by admitted offenders who, in effect, stated their case for pardon to the king. Thousands of such stories are found in French archives, providing precious evidence of the narrative skills and interpretive schemes of peasants and artisans as well as the well-born. This book, by one of the most acclaimed historians of our time, is a pioneering effort to us the tools of literary analysis to interpret archival to show how people from different stations in life shaped the events of a crime into a story, and to compare their stories with those told by Renaissance authors not intended to judge the truth or falsity of the pardon narratives, but rather to refer to the techniques for crafting stories. A number of fascinating crime stories, often possessing Rabelaisian humor, are told in the course of the book, which consists of three long chapters. These chapters explore the French law of homicide, depictions of "hot anger" and self-defense, and the distinctive characteristics of women's stories of bloodshed. The book is illustrated with seven contemporary woodcuts and a facsimile of a letter of remission, with appendixes providing several other original documents. This volume is based on the Harry Camp Memorial Lectures given at Stanford University in 1986.

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zlib/no-category/Porter, Charles A. (Charles Allan); Waters, Alyson, 1955-/50 years of Yale French studies : a commemorative anthology_119273933.pdf

Yale French Studies, Number 96: 50 Years Of Yale French Studies: A Commemorative Anthology, Part 1: 1948-1979 (yale French Studies Series) Porter, Charles A. (Charles Allan); Waters, Alyson, 1955- New Haven, Conn. : Yale University Press, Yale French studies -- no. 96-97, New Haven, Conn, Connecticut, 1999

volumes ; 24 cm, The year 1998 marked the fiftieth anniversary of Yale French Studies. Taking this occasion to look back on the evolution of the journal and, by extension, on the field of French studies over the past half-century, the Editorial Board of YFS is producing a two-volume commemorative anthology. The selected articles reflect scholars and themes that either represent or run counter to the main trends of a vibrant scholarly tradition during an intellectually exciting period, The prefaces to this first volume of the anthology and the introductions to each decade add a retrospective glance at the role that Yale French Studies has played over the years, pt. 1. 1948-1979, Includes bibliographical references and indexes

英语 [en] · PDF · 18.5MB · 1999 · 📗 未知类型的图书 · 🚀/ia/zlib · Save

upload/alexandrina/Collections/Project-Muse/University of Pennsylvania Press/The Lady as Saint- A Collection of French Hagiographic Romances of the Thirteenth Century.pdf

The Lady as Saint: A Collection of French Hagiographic Romances of the Thirteenth Century (The Middle Ages Series) Cazelles, Brigitte University of Pennsylvania Press, Inc., Middle Ages series, 2. print, 1993

Among The Thirteenth-century Saints Exalted Are Female Martyrs And Hermits Of Early Christianity. In The Lady As Saint, Brigitte Cazelles Offers The First English Translation Of These Lives And Provides Extensive Commentary On The Portrayal Of Female Spirituality. I. Commentary -- 1. Holy Perfection In The Old French Tradition -- 2. Female Sanctity: Trial By Disclosure -- 3. Femininity Circumscribed -- Ii. Anthology -- Agnes -- Barbara -- Catherine Of Alexandria -- Christina -- Elizabeth Of Hungary -- Euphrosina -- Faith -- Juliana -- Margaret Of Antioch -- Marina -- Mary The Egyptian -- Paula -- Thais -- Appendices -- The Ninth Century Sequence Of Saint Eulalia -- Holy Heroines Of Hagiographic Romance: Summary Of Information. [edited By] Brigitte Cazelles. Selected And Translated From Old French Texts. Includes Bibliographical References (p. [319]-331) And Index.

英语 [en] · PDF · 26.1MB · 1993 · 📘 非小说类图书 · 🚀/lgli/upload · Save

nexusstc/Subjectivity and Subjugation in Seventeenth-Century Drama and Prose: The Family Romance of French Classicism/44e90fb15320dbe1cfe20350e1720fa3.pdf

Subjectivity and Subjugation in Seventeenth-Century Drama and Prose: The Family Romance of French Classicism (Cambridge Studies in French, Series Number 36) Mitchell Greenberg Cambridge University Press (Virtual Publishing), Cambridge Studies in French, 1, 1992

This 1992 book analyses the relation between an emergent modern subjectivity in seventeenth-century French literature, particularly in dramatic works, and the contemporaneous evolution of the absolutist state. It shows how major writers of the Classical period (Corneille, Racine, Moliere, Lafayette) elaborate a new subject in and through their representations of the family, and argues that the family serves as the mediating locus of a patriarchal ideology of sexual and political containment. Most importantly, it asks why the theatre became the privileged form of representation in this state, and why this theatre concentrates almost exclusively on family conflict. Professor Greenberg argues that the narrative of oedipal sexuality and subjugation central to this new literary canon reflected the conflicting social, political and economic forces that were shifting European society away from the universe of the Renaissance and guiding it towards the 'transparency' of Classical representation.

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upload/degruyter/DeGruyter Partners/University of Pennsylvania Press [RETAIL]/10.9783_9780812292305.pdf

The Lady as Saint: A Collection of French Hagiographic Romances of the Thirteenth Century (The Middle Ages Series) Cazelles, Brigitte University of Pennsylvania Press, Inc., Middle Ages Series, 1992 jan 31

Among the thirteenth-century saints exalted are female martyrs and hermits of early Christianity. In __The Lady as Saint__, Brigitte Cazelles offers the first English translation of these lives and provides extensive commentary on the portrayal of female spirituality.

英语 [en] · PDF · 25.7MB · 1992 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save

nexusstc/Albert Camus: The Artist in the Arena/cf85c2b2a91ee0743b812b4ed841f3b5.pdf

A Communist Party member in the 1930s, Camus became an independent political critic in the 1950 an outspoken opponent of all forms of totalitarianism, he defended the libertarian principles of Western democracy.Along the way he involved himself in far-reaching intellectual quarrels such as that over his own LHomme rvolt (The Rebel) with Jean-Paul Sartre, which this book examines in fascinating detail. Albert Camus offers illuminating insights into the relationship between intellectuals and politics; a serious contribution to the history of social, political, and ethical ideas.

英语 [en] · PDF · 12.6MB · 1966 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

upload/motw_shc_2025_10/shc/Literature and Material Culture From Balza - Janell Watson.pdf

Literature and Material Culture from Balzac to Proust: The Collection and Consumption of Curiosities (Cambridge Studies in French, Series Number 62) Janell Watson Cambridge University Press (Virtual Publishing), Cambridge Studies in French, 0, 2000

This book addresses the issues of collecting, consuming, classifying and describing the curiosities, antiques and objets d'art that proliferated in French literary texts during the last decades of the nineteenth century. After Balzac made such issues significant in canonical literature, the Goncourt brothers, Huysmans, Mallarmé and Maupassant celebrated their golden age. Flaubert and Zola scorned them. Rachilde and Lorrain perverted them. Proust commemorated their last moments of glory. Focusing on the bibelot (the modern French term for knick-knack, curiosity or other collectible), Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literature signals a massive change in attitudes to the world of goods, which in turn restructured the literary text according to the practical logic of daily life, calling into question established scholarly notions of order. Her study makes an important contribution to the literary history of material culture.

英语 [en] · PDF · 1.1MB · 2000 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save

upload/motw_shc_2025_10/shc/From Mother and Daughter_ Poems, Dialogues - Madeleine Neveu Des Roches.pdf

From Mother and Daughter: Poems, Dialogues, and Letters of Les Dames des Roches (The Other Voice in Early Modern Europe) Madeleine Neveu Des Roches, dame; Catherine Fredonnoit Des Roches, dame; Anne R Larsen University of Chicago Press, University of Chicago Press, Chicago, 2006

Among the best-known and most prolific French women writers of the sixteenth century, Madeleine (1520–87) and Catherine (1542–87) des Roches were celebrated not only for their uncommonly strong mother-daughter bond but also for their bold assertion of poetic authority for women in the realm of belles lettres . The Dames des Roches excelled in a variety of genres, including poetry, Latin and Italian translations, correspondence, prose dialogues, pastoral drama, and tragicomedy; collected in From Mother and Daughter are selections from their celebrated oeuvre, suffused with an engaging and enduring feminist consciousness. Madeleine and Catherine spent their entire lives in civil war–torn Poitiers, where a siege of the city, vandalism, and desecration of churches fueled their political and religious commentary. Members of an elite literary circle that would inspire salon culture during the next century, the Dames des Roches addressed the issues of the day, including the ravages of religious civil wars, the weak monarchy, education for women, marriage and the family, violence against women, and the status of women intellectuals. Through their collaborative engagement in shared public discourse, both mother and daughter were models of moral, political, and literary agency. Review "Larsen's admirable volume makes the des Roches accessible to a wider audience, and will prove an indispensable aid to undergraduate teachers." (Katherine MacDonald MLR ) About the Author Anne R. Larsen is professor of French at Hope College. She is the editor of a three-volume critical edition of the collected writings of Madeleine and Catherine des Roches.

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ia/corneillesirony0000ekst.pdf

Corneille's Irony (Emf Critiques) Nina C. Ekstein Rookwood Press; Rookwood, EMF critiques, Charlottesville (Va.), 2007

210 p. ; 23 cm Includes bibliographical references (p. 188-197) and indexes Pt. 1. Evident irony -- ch. 1. Introduction -- ch. 2. Dramatic irony -- ch. 3. Verbal irony -- ch. 4. Situational irony -- pt. 2. Signals of possible irony -- ch. 5. Reduplication -- ch. 6. Exaggeration -- ch. 7. Gaps -- ch. 8. Margins -- ch. 9. Conclusion

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ia/chaoscosmossaint00harr.pdf

Chaos, cosmos, and Saint-Exupéry's pilot hero : a study in mythopoeia by John R. Harris University Of Scranton Press, Scranton, Pennsylvania, 1999

out Of Chaos Must Come Cosmos, Even Though A Cosmos Which Is Not Exclusively, Stately Aesthetic Must Forever Allow New Intrusions Of Chaos. Antoine De Saint-exupery May Best Be Remembered For His Magical - the Little Prince. Saint-exupery Disappeared During World War Ii, Presumably In A Fatal Crash Of His P-38 Fighter. The Year 2000 Marks The Hundred Anniversary Of Antoine De Saint-exupery's Birth. John R. Harris' Work Will Make A Fine Edition To Any Saint-exupery Fan.

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lgli/Gide, André - Corydon (1924, University of Illinois Press).epub

Corydon Gide, André University of Illinois Press ; University Presses Marketing, 1924

Considered by Gide to be the most important of his books, this slim, exquisitely crafted volume consists of four dialogues on the subject of homosexuality and its place in society. Published anonymously in bits and pieces between 1911 and 1920, Corydon first appeared in a signed, commercial edition in France in 1924 and in the United States in 1950, the year before Gide's death. The present edition features the impeccable translation of the Pulitzer Prize-winning poet Richard Howard. In spirited dialogue with his bigoted, boorish interviewer, Corydon marshals evidence from naturalists, historians, poets, and philosophers to support his contention that homosexuality pervaded the most culturally and artistically advanced civilizations, from Greece in the age of Pericles to Renaissance Italy and England in the age of Shakespeare. Although obscured by later critics, literature and art from Homer to Titian proclaim the true nature of relationships between such lovers as Achilles and Patroclesnot to mention Virgil's mythical Corydon and his shepherd, Alexis, constructed union, while the more fundamental, natural relation is the homosexual one. "My friends insist that this little book is of the kind which will do me the greatest harm," Gide wrote of his Corydon . In these pages, contemporary readers will find a prescient and courageous treatment of a topic that has scarcely become less controversial.

英语 [en] · 法语 [fr] · EPUB · 0.5MB · 1924 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

ia/pleasuresdays0000prou.pdf

Pleasures and Days: And Other Writings (Hesperus Classics) Marcel Proust; translated by Andrew Brown.; [foreword by A.N. Wilson] London: Hesperus Press, Hesperus classics, London, England, 2004

Taking As His Setting The Glamour And Heady Sophistication Of Fin-de-siecle. Parisian Salon Society, Proust Here Presents A Series Of Sketches And Short Stories Depicting The Lives, Love, Manners And Motivations Of A Host Of Characters. Amorous Entanglements, Idle Vanities And Feigned Morality Are All Viewed With A Characteristically Knowing Eye. By Turns Cuttingly Satirical And Bitterly Moving, Proust's Portrayals Are Layered With Imagery And Feeling, Whether They Be Of The Aspiring Bouvard And Pecuchet, The Deluded Madame De Breyves, Or Of Baldassare Silvande Saturated With Regret, Memory And Tragic Understanding In The Face Of Death.--jacket. Foreword / A.n. Wilson -- Pleasures And Days -- The Death Of Baldassare Silvande -- Violante, Or High Society -- Fragments From Italian Comedy -- Bouvard And Pecuchet On Society And Music -- Mme De Breyves's Melancholy Summer Vacation -- Portraits Of Painters And Musicians -- The Confession Of A Young Woman -- A Dinner In Town -- Nostalgia -- Daydreams Under Changing Skies -- The End Of Jealousy. Marcel Proust ; Translated By Andrew Brown ; [foreword By A. N. Wilson]. Translation Of Les Plaisirs Et Les Jours. Translated From The French. First Published, 1896. Et Remotissima Prope. Includes Bibliographical References.

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ia/calixthebeyalape0000hitc.pdf

Calixthe Beyala: Performances of Migration (Contemporary French and Francophone Cultures (Hardcover)) Nicki Hitchcott Liverpool: Liverpool University Press, Liverpool University Press / Books, Liverpool, 2006

The most successful female writer from Francophone Africa, Calixthe Beyala occupies an unusual place in French literary and popular culture. Her novels are bestsellers and she appears regularly on French television, yet a conviction for plagiarism has tarnished her reputation. Thus, she is both an “authentic” African author and a proven literary “fake.” In Calixthe Beyala, Nicki Hitchcott considers representations of Beyala in the media, critical responses to her writing, and Beyala's efforts to position herself as a champion of women's rights. Hitchcott pays equal attention to Beyala's novels, tracing their explorations of the role of migration in the creation of personal identity.

英语 [en] · PDF · 13.5MB · 2006 · 📗 未知类型的图书 · 🚀/ia · Save

ia/isbn_9780226470856.pdf

Pt. 1. The Marvelous -- The Marvelous In The Medieval West. Pt. 2. Space And Time -- The Wilderness In The Medieval West -- The Perception Of Christendom By The Roman Curia And The Organization Of An Ecumenical Council In 1274 -- The Time Of Purgatory (third To Thirteenth Century) -- The Time Of The Exemplum (thirteen Century). Pt. 4. Literature And Imagination -- Levi-strauss In Broceliande: A Brief Analysis Of A Courtly Romance -- Vestimentary And Alimentary Codes In Erec Et Enide -- Warriors And Conquering Bourgeois: The Image Of The City In Twelfth-century French Literature -- An Urban Metaphor Of William Of Auvergne -- Social Realities And Ideological Codes In The Early Thirteenth Century: An Exemplum By James Vitry. Pt. 5. Dreams -- Christianity And Dreams (second To Seventh Century) -- The Dreams Of Helmbrecht The Elder. Jacques Le Goff ; Translated By Arthur Goldhammer. Translation Of: L'imaginaire Médiéval. Includes Index. Bibliography: P. 243-279.

英语 [en] · PDF · 15.7MB · 1992 · 📗 未知类型的图书 · 🚀/ia · Save

ia/symbolistmovemen0000bala.pdf

The symbolist movement : a critical appraisal Balakian, Anna Elizabeth, 1915- New York: New York University Press, New York, New York State, 1977

xiii, 220 p. ; 22 cm Includes bibliographical references (p. [211]-215) and index

英语 [en] · PDF · 8.6MB · 1977 · 📗 未知类型的图书 · 🚀/ia · Save

ia/camusatcombatwri0000albe.pdf

Camus at "Combat": Writing 1944-1947 Albert Camus; Jacqueline Lévi-Valensi Princeton University Press, Princeton University Press, Princeton, 2006

Paris is firing all its ammunition into the August night. Against a vast backdrop of water and stone, on both sides of a river awash with history, freedom's barricades are once again being erected. Once again justice must be redeemed with men's blood.Albert Camus (1913–1960) wrote these words in August 1944, as Paris was being liberated from German occupation. Although best known for his novels including The Stranger and The Plague, it was his vivid descriptions of the horrors of the occupation and his passionate defense of freedom that in fact launched his public fame.Now, for the first time in English, Camus at'Combat'presents all of Camus'World War II resistance and early postwar writings published in Combat, the resistance newspaper where he served as editor-in-chief and editorial writer between 1944 and 1947. These 165 articles and editorials show how Camus'thinking evolved from support of a revolutionary transformation of postwar society to a wariness of the radical left alongside his longstanding strident opposition to the reactionary right. These are poignant depictions of issues ranging from the liberation, deportation, justice for collaborators, the return of POWs, and food and housing shortages, to the postwar role of international institutions, colonial injustices, and the situation of a free press in democracies. The ideas that shaped the vision of this Nobel-prize winning novelist and essayist are on abundant display.More than half a century after the publication of these writings, they have lost none of their force. They still speak to us about freedom, justice, truth, and democracy.

英语 [en] · PDF · 23.0MB · 2006 · 📗 未知类型的图书 · 🚀/ia · Save